Critic Reviews



Based on 17 critic reviews provided by Metacritic.com
In his thrilling feature debut, Madame Sata, Brazilian filmmaker Karim Ainouz doesn't glorify dos Santos but examines the hot, reckless fever of his life in all its thorny complexity.
Philadelphia Inquirer
Whether or not Ainouz's stylish directorial debut gets to the "real" Madame Satã is beside the point, but as a celebration of a figure who fashioned his own identity from pieces of pop culture and street poetry, from song and fashion and fury, it's memorable.
The Hollywood Reporter
An intensely realized, beautifully shot drama.
However intriguing from a theoretical perspective, this gorgeously shot film is first and foremost and purely sensual experience. Filled with the sights and sounds of Rio of a bygone era, the whole thing virtually pulses with excitement.
In this vibrant character study, newcomer Lázaro Ramos plays Francisco with an almost animal intensity.
The Globe and Mail (Toronto)
Truly strange, and often captivating.
New York Daily News
The movie covers only the early years of his (Joao Francisco dos Santos) rise to fame and apparently enduring legend, but the camera never pulls back to provide a social or historical context.
No-nonsense critiques of Brazil's endemic poverty and deeply flawed criminal-justice system lend substance to what otherwise might have seemed a flimsy and sensationalistic tale.
Miami Herald
The result leaves the movie feeling like a one-note take on a complex subject.
New York Post
One of those films that takes up a potentially fascinating subject only to fumble it.

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