Critic Reviews

66

Metascore

Based on 38 critic reviews provided by Metacritic.com
83
Entertainment Weekly
A gratifyingly clever, booby-trapped thriller that has enough fun and imagination and dash to more than justify its existence.
75
Bury the nostalgia. Like the rap twist Kayne West puts into the film's classic theme, this movie is best when it stirs it up.
75
In Mission: Impossible III, we find out whether it's still possible to look at Tom Cruise and not see a weirdo. The answer is yes, but a complicated yes, because it takes time.
75
Against sizable odds -- a sense that the franchise is played out and its star over-exposed -- Mission: Impossible III delivers.
75
Philadelphia Inquirer
Unlike the previous two films in this series, Abrams is more concerned with his hero's heart than with his hardware. The result is a pulse-racing thriller that restores the human factor to the franchise, and to its producer-star.
75
New York Daily News
The supporting cast, including Ving Rhames, Laurence Fishburne and gorgeous Maggie Q, is underused, but the movie delivers the goods.
75
Miami Herald
Big and fast and silly, but it's never dumb, and it's certainly never boring, either. The summer movie onslaught has begun on a high note.
75
The end result is the very definition of a summer movie: breezy, undemanding and a carefully balanced blend of the familiar and the not-quite-what-you-expected.
75
The Globe and Mail (Toronto)
Though Abrams doesn't possess a fraction of the visual pizzazz of the two previous MI directors, Brian De Palma or John Woo, his incarnation is, from a narrative perspective, better made.
70
Hoffman is so proficient in this role that he just about overmatches Cruise and makes the wait until he speaks again in the second half of the film hard to endure with any patience.
70
Wall Street Journal
The summer's first action epic does exactly what it's supposed to do, more clearly than "M:i:I," and more likeably than "M:i:II."
70
The Hollywood Reporter
In his feature debut, "Lost" creator J.J. Abrams, who got the job on the basis of "Alias," takes the driver's seat with both feet on the accelerator.

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