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The Italian Job (2003)

PG-13 | | Action, Crime, Thriller | 30 May 2003 (USA)
After being betrayed and left for dead in Italy, Charlie Croker and his team plan an elaborate gold heist against their former ally.

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Cast

Cast overview, first billed only:
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Left Ear (as Mos Def)
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Italian Guard
Stefano Petronelli ...
Garbageman / Thug
Fabio Scarpa ...
Garbageman / Thug
Cristiano Bonora ...
Garbageman / Thug
Tiberio Greco ...
Garbageman / Thug
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First Detective
Tammi Cubilette ...
Second Detective
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Storyline

Led by John Bridger (Donald Sutherland) and Charlie Croker (Mark Wahlberg) a team is assembled for one last heist to steal $35 million in gold bars from a heavily guarded safe in Venice, Italy. After successfully pulling off the heist, a team member, Steve (Edward Norton), driven by greed and jealousy, arranges to take the gold for himself and eliminate the remaining members of the group. Thinking the team dead, he returns to L.A. with the gold. Charlie and the survivors of this betrayal follow Steve L.A. to exact revenge against the traitor. Charlie enlists the help of John Bridger's daughter, Stella (Charlize Theron) - a professional safe cracker, to get revenge. With Stella and the hacking skills of Lyle (Seth Green), the explosives skills of "Left Ear" (Yasiin Bey), and the driving skills of "Handsome" Rob (Jason Statham) this new team plans and executes a daring heist that weaves through the freeways and subways of L.A. Written by CKnapp

Plot Summary | Plot Synopsis

Taglines:

Chiisana YATSU hodo, karei ni kimeru [Japan] See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for violence and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

30 May 2003 (USA)  »

Also Known As:

La estafa maestra  »

Filming Locations:

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

$19,457,944 (USA) (30 May 2003)

Gross:

$106,126,012 (USA) (31 October 2003)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the getaway, the helicopter pilot did actually fly under the bridge. You can find this on the DVD Special Feature. See more »

Goofs

After Stella has successfully opened the safe in the metro, the drill that was stuck in the safe's door after the glass cracked disappears. See more »

Quotes

[first lines]
Stella: [on the phone] Hello.
John Bridger: [on the phone] Hello, sweetie.
Stella: [on the phone] Daddy, it's early.
See more »

Crazy Credits

At the very end of the credits, the sound of coins falling and tinkling can be heard. See more »

Connections

References The Kids in the Hall (1988) See more »

Soundtracks

Heartbreaker
by Robert Gill and Stuart Wade
Performed by Pat Benatar
Courtesy of Chrysalis Records
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Slick, amusing caper film; Gray's best movie featuring Davis' best soundtrack
11 December 2005 | by (Wavy Wheat, Nebraska) – See all my reviews

My reaction to this remake of "The Italian Job" is probably hopelessly mixed up with the events occurring in my life when I saw it; This is the first movie I saw after I had just landed a job after 8 months of unemployment and going back to school for retraining. Money was still tight, but I no longer had to choose between seeing a movie in the theaters and paying bills (or eating lunch), and the sense of relief and gratitude I was feeling at the time was enormous. In consequence, my enjoyment of "Italian Job" was probably far out of proportion to its actual worth.

Still, I picked it up used on DVD a few weeks ago and watched it again, and I still enjoyed it immensely. I have never seen the original (though I have heard it is an absolute classic), but its modern day counterpart is eminently watchable if you have a taste for modern day production values applied to older films plots and themes.

What initially won me over to this movie was the soundtrack - IMO Don Davis writes some of the most supple, textured and aurally pleasing soundtracks around. IJ opens with a sly, witty, pulsing arrangement that combines strings, guitar harmonics, brush work and quiet moments - it won me over completely from the opening seconds. And the whole movie is like this - I haven't heard this kind of ringing, chiming, pulsing soundtrack music since Stewart Copeland left the Police and started doing soundtracks for movies like "Rumble Fish". There are at least a dozen irresistibly scored motifs in here, along with some pop song remakes that range from "all right" to "inspired". For people to whom the soundtrack is important, this movie is a delight.

On to the movie: I can take or leave Mark Wahlberg, but he's okay here as the leading man, and the movie doesn't ask him to do anything he can't do well. He's the weakest "major" actor in the film, but that's because the rest of supporting cast is so strong, especially Donald Sutherland in a bit part. Mos Def, Jason Steadham, Ed Norton, Seth Green and Charlize Theron all turn in solid, fat-free performances. Norton seems to mostly be phoning it in (rumor has it that he didn't really want to be in the film), but he's still a natural even at 1/2 power. My one quibble with the casting and acting is with the character "Wrench", who seems to be a male model pretending to be an actor. His part seems to be shoehorned into the movie, and he has little chemistry with the rest of the cast (although you can blame some of that on the size of the part and the "late walk on" nature of the character). If I were a cynical sort,I would wonder who the actor slept with to get put into this movie in such a supernumerary role? Nah, never happen...

Production values, camera work, stunts, plot...everything cooks along quite nicely and Gray and his production crew pull things together pretty seamlessly (with the exception of the "Wrench" character, see above).

The dialog has a nice, light touch that rewards your indulgence, and there are several satisfying major and minor plot payoffs along the way. (My favorite moment - when Norton's character tells Wahlberg's character that he's just lost the element of surprise. Wahlberg proceeds to cold cock Norton with a right cross, and then asks him, "Were you surprised??" Hmmm, maybe you had to be there...)

Of course the movie requires a certain level of "suspension of disbelief" to work, but if you just relax and go along with it (and don't think too hard about the mechanics of cracking a safe underwater, or the likelihood of anyone being able to successfully hack and manipulate LA traffic via a laptop, etc), you'll have a fun ride.

"The Italian Job": it's lightweight summer fluff, but it's very good for what it is, and it doesn't try to be anything else. It isn't good enough for an "8" but I'd give it a "7.5".


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