Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Director:
Roger Donaldson
Stars:
Jason Statham,
Saffron Burrows,
Stephen Campbell Moore
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Mercenary Frank Martin, who specializes moving goods of all kinds, surfaces again this time in Miami, Florida when he's implicated in the kidnapping of the young son of a powerful USA official.
A hard-living superhero who has fallen out of favor with the public enters into a questionable relationship with the wife of the public relations professional who's trying to repair his image.
Led by John Bridger (Donald Sutherland) and Charlie Croker (Mark Wahlberg) a team is assembled for one last heist to steal $35 million in gold bars from a heavily guarded safe in Venice, Italy. After successfully pulling off the heist, a team member, Steve (Edward Norton), driven by greed and jealousy, arranges to take the gold for himself and eliminate the remaining members of the group. Thinking the team dead, he returns to L.A. with the gold. Charlie and the survivors of this betrayal follow Steve L.A. to exact revenge against the traitor. Charlie enlists the help of John Bridger's daughter, Stella (Charlize Theron) - a professional safe cracker, to get revenge. With Stella and the hacking skills of Lyle (Seth Green), the explosives skills of "Left Ear" (Mos Def), and the driving skills of "Handsome" Rob (Jason Statham) this new team plans and executes a daring heist that weaves through the freeways and subways of L.A. Written by
CKnapp
Screen writers Donna Powers and Wayne Powers say in an interview featured in the DVD that they hadn't watched the 1969 original movie before agreeing to write the script. After that, they only watched it once. This was on purpose because they didn't want to copy the movie, they wanted to make their own movie inspired by the original one. See more »
Goofs
Bullets do not travel at full speed through water. In reality, all bullets slow rapidly as soon as they hit the water, contrary to what is seen when Steve shoots into the lake. Not only do bullets slow down quickly when fired into water, high powered bullets from weapons like the assault rife Steve is using actually shred within inches of the surface of the water and then simply settle to the bottom of (in this case) the lake. Oddly enough, high-powered bullets have less penetration through water than lower-powered ones (a bullet's power is determined by the cartridge charge). See more »
Quotes
[first lines]
Stella:
[on the phone]
Hello.
John Bridger:
[on the phone]
Hello, sweetie.
Stella:
[on the phone]
Daddy, it's early.
See more »
Crazy Credits
At the very end of the credits, the sound of coins falling and tinkling can be heard. See more »
Over the last few months, I have seen a lot of reviews for The Italian Job, many of them negative. The gist of almost all of these pessimistic criticisms is that, for all its modernistic bravado and high-budget technology, the film doesn't have much substance where it counts. Look, people, it's just a fun movie. This is the type of picture where you're supposed to sit back, relax, and just enjoy the steady-moving pace of the film. Like Ocean's Eleven (2001), you can concentrate on the characters and the plot at the same time without having to do much thinking (lucky for some of us). Granted, "Ocean" is a better movie, but who cares? The plot may have some holes (there's a huge one about 3/4 of the way through), the action may not be as gratifyingly gratuitous as the trailers made it out to be, and some of the dialogue may seem pointless and cheesy, but again, who really cares? Cool characters, Mini Coopers, big explosions, Charlize Theron. What more do you want? I think it's time to drop the fake Roger Ebert meets Gene Shalit act and enjoy yourself for once! Oh, and another thing, whatever you do, don't compare it to the original because, to reiterate what F. Gary Gray has told the press a million times, THIS IS NOT A REMAKE!! My advice- if you're interested in nit-picking your way through a good-humored, fun flick, don't even bother seeing The Italian Job. But, if you don't have a severe inferiority complex and/or want to see Ed Norton get jacked by a bunch of Ukranians, go ahead. The Bottom Line, my fellow moviegoers, is: Lighten Up and Have Fun, Dammit.
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Over the last few months, I have seen a lot of reviews for The Italian Job, many of them negative. The gist of almost all of these pessimistic criticisms is that, for all its modernistic bravado and high-budget technology, the film doesn't have much substance where it counts. Look, people, it's just a fun movie. This is the type of picture where you're supposed to sit back, relax, and just enjoy the steady-moving pace of the film. Like Ocean's Eleven (2001), you can concentrate on the characters and the plot at the same time without having to do much thinking (lucky for some of us). Granted, "Ocean" is a better movie, but who cares? The plot may have some holes (there's a huge one about 3/4 of the way through), the action may not be as gratifyingly gratuitous as the trailers made it out to be, and some of the dialogue may seem pointless and cheesy, but again, who really cares? Cool characters, Mini Coopers, big explosions, Charlize Theron. What more do you want? I think it's time to drop the fake Roger Ebert meets Gene Shalit act and enjoy yourself for once! Oh, and another thing, whatever you do, don't compare it to the original because, to reiterate what F. Gary Gray has told the press a million times, THIS IS NOT A REMAKE!! My advice- if you're interested in nit-picking your way through a good-humored, fun flick, don't even bother seeing The Italian Job. But, if you don't have a severe inferiority complex and/or want to see Ed Norton get jacked by a bunch of Ukranians, go ahead. The Bottom Line, my fellow moviegoers, is: Lighten Up and Have Fun, Dammit.