A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
Zeynep, Tülin Özen works in a hotel as a housekeeper. But she suffers hell on earth because of her father's behavior. She only talks to Mustafa, 'Engin Dogan' who works in the same hotel ... See full summary »
A strange man with otherworldly talents becomes both a friend and a pariah in a small Turkish town in this drama from writer and director Reha Erdem. Yahya is nearly in a panic when his ... See full summary »
Celal, lives an unhappy family life with his wife Sevilay and his child in a small town. Celal and his brother Cemal, running an electrician shop which doesn't go well. They are in debt. ... See full summary »
A high school graduate, Yusuf could not pass the university entrance exam. Writing poetry is his greatest passion and some of his poems are being printed in various obscure literary ... See full summary »
Poet Yusuf (35-38) returns to his childhood hometown, which he hadn't visited for years, upon his mother's death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) ... See full summary »
Yazi Tura (Toss Up) is the film of two stories taking place in 1999. Stories of two young men... One is "Ridvan the Devil", a young football player from Central Anatolia, Cappadocia / ... See full summary »
Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that ... See full summary »
Itiraf, the fifth film of Zeki Demirkubuz, is not satisfactory as the previous works of the director, especially as Yazgi or Masumiyet. However, concerning the topic itself, since it focuses on a quite absorbing subject matter i.e. confession as a one of day-to-day problems of mutual relationships, the film deserves much more attention. On the other hand, particular technical deficiencies, especially too long scenes and shortage of a holistic standpoint in the screenplay make it average. It is easy to say Demirkubuz's films are usually concentrate on acting. However, in Itiraf, although the performances in the leading parts, of Taner Birsel and Basak Koklukaya, are above average, they cannot make the film better off. Simply because, Demirkubuz is better in making films on specific events. When he attempts to make a film on one of perplexing issues of human relations, he is bound to heavily trust on the performances of the cast and extraordinary events in the screenplay. For instance, despite having a claim of being a realist tragedy, the film has several exaggerated and surrealist events simultaneously. In my opinion, by using the same scenario, surely after cutting the unnecessary parts of it, it had better make a short film; because the film by this version seems to be a preliminary work frankly.
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