Everything is complicated in Yoni's life. He's almost 13, real gifted, but physically undeveloped and struggles daily to grow up before his threatening up-coming Bar Mitzva; He sells ... See full summary »
Is today's fanaticism tomorrow's policy? In a West Bank settlement, Rabbi Meltzer has a grand design: he's building a movement "to pray at the Temple Mount." His yeshiva has scholars, and ... See full summary »
Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
The unexpected death of the family patriarch throws every member of the Ulman clan off course. Widow Dafna takes to bed for three months and when she finally returns to her job at the maternity hospital, she has little time for her children. Eldest son, Yair drops out of school and adopts a fatalist attitude, shutting out his siblings and girlfriend. His twin sister Maya, a talented musician, feels the most guilt and is forced to act as a family caregiver at the expense of career opportunities. Bullied at school, younger son Ido responds by obsessively filming himself with a video camera and attempting dangerous feats. The baby sister, Bar, is woefully neglected. Preoccupied with their own misery, the family is barely a family anymore. When another tragedy strikes, will they be able to support one another? Written by
Sujit R. Varma
There seems to be a whole genre of films recently ,the theme of which is young people's daunting search for purpose in life in a world where external sources of values are no longer accepted. I am thinking of "Garden State," "I Heart Huckabees," "Closer " etc. The consensus, so to speak, if these movies are to be taken as a mirror of reality, is that there is no purpose to be found, and the only grounds for relating to other human beings at all is sexual attraction, or its concomitant sexual competition. In fact, I watched this film and "Thirteen" together, and found them strangely parallel. I mention all this because Knafayim Shvurot is different from all the others in a small but fundamental respect: here the characters have not quite given up the search. Perhaps this reflects a difference between Israeli culture which, jaded though it is, is indisputably younger, and American culture which seems to be declining into both hedonism and vicious religiosity. I didn't realize it while I was watching, but was somehow not surprised to notice afterward that the "family" of characters is played by a real-life family. I couldn't help wondering how the experience affected them...
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