Updated adaptation of Choderlos de Laclos' classic 18th Century tale of seduction, betrayal and revenge set in the modern 1960s world of Parisian high society. The beautiful Madame de ... See full summary »
Based on the novel 'Les Liaisons Dangereuses,' this film is set in aristocratic 18th-century Korea at the end of the Chosun Dynasty. The irresistible temptress Lady Cho asks her cad of a ... See full summary »
With World War I, the Bolshevik Revolution, and the Russian Civil War as backdrop, it's an old-fashioned, blood-and-guts narrative, filled with earthly humor and a wealth of colorful ... See full summary »
F. Murray Abraham
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an... See full summary »
A young shy man (Tommaso) runs down a blond girl (Christine) with his car. Next day he finds her waiting for him at his department door. She asks him for help, as she has amnesia and can't ... See full summary »
Updated adaptation of Choderlos de Laclos' classic 18th Century tale of seduction, betrayal and revenge set in the modern 1960s world of Parisian high society. The beautiful Madame de Merteuil seeks vengeance against her ex-lover Gercourt when he becomes engaged to her young goddaughter, Cécile. Merteuil turns to her ex-lover/partner-in-crime, Valmont, famous for his reputation as a Don Juan, to seduce Cécile and emotionally destroy her. While on his mission, Valmont gets sidetracked when he goes to visit his aunt and falls for Madame Tourvel, a virtuous, married woman who knows of his womanizing ways, but that only makes the challenge more exciting to Valmont. Together, Madame de Merteuil and Valmont make a dangerous team and they will stop at nothing when it comes to matters of the heart. Written by
Oh Lord, this was really bad! You think with all those marvellous actresses and actors and this brilliant story, nothing can go wrong, but - they marred it completely.
Starting with hilarious miscasting (Catherine Deneuve is far too old and not sensuous enough), over boring, wooden dialogue to incompetent camera work - there is one scene which has two of the leading characters talking to another, and you don't even get to see the face of one of them!
Shifting the story into the present may be an interesting idea, but the script does not take the simplest care in adapting to this.
See another version of this, the Stephen-Frears-film if you can. But do miss this one!
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