| Photos (see all 49 | slideshow) | Videos (see all 10) |
Directed by | |||
| F. Gary Gray | |||
Writing credits(WGA) | ||
| Troy Kennedy-Martin | (1969 screenplay) | |
| Donna Powers | (screenplay) & | |
| Wayne Powers | (screenplay) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Guido Cerasuolo | .... | line producer: Italy | |
| Donald De Line | .... | producer | |
| Jim Dyer | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Wendy Japhet | .... | executive producer | |
| Lynsey Jones | .... | associate producer (as Lynsey Shmukler Jones) | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Wally Pfister | (director of photography) | ||
Film Editing by | |||
| Richard Francis-Bruce | |||
| Christopher Rouse | |||
Casting by | |||
| Sheila Jaffe | |||
Production Design by | |||
| Charles Wood | |||
Art Direction by | |||
| Doug J. Meerdink | (as Doug Meerdink) | ||
| Mark Zuelzke | |||
Set Decoration by | |||
| Denise Pizzini | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Theron | |
| Germicka Barclay | .... | department head hair stylist: second unit | |
| Christalee | .... | makeup artist | |
| Sterfon Demings | .... | hair designer | |
| Andrea Jackson | .... | key hair stylist | |
| Eileen Kastner-Delago | .... | key makeup artist | |
| Donald Mowat | .... | makeup artist: Mr.Wahlberg | |
| Shane Paish | .... | makeup artist: Ms. Theron | |
| Brian A. Tunstall | .... | key hair stylist (as Brian Andrew Tunstall) | |
| Johnny Villanueva | .... | hair stylist: Mr. Wahlberg | |
| Camille Henderson | .... | makeup artist (uncredited) | |
Production Management | |||
| Enrico Ballarin | .... | production manager: Italy | |
| Matthew J. Birch | .... | production supervisor | |
| Laura Cappato | .... | unit manager: second unit, Italy | |
| Fabrizio Cerato | .... | assistant unit manager | |
| Jim Dyer | .... | unit production manager | |
| Kiki Morris | .... | post-production supervisor | |
| Paolo Rosada | .... | unit manager | |
| David Sardi | .... | unit production manager: second unit | |
Special Effects by | |||
| Eric Allard | .... | special effects designer | |
| Gary D. Bierend | .... | special effects | |
| Chris Brenczewski | .... | special effects technician | |
| Tony Chavez | .... | special effects | |
| Antonio Corridori | .... | special effects supervisor, second unit: Italy (as Corridori Antonio) | |
| Giovanni Corridori | .... | special effects supervisor: Italy unit (as Corridori Giovanni) | |
| Maurizio Corridori | .... | special effects technician | |
| Mike Edmonson | .... | special effects supervisor | |
| Michael Gaspar | .... | second unit special effects coordinator | |
| Michael Holland | .... | special effects technician | |
| Barry McQueary | .... | special effects | |
| Joe D. Ramsey | .... | special effects coordinator (as Joe Ramsey) | |
| Mark Yuricich | .... | special effects | |
Visual Effects by | |||
| Paal Anand | .... | technical director: Gray Matter | |
| Geoffrey E. Baumann | .... | visual effects coordinator: Digital Domain | |
| Melissa Best | .... | rotoscoper: Frantic Films | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Chris Bond | .... | visual effects supervisor: Frantic Films | |
| Jason Booth | .... | digital compositor | |
| Jean-Luc Bouchard | .... | digital compositor | |
| Tatjana Bozinovski | .... | rotoscope artist | |
| Matt Broeska | .... | 3D lead: Frantic Films | |
| Suzanne Buirgy | .... | digital production manager: Digital Domain | |
| Jeremy Buttell | .... | pre-visualization | |
| Patrick Clancey | .... | digital opticals | |
| Sarah Coatts | .... | visual effects producer: main title sequence: yU+co. | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Emanuele Comotti | .... | digital compositor: Digitalia Graphics | |
| Matt Davis | .... | Spydercam rigger technician | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Peter Donen | .... | visual effects consultant | |
| Yann Doray | .... | digital artist | |
| Tim Drnec | .... | Spydercam coordinator-flight | |
| Conrad Dueck | .... | 3D supervisor: Frantic Films | |
| Tim Everitt | .... | visual effects animation supervisor: Flash Film Works | |
| Chia Evers | .... | rotoscope artist | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Jammie Friday | .... | digital compositor | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Ben Grossmann | .... | digital compositor | |
| Christopher Gwynne | .... | technical director: Gray Matter | |
| Scott Harper | .... | visual effects | |
| Claas Henke | .... | compositing supervisor: Digital Domain | |
| Brad Herman | .... | 3D digital modeling and lighting: Digital Domain | |
| Chris Holmes | .... | digital compositor | |
| Joel Hynek | .... | visual effects supervisor: Digital Domain | |
| Bruce Jones | .... | visual effects supervisor | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Markus Kurtz | .... | CG supervisor: Digital Domain | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Margaux Mackay | .... | visual effects producer: Gray Matter | |
| Stefano Marinoni | .... | visual effects supervisor: Digitalia Graphics | |
| Gray Marshall | .... | visual effects supervisor: Gray Matter | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain | |
| Peter W. Moyer | .... | visual effects supervisor: Digital FilmWorks (as Pete W. Moyer) | |
| Davy Nethercutt | .... | visual effects compositor: Digital Domain | |
| Erin Nicholson | .... | modeler: Frantic Films | |
| David Niednagel | .... | data integration lead | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Jeremy Oddo | .... | visual effects | |
| Alex Ongaro | .... | technical supervisor: Digitalia Graphics | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Marco S. Paolini | .... | digital compositor | |
| Chris Pember | .... | animator: Frantic Films | |
| Kelly Port | .... | effects animator: Digital Domain | |
| Scott Ramsey | .... | visual effects producer | |
| Will Robbins | .... | compositor | |
| Alex Romano | .... | visual effects: Pacific Title & Arts Studio | |
| Robert Rowles | .... | digital compositor | |
| Mark Russell | .... | visual effects producer: Black Box Digital | |
| Todd Sarsfield | .... | digital color grader | |
| Gregory S. Scribner | .... | digital artist | |
| Todd Semmes | .... | aerial effects coordinator | |
| Michael Shand | .... | CGI supervisor: Frantic Films (as Mike Shand) | |
| Ben Britten Smith | .... | spydercam flight control | |
| Tess Spaulding | .... | system administrator | |
| George Taylor | .... | compositor | |
| K. Susan Thurmond | .... | visual effects producer: Gray Matter (as Susan Thurmond) | |
| Tommy Tran | .... | digital effects artist | |
| Paola Trisoglio | .... | visual effects producer: Digitalia Graphics | |
| Archie Villaverde | .... | pre-visualization animator | |
| Darren Wall | .... | previs art director | |
| Joey Wartnerchaney | .... | aerial effects-spydercam | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| Chad Wiebe | .... | visual effects: Frantic Films | |
| Earl Wiggins | .... | aerial effects supervisor | |
| Ken Zorniak | .... | visual effects producer | |
| Rhett Butler | .... | stagehand (uncredited) | |
| Jesse James Chisholm | .... | stage manager: Digital Domain (uncredited) | |
| Jason Cobill | .... | visual effects lead (uncredited) | |
| Jason Hughes | .... | facilities production assistant: Digital Domain (uncredited) | |
| Dave Jacobs | .... | visual effects production assistant: Flash Film Works (uncredited) | |
| Alex Jaeger | .... | concept designer: mini damage (uncredited) | |
| Mark Larranaga | .... | compositor (uncredited) | |
| Danny Lee | .... | digital compositor (uncredited) | |
| Brian Openshaw | .... | render coordinator (uncredited) | |
| Blair Werschler | .... | animator: Frantic Films (uncredited) | |
Animation Department | |||
| Tim Linklater | .... | animator | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Daniela Foà | .... | extras casting: Italy | |
| Barbara Harris | .... | adr voice casting | |
| Tiziana Kinkela | .... | casting assistant | |
| Mike Lemon | .... | extras casting: Philadelphia | |
| Meg Morman | .... | casting associate | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | set costumer: second unit | |
| Robert Bolger | .... | set costumer | |
| John Casey | .... | costume supervisor | |
| Lisa A. Doyle | .... | costumer: Mark Wahlberg | |
| Becky Gelbart | .... | costumer | |
| Lori Harris | .... | costumer | |
| Cookie Lopez | .... | set costumer: Charlize Theron | |
| Stephen Oh | .... | set costumer | |
| Christine Orth | .... | key costumer | |
| Catherine Buyse Dian | .... | wardrobe supervisor: Italy (uncredited) | |
Editorial Department | |||
| Paul Carrera | .... | first assistant editor | |
| Brett Carroll | .... | first assistant film editor | |
| John Dietrick | .... | post-production assistant | |
| Mark Fitzgerald | .... | additional editor | |
| Jennifer Mangan | .... | assistant editor | |
| Sarah Ogletree | .... | post-production coordinator | |
| Jim Passon | .... | color timer | |
| Hilda Saffari | .... | digital intermediate producer | |
| James Schermerhorn | .... | assistant editor (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Bob Bornstein | .... | music preparation | |
| Thomas A. Carlson | .... | music editor: score (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Elizabeth Finch | .... | orchestrator | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Julianne Jordan | .... | co-music supervisor | |
| Julianne Jordan | .... | music supervisor | |
| T.J. Lindgren | .... | composer: additional music | |
| Jason Lloyd | .... | scoring assistant | |
| Ladd McIntosh | .... | orchestrator | |
| James McKee Smith | .... | composer: additional music | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Kathy Nelson | .... | music supervisor | |
| Rupert Parkes | .... | composer: additional music | |
| Photek | .... | composer: additional music | |
| Liza Richardson | .... | music consultant | |
| Jay Selvester | .... | scoring assistant | |
| John Ashton Thomas | .... | composer: additional music | |
| Richard Ziegler | .... | music editor | |
Transportation Department | |||
| Rich Bennetti | .... | transportation co-captain | |
| Jeff Bova | .... | driver | |
| Bryan C. Cawthon | .... | driver generator operator | |
| David Diaz | .... | transportation co-captain | |
| Chris Gorden | .... | driver | |
| Shane Greedy | .... | transportation captain | |
| William McCleery | .... | transportation captain: second unit | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
| Brenda Ryan | .... | driver | |
| Lin C. Smith | .... | driver | |
| Rick S. Sulier | .... | transportation accountant | |
| Paul Tumber | .... | transportation | |
|
|
|
|
|
| The Italian Job | Ocean's Eleven | Heat | Live Free or Die Hard | The Score |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
My reaction to this remake of "The Italian Job" is probably hopelessly mixed up with the events occurring in my life when I saw it; This is the first movie I saw after I had just landed a job after 8 months of unemployment and going back to school for retraining. Money was still tight, but I no longer had to choose between seeing a movie in the theaters and paying bills (or eating lunch), and the sense of relief and gratitude I was feeling at the time was enormous. In consequence, my enjoyment of "Italian Job" was probably far out of proportion to its actual worth.
Still, I picked it up used on DVD a few weeks ago and watched it again, and I still enjoyed it immensely. I have never seen the original (though I have heard it is an absolute classic), but its modern day counterpart is eminently watchable if you have a taste for modern day production values applied to older films plots and themes.
What initially won me over to this movie was the soundtrack - IMO Don Davis writes some of the most supple, textured and aurally pleasing soundtracks around. IJ opens with a sly, witty, pulsing arrangement that combines strings, guitar harmonics, brush work and quiet moments - it won me over completely from the opening seconds. And the whole movie is like this - I haven't heard this kind of ringing, chiming, pulsing soundtrack music since Stewart Copeland left the Police and started doing soundtracks for movies like "Rumble Fish". There are at least a dozen irresistibly scored motifs in here, along with some pop song remakes that range from "all right" to "inspired". For people to whom the soundtrack is important, this movie is a delight.
On to the movie: I can take or leave Mark Wahlberg, but he's okay here as the leading man, and the movie doesn't ask him to do anything he can't do well. He's the weakest "major" actor in the film, but that's because the rest of supporting cast is so strong, especially Donald Sutherland in a bit part. Mos Def, Jason Steadham, Ed Norton, Seth Green and Charlize Theron all turn in solid, fat-free performances. Norton seems to mostly be phoning it in (rumor has it that he didn't really want to be in the film), but he's still a natural even at 1/2 power. My one quibble with the casting and acting is with the character "Wrench", who seems to be a male model pretending to be an actor. His part seems to be shoehorned into the movie, and he has little chemistry with the rest of the cast (although you can blame some of that on the size of the part and the "late walk on" nature of the character). If I were a cynical sort,I would wonder who the actor slept with to get put into this movie in such a supernumerary role? Nah, never happen...
Production values, camera work, stunts, plot...everything cooks along quite nicely and Gray and his production crew pull things together pretty seamlessly (with the exception of the "Wrench" character, see above).
The dialog has a nice, light touch that rewards your indulgence, and there are several satisfying major and minor plot payoffs along the way. (My favorite moment - when Norton's character tells Wahlberg's character that he's just lost the element of surprise. Wahlberg proceeds to cold cock Norton with a right cross, and then asks him, "Were you surprised??" Hmmm, maybe you had to be there...)
Of course the movie requires a certain level of "suspension of disbelief" to work, but if you just relax and go along with it (and don't think too hard about the mechanics of cracking a safe underwater, or the likelihood of anyone being able to successfully hack and manipulate LA traffic via a laptop, etc), you'll have a fun ride.
"The Italian Job": it's lightweight summer fluff, but it's very good for what it is, and it doesn't try to be anything else. It isn't good enough for an "8" but I'd give it a "7.5".