| Emmy Rossum | ... | Nola | |
| Steven Bauer | ... | Leo | |
| James Badge Dale | ... | Ben | |
| Thom Christopher | ... | Niles | |
| Sam Coppola | ... | Gus | |
| Adam LeFevre | ... | Sam | |
| Michael Cavadias | ... | Wendy | |
| Damian Young | ... | Maitre D' | |
| Bernie McInerney | ... | Professor Cummings | |
| Larry Pine | ... | Max | |
| Michael Medeiros | ... | Mike Flanders | |
| Mary McDonnell | ... | Margaret Langworthy | |
| Lynne Matthew | ... | Judge Belfray | |
| James Ransone | ... | Neo-Gothboy | |
| Janis Dardaris | ... | Nola's Mother | |
| Dominic Marcus | ... | Slick | |
| Matt Servitto | ... | Nola's Stepfather | |
| Al Nazemian | ... | Young East Indian Man | |
| Taj Crown | ... | Van Vendor | |
| Jerry Walsh | ... | Bailiff | |
| Timothy Owen Waldrip | ... | Clerk | |
| Lou Cantres | ... | Marshal | |
| Robert Kabakoff | ... | Reporter | |
| Joe Ambrose | ... | Homeless Man | |
| rest of cast listed alphabetically: | |||
| Eric J. Dubowsky | ... | Slim (scenes deleted) | |
| Stephanie Mnookin | ... | Classified Ad Rep (uncredited) | |
Directed by | |||
| Alan Hruska | |||
Writing credits(in alphabetical order) | ||
| Alan Hruska | writer | |
Produced by | |||
| Petina Cole | .... | associate producer | |
| Jill Footlick | .... | producer | |
| Rachel Peters | .... | producer | |
| Jamie H. Zelermyer | .... | line producer (as Jamie Zelermyer) | |
Original Music by | |||
| Edmund Choi | |||
Cinematography by | |||
| Horacio Marquínez | |||
Film Editing by | |||
| Peter C. Frank | |||
Casting by | |||
| Alison E. McBryde | |||
| Lina Todd | |||
Production Design by | |||
| Sharon Lomofsky | |||
Art Direction by | |||
| Timothy Whidbee | |||
Set Decoration by | |||
| Lisa Kent | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Lynn Barber | .... | key makeup artist | |
| Heidi Kulow | .... | additional makeup artist | |
| Aaron F. Quarles | .... | additional hair stylist | |
| Sacha Quarles | .... | key hair stylist | |
| Brian Sheratt | .... | additional hair stylist | |
Production Management | |||
| JoAnn M. Laub | .... | post-production supervisor | |
| George Paaswell | .... | unit production manager | |
| Peter Sabat | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Carroll | .... | additional second second assistant director | |
| Elaine Kavanagh | .... | second assistant director | |
| Beverley Self | .... | second second assistant director (as Beverley Ellar) | |
| Amanda Slater | .... | first assistant director | |
Art Department | |||
| Sarah Berney | .... | charge/camera scenic artist | |
| Robert Covelman | .... | property master | |
| Frank DeCurtis Jr. | .... | set dresser | |
| Frank G. DeCurtis | .... | set dresser | |
| Guido DeCurtis | .... | lead man | |
| Christine Frankeberger | .... | second property master | |
| Eric Hurlman | .... | construction grip | |
| Eddie Landecho | .... | set dresser | |
| Jonathan B. Lee | .... | art department production assistant | |
| Lynn Maffessoli | .... | additional scenic artist | |
| Mary McDonald | .... | shopper | |
| Pierre Rovira | .... | construction coordinator | |
| Larry Steinberg | .... | construction grip (as Lawrence Steinberg) | |
| Alexander Toles | .... | on-set dresser | |
Sound Department | |||
| Coll Anderson | .... | supervising sound editor | |
| Brian Bowles | .... | dialogue editor (as Brian E. Bowles) | |
| Andrew Bracken | .... | adr editor (as Andrew E. Bracken) | |
| Neil Cedar | .... | foley recording engineer | |
| Tom Gould | .... | audio playback | |
| John Hassler | .... | foley artist | |
| Larry Hoff | .... | production sound mixer (as Lawrence Hoff) | |
| Dustin Hudson | .... | stereo sound consultant: Dolby | |
| Daniel McIntosh | .... | boom operator | |
| Marilyn Teorey | .... | assistant sound editor (as Marilyn R. Teorey) | |
| Peter Waggoner | .... | sound re-recording mixer | |
| Karl Wasserman | .... | boom operator (as Karl G.E. Wasserman) | |
| Paul J. Zydel | .... | adr engineer (as Paul Zydel) | |
Visual Effects by | |||
| Janos Pilenyi | .... | optical supervisor: Cineric Inc. | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| Donald Bialer | .... | company grip | |
| Ben D'Andrea | .... | additional grip | |
| Leighton Edmondson | .... | best boy electric (as L.S. Edmondson) | |
| George Elias | .... | dolly grip | |
| Edward R. Geller | .... | best boy grip | |
| Susan Heller | .... | electrician | |
| Daniel Keck | .... | camera operator | |
| Ted LeHane | .... | key grip | |
| Elana Pianko | .... | second assistant camera | |
| Sean C. Ryan | .... | third electrician | |
| Markham Sindeband | .... | company grip | |
| Mike Spera | .... | lighting and grip equipment: Kauffman Astoria Studios | |
| Chad Strohmayer | .... | generator operator | |
| Frank Stubblefield | .... | gaffer (as W. Stubblefield) | |
| William Trautvetter | .... | camera operator (as Bill Trautvetter) | |
| Ron Travisano | .... | first assistant camera | |
| David Troutman | .... | company grip | |
| Dennis Yeandle | .... | additional still photographer | |
Casting Department | |||
| Kristine Bulakowski | .... | extras casting | |
| Anthony Serignese | .... | casting assistant | |
| Driss Tijani | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Nicole Evangelista | .... | wardrobe supervisor | |
| Jill Kliber | .... | assistant costume designer | |
| Laura Wehrman | .... | costumer | |
Editorial Department | |||
| Fred Heid | .... | color timer | |
| Marc Laub | .... | contributing film editor | |
| Joe Violante | .... | color coordinator: Technicolor | |
Music Department | |||
| Kent Jackman | .... | background vocals | |
| David H. Kramer | .... | background vocals | |
| Selenis Leyva | .... | background vocals | |
| Matt McCarthy | .... | background vocals | |
| Tracy McKnight | .... | music supervisor | |
| Alysia Oakley | .... | assistant to music supervisor | |
Transportation Department | |||
| Mo Fitzgerald | .... | teamster captain | |
| William MacCready | .... | driver | |
| Brett Michael | .... | driver (as Brett Michel) | |
Thanks | |||
| Greg Shaw | .... | special thanks | |
| Judith Shaw | .... | special thanks | |
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| Buying the Cow | Moscow on the Hudson | The Great New Wonderful | Adam & Steve | The Rebound |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I thought that "Nola" was a step or two down from movies like, "The Phantom" and "Mystic River". She should stick with feature films on the big screen and musicals. Isn't lifetime movies usually cast with actors that have been around for awhile? All I know is that after seeing "The Phantom" and then "Nola", I was just so let down:-( She seemed almost "average", which she is anything but!! I am hoping that the "Posiedon" will be great, with all of the great cast, including Emma. Kurt Russell and Josh Lucas are wonderful in almost everything they do. Well, I hope I didn't offend anyone, but I had to speak my mind. Emma is just too pretty and talented to be cast in an average, boring role!