Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Luiz Fernando Carvalho
Juliana Carneiro da Cunha
Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
A pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos--better known as Madame Satã--was also a notorious gay performer who pushed social boundaries in a volatile time. The story begins in 1932, in Rio de Janeiro's bohemian Lapa district, when João Francisco is about to achieve his dream: becoming a stage star. In the sordid yet lively world of Lapa--populated by pimps, prostitutes and other denizens of Rio's underworld--João battles the streets and presides over a surrogate family that includes the charming prostitute Laurita, and her baby daughter whom everyone dotes on; the flamboyant hustler Taboo; João's teenage lover, Renatinho; and Amador, the owner of the Blue Danube club which is their second home. It is at the Blue Danube that street tough João begins to sing, and the mythic drag... Written by
Sujit R. Varma
The names of the major characters and the performers portraying them and the roles and names of the major contributors (director, etc) are shown in gold and red sequins respectively, interspersed with scenes of Madame Sata performing. Once the credits reach the minor performers and contributors the credits revert to a standard scrolling format, albeit with an unusual font, on a red/ black background. See more »
Madame Sata is one of the most colorful, agitating, controversial, shifting, restless, erratic films you could ever watch on silver screen. The protagonist is also the antagonist with his often irrational and aggressive behaviour, possibly a trademark of Joao Francisco himself on which the film is based on, although this could be one of the film's flaws. The characters are as lively and colorful as he is and the acting is quite well, too.
An activist and a pioneer in many ways in the Brasil of 1930's, he could be seen as a gay activist, a transvestite activist, a swinger activist, a one-man-show pioneer, a strong, willful, self-confident and proud individual who defies almost all possible rules, regulations and conventions of his time, and not because he wants to be standing out.
Although the story line and Francisco's character are quite fanciful and interesting, the dialogues seem to be pretentious, the character build-up insufficient and the editing quite confusing, causing the overall feel to be incomplete and puzzling.
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