Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after ... See full summary »
The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to... See full summary »
Andrea Di Stefano,
1979. Carole and Jerome are 20 and go on tour in Odessa, behind the Iron Curtain. They are cousins and pretend engaged. The day as tourists, they visit monuments and museums. In the evening... See full summary »
1972, Milano. We are just a few days before the general elections. The daughter of a well-known professor is found dead. Mr Bizanti editor in chief of newspaper "Il Giornale", in agreement ... See full summary »
Gian Maria Volonté,
In a last desperate attempt to save the relationship with the man of her life, filmmaker Tatjana Bozic dives into her past and makes a kaleidoscopic journey past her ex-men in order to find out what is wrong with her.
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and is now affected by psychic problems and suicide fantasies. She seems to recover from ... See full summary »
Loosely based on Edgar Allan Poe's story of the same name, Marcelo Gomes and Cao Guimaraes, two of the most interesting filmmakers working in Brazil today, have crafted an elegant, ... See full summary »
Ernesto is a successful artist who has his life turned upside down by his family's wishes for the canonization of his murdered mother. His extreme dislike for her ignorant ways brings about a greater connection with his insane brother who killed her, while his other brothers favor her beatification. There is a struggle of wills and will power. Written by
Sujit R. Varma
L'ora di religione is not a beautiful movie in any sense of the word. It is dark, the shadows and lights of Rome are matched by the moody vision of the director. Bellocchio plays with images Fellini style, but doesn't focus so much on the caricature in 8 & 1/2 style, but tries to convey the ambiguity of contemporary religious life. It's the ambiguity of modernity; cell phones versus pictures of the saints, the feared "immaginette" Italian kids grew up with. Nothing can change, but so much has changed. Bellocchio's movie style is ripe with symbols: a fat Jesus crosses the road with a plastic cross. Priests in the Vatican force african kids to climb stairs on their knees: the church is portrayed to exploit the same old mother load: the poor, the weak, the ignorant, the child. At some point Ernesto, the main character masterfully played by Castellitto finds himself involved in an incongruous duel with a symbol of a past so remote it appears comical: he loses the duel instantly as the swords cross. Nothing can change. Yet we can maybe hope to keep our identity, and even if god's pervasive presence deprives us of freedom, as Ernesto's son is taught, falling in love, shouting a blasphemous curse can be an act of individuality. Or maybe not.
8 of 9 people found this review helpful.
Was this review helpful to you?