The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to... See full summary »
Andrea Di Stefano,
Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after ... See full summary »
A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
The story begins at a medieval dressing party. A man, dressed as the King Enrico IV, falls from his horse and hits his head. This causes him serious lesions and gets insane, believing he is... See full summary »
Burned-out, over-the-hill actor Giovanni returns to Bologna for the funeral of his twin, Pippo, a wealthy suicide unlucky in love. The family tells Pippo's mother it was an accident, but ... See full summary »
A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry. Their targets are a professor, Vittorio Gordini Malvezzi ,(Glauco Mauri), who is... See full summary »
When her father, Giancarlo is transferred to Rome from the small country town of Montalto Di Castro, Caterina, a 12 years old girl, will discover her new classmates, a totally new world, an... See full summary »
A girl and her art professor get trapped inside a castle-museum after it closes at night. After a little resistance she agrees to have sex with him, but then she sues the professor for rape... See full summary »
Ernesto is a successful artist who has his life turned upside down by his family's wishes for the canonization of his murdered mother. His extreme dislike for her ignorant ways brings about a greater connection with his insane brother who killed her, while his other brothers favor her beatification. There is a struggle of wills and will power. Written by
Sujit R. Varma
L'ora di religione is not a beautiful movie in any sense of the word. It is dark, the shadows and lights of Rome are matched by the moody vision of the director. Bellocchio plays with images Fellini style, but doesn't focus so much on the caricature in 8 & 1/2 style, but tries to convey the ambiguity of contemporary religious life. It's the ambiguity of modernity; cell phones versus pictures of the saints, the feared "immaginette" Italian kids grew up with. Nothing can change, but so much has changed. Bellocchio's movie style is ripe with symbols: a fat Jesus crosses the road with a plastic cross. Priests in the Vatican force african kids to climb stairs on their knees: the church is portrayed to exploit the same old mother load: the poor, the weak, the ignorant, the child. At some point Ernesto, the main character masterfully played by Castellitto finds himself involved in an incongruous duel with a symbol of a past so remote it appears comical: he loses the duel instantly as the swords cross. Nothing can change. Yet we can maybe hope to keep our identity, and even if god's pervasive presence deprives us of freedom, as Ernesto's son is taught, falling in love, shouting a blasphemous curse can be an act of individuality. Or maybe not.
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