Amiro is a young boy who has lost his home during the war. He spends his days by working odd jobs, until he realizes that the only way that he can realize his dreams is by enrolling in ... See full summary »
Ghasem (Hamid Farokhnezhad) with his wife, Narges (Leila Hatami), his mother and other relatives and parents take a flight to Bandar Abbas, to get hired in an industrial company. Since the ... See full summary »
Tomorrow is an important day for Amir. He had participated in an international architecture competition to win the competition with foreign companies. His wife ,Tahereh (Hengameh Ghaziani),... See full summary »
A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth ... See full summary »
Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who ... See full summary »
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
i enjoyed immensely the exchanges between husband and wife
The film quietly touches on so many issues of living together with another, of having a family, of having an unfulfilled desire for creativity. Most of all, it is a very human story presented in a very human and intimate manner. The director is obviously a master of his art. The characters are very full, yet they are not revealed entirely and keep surprising us until the end. They are quite independent. In fact, despite a 12 year married life, they do not know each other that much either!
Even in translation, the dialogues between husband and wife remained brilliant and with some peculiar sense of poetry! I can only envy the farsi-speaking audience!
Roya has a vivid imagination for tales and stories, with which she entertains her cute young son and daughter. However, she is not satisfied with being just a mother and a housewife. She starts going to a film-writing course in the University. Her husband has his own apprehensions about the literary ambitions of his wife. The two of them try to keep their love and family together, while stumbling at their differing expectations, fears, and cracks of communication.
The central topic of the film is a much discussed one: the difficulties that face those women in the more patriarchal societies of the Middle East that want to express themselves publicly /artistically as independent persons. A number of now famous writers had to fight with the reluctance of their more conservative husbands to be overshadowed in public life by their gentler partner. Also, they've had to balance their individualist pursuits with the overbearing social duty to be devoted to the family. In this film, the husband is not conservative, their standings in the family are on par, but still issues pop up. This makes it all the more interesting for a European audience, as well as, showing a more realistic portrait of the middle-class family in modern Muslim countries.
Although this is a drama, somehow it had a light feeling to it (except for the final parts). It felt lyrical, a bit like a fairy tale, and the same time homey and very realist.
4 of 4 people found this review helpful.
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