| Jonathan Cherry | ... | Rudy | |
| Tyron Leitso | ... | Simon | |
| Clint Howard | ... | Salish | |
| Ona Grauer | ... | Alicia | |
| Ellie Cornell | ... | Casper | |
| Will Sanderson | ... | Greg | |
| Enuka Okuma | ... | Karma | |
| Kira Clavell | ... | Liberty | |
| Sonya Salomaa | ... | Cynthia (as Sonja Salomaa) | |
| Michael Eklund | ... | Hugh | |
| David Palffy | ... | Castillo | |
| Jürgen Prochnow | ... | Kirk (as Jurgen Prochnow) | |
| Steve Byers | ... | Matt | |
| Erica Durance | ... | Johanna (as Erica Parker) | |
| Birgit Stein | ... | Lena | |
| Jay Brazeau | ... | Captain | |
| Adam Harrington | ... | Rogan (as Adam Herrington) | |
| Colin Lawrence | ... | G | |
| Ben Derrick | ... | McGivers | |
| Elisabeth Rosen | ... | Skye (as Elizabeth Rosen) | |
| Bif Naked | ... | DJ | |
| Penny Phang | ... | Tyranny | |
| Kris Pope | ... | Raver | |
| Mashiah Vaughn-Hulbert | ... | Flashing Woman | |
| rest of cast listed alphabetically: | |||
| Steven Kriozere | ... | V.I.P. Zombie (uncredited) | |
| Christoph Nuehlen | ... | Zombie (uncredited) | |
| Anthony Timpone | ... | Zombie (uncredited) | |
Directed by | |||
| Uwe Boll | |||
Writing credits | ||
| Mark A. Altman | (story) (as Mark Altman) & | |
| Dan Bates | (story) | |
| Dave Parker | (screenplay) & | |
| Mark A. Altman | (screenplay) (as Mark Altman) | |
Produced by | |||
| Mark A. Altman | .... | executive producer | |
| Dan Bates | .... | executive producer | |
| Uwe Boll | .... | producer | |
| Dan Clarke | .... | line producer | |
| Mark Gottwald | .... | executive producer | |
| Wolfgang Herold | .... | producer | |
| Daniel S. Kletzky | .... | executive producer (as Daniel Kletzky) | |
| Christoph Nuehlen | .... | producer: behind-the-scenes | |
| Michael Roesch | .... | co-executive producer | |
| Dan Sales | .... | associate producer | |
| Philip Selkirk | .... | associate producer | |
| Jonathan Shore | .... | associate producer | |
| Max Wanko | .... | associate producer | |
| Shawn Williamson | .... | producer | |
Original Music by | |||
| Reinhard Besser | |||
Cinematography by | |||
| Mathias Neumann | (director of photography) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Casting by | |||
| Maureen Webb | |||
Production Design by | |||
| Tink | |||
Art Direction by | |||
| Peter Stratford | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lorraine Carson | |||
Makeup Department | |||
| Heather Barreca | .... | assistant hair stylist | |
| Chauney Bawlf | .... | special makeup effects: graphic illustrator, WCT Productions (as Chauny Bawlf) | |
| Patrick Baxter | .... | prosthetic effects technician: WCT Productions | |
| Chris Bellamy | .... | prosthetic effects technician: WCT Productions | |
| Christopher Clark | .... | prosthetic effects technician: WCT Productions (as Chris Clark) | |
| Terri Diane | .... | prosthetic effects technician: WCT Productions | |
| Catherine Gaulin | .... | prosthetic effects technician: WCT Productions | |
| Sylvie Godin | .... | assistant makeup artist | |
| Rachel Griffin | .... | special makeup effects: graphic illustrator, WCT Productions | |
| Bruce Houston | .... | prosthetic effects technician: WCT Productions | |
| Howard Lau | .... | prosthetic effects technician: WCT Productions | |
| Keith Lau | .... | prosthetic effects technician: WCT Productions | |
| Richard Marmion | .... | prosthetic effects technician: WCT Productions | |
| J.P. Mass | .... | prosthetic effects technician: WCT Productions (as Jarrett P. Mass) | |
| Rob Miller | .... | contact lens technician: WCT Productions | |
| Beverly Moncrief | .... | contact lens technician: WCT Productions | |
| Yukiyo Okajima | .... | prosthetic effects technician: WCT Productions | |
| Brad Proctor | .... | special makeup effects artist: WCT Productions | |
| Jamie Salmon | .... | prosthetic effects technician: WCT Productions | |
| Jackie K. Seo | .... | prosthetic effects technician: WCT Productions (as Jakie K. Seo) | |
| Andrea Simpson | .... | hair stylist | |
| Daniella Sosa | .... | special makeup effects: graphic illustrator, WCT Productions | |
| Vicki Syskakis | .... | prosthetic effects technician: WCT Productions (as Vicky Syskakis) | |
| Bill Terezakis | .... | prosthetics supervisor: WCT Productions | |
| Maureen Terezakis | .... | prosthetics coordinator: WCT Productions | |
| Monique Venier | .... | special makeup effects artist: WCT Productions | |
| Christian Waddell | .... | prosthetic effects technician: WCT Productions | |
| Yvonne Weber | .... | makeup artist | |
| Vince Yoshida | .... | prosthetic effects technician: WCT Productions | |
| Shane Zander | .... | prosthetic effects technician: WCT Productions | |
| Harlow MacFarlane | .... | special makeup effects artist: WCT Productions (uncredited) | |
Production Management | |||
| Dan Clarke | .... | production manager | |
| Scott Graham | .... | unit manager | |
| Jonathan Shore | .... | post-production supervisor: Vancouver | |
| Heike Wielk | .... | post-production supervisor: Germany | |
Second Unit Director or Assistant Director | |||
| Dean Choe | .... | second unit director | |
| Rob Duncan | .... | second assistant director (as Robert Duncan) | |
| Robyn Gelka | .... | third assistant director | |
| Bryan C. Knight | .... | first assistant director (as Bryan Knight) | |
| Robert Lee | .... | second unit director | |
| Trevor McWhinney | .... | trainee assistant director (as Trevor Mcwhinney) | |
| Kevin Leslie | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Bryan Anderson | .... | on-set dresser | |
| Tara Arnett | .... | assistant art director | |
| Justin Bishop | .... | lead props | |
| Madonna Blunt | .... | paint lead hand | |
| Terry Ewasiuk | .... | set decoration buyer | |
| Leesa Hanna | .... | assistant set decorator | |
| Chris Hehn | .... | lead carpenter | |
| Mervyn Hope | .... | construction coordinator | |
| Sean Lambert | .... | construction first aid | |
| Sean Lambert | .... | scenic carpenter | |
| Stefan Lochmann | .... | storyboard artist | |
| Mike Marsten | .... | set dresser | |
| John McIntosh | .... | key greensperson (as John Mckintosh) | |
| Mark Prior | .... | lead dresser | |
| Barry Rennie | .... | head carpenter | |
| Sigrid Spade | .... | set dresser | |
| Nevin Swain | .... | props buyer | |
| Jamie Tardiff | .... | paint coordinator | |
| Hans Ter Horst | .... | property master | |
Special Effects by | |||
| Jeffrey Butterworth | .... | special effects lead hand (as Jeff Butterworth) | |
| Phil Davis | .... | special effects technician (as Phil Davies) | |
| Alain de Zilva | .... | special effects contact lens artist: EYETECH Optics | |
| Doug de Zilva | .... | president: EYETECH Optics, Canada | |
| James Franchuk | .... | special effects technician | |
| Kurt Jackson | .... | special effects lead hand | |
| John Reynolds | .... | special effects first assistant | |
| Vance Vegas Salvalaggio | .... | special effects technician (as Vance Vagas-Salalaggio) | |
| John Sleep | .... | special effects coordinator | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
| Thorsten Binte | .... | 3D artist | |
| Paul Cormack | .... | visual effects supervisor: The Big Freeze | |
| Constanze Daniel | .... | compositing trainee | |
| Kay Delventhal | .... | 3D artist | |
| Erich Eder | .... | Inferno artist: TVT | |
| Mike 'Fuzzy' Ellis | .... | vice president: visual effects and digital film (as Mike Ellis) | |
| Christian Haas | .... | visual effects assistant set supervisor | |
| Stephan Haase | .... | 3D artist | |
| Thomas Haegele | .... | visual effects executive consultant | |
| Dietrich Hasse | .... | 3D artist | |
| Cathleen Klein | .... | compositing artist | |
| Yumiko Konomi | .... | assistant visual effects supervisor | |
| Thomas Lautenbach | .... | 3D artist | |
| Dietmar Lump | .... | visual effects executive producer: Elektrofilm (as Dittmar Lumpp) | |
| Chad Malbon | .... | digital film coordinator | |
| Olaf Meyer | .... | 3D artist | |
| Frank Mueller | .... | 3D artist | |
| Eric Myles | .... | supervising digital film technician | |
| Benc Orpak | .... | 3D artist | |
| Andrew Pascoe | .... | digital film technician | |
| Markus Prinz | .... | compositing artist | |
| Sylvia Rößler | .... | compositing artist (as Sylvia Roessler) | |
| Tillman Schmidt-Kärner | .... | visual effects producer (as Tillman Schmidt-Kaerner) | |
| Jens Schwarz | .... | 3D artist | |
| Benjamin Seide | .... | compositing artist | |
| Oliver Seiter | .... | compositing artist | |
| Jan Stoltz | .... | visual effects supervisor | |
| Andy Sykes | .... | executive producer: Toybox | |
| Eva Sütterlin | .... | compositing artist (as Eva Suetterlin) | |
| Nhat Quang Tran | .... | digital compositor | |
| Jens Vielhaben | .... | technical director: Elektrofilm | |
| Max Wanko | .... | visual effects supervisor | |
| Matthias Wittmann | .... | visual effects supervisor | |
| Felix Zielke | .... | compositing trainee | |
| Ann-Marie Blommaert | .... | digital film coordinator (uncredited) | |
Casting Department | |||
| Mindy Bazar | .... | casting director: US | |
| Colleen Bolton | .... | associate casting director: Canada (as Colleen Rogers) | |
| Kit Hayward | .... | extras casting | |
| Joshua Vodnoy | .... | casting associate: US | |
| Lance Peverley | .... | extras wrangler (uncredited) | |
Costume and Wardrobe Department | |||
| Roger Baron | .... | assistant costume designer | |
| Patti Bishop | .... | set costumer | |
| Ruby Fleming | .... | costume set supervisor | |
| Jody Leanne Petford | .... | set costumer (as Jody L. Petford) | |
Editorial Department | |||
| David Armstrong | .... | film timer (as Dave Armstrong) | |
| Kevin James Brown | .... | dailies colorist | |
| Edward Joseph Douglas | .... | assistant on-line editor | |
| Earl Fudger | .... | additional film editor | |
| Jared Hall | .... | trainee assistant film editor | |
| Ryan Hogan | .... | final colorist | |
| Warren Mazutinec | .... | assistant film editor | |
| Ina-Maria Rudloff | .... | film timer (as Ina Rudloff) | |
| Dave Weil | .... | film timer (as David Weil) | |
Music Department | |||
| Reinhard Besser | .... | music arranger: score | |
| Reinhard Besser | .... | music producer: score | |
| Christoph Duschek | .... | music studio assistant | |
| Tobias Fleig | .... | additional surround mix: score | |
| Bernhard Frantsits | .... | score mix engineer | |
| Wolfgang Herold | .... | music supervisor | |
| Manfred Honetschlaeger | .... | conductor | |
| Manfred Honetschlaeger | .... | orchestrator | |
| Trevor Hurst | .... | score mixer | |
| Trevor Hurst | .... | score recordist | |
| Bogna Kowalska | .... | orchestra manager | |
| Dirk Kurock | .... | composer: additional music | |
| Dirk Kurock | .... | music producer: additional music | |
| Silke Kurock | .... | music office manager (as Silke '00' Kurock) | |
| Walter Christian Mair | .... | composer: additional music | |
| Tadeusz Mieczkowski | .... | orchestra recording engineer | |
| Ewa Prus-Dluzniewska | .... | studio management | |
| Juan Sanchez | .... | music editor | |
| Matthias Schwab | .... | music editor | |
| Peter Siedlaczek | .... | orchestra recording supervisor | |
| Uwe Spies | .... | composer: behind-the-scenes music | |
Transportation Department | |||
| Sebastian Amenta | .... | driver | |
| Dave Byerley | .... | driver (as Dave Byerly) | |
| Duncan Callander | .... | driver | |
| Norm Chritien | .... | driver (as Norm Chretien) | |
| Jim Forrest | .... | driver | |
| Al Hourie | .... | driver | |
| Viola Janzen | .... | transportation captain | |
| Ed Johnson | .... | driver | |
| Les Joyner | .... | driver | |
| Rick Marcoux | .... | transportation co-captain | |
| Dave McDonald | .... | driver (as Dave Mcdonald) | |
| Laurie Morris | .... | transportation coordinator | |
| Charles Pinkus | .... | driver | |
| Ron Steele | .... | driver | |
| Rick Swidrowich | .... | driver | |
| Matt Trask | .... | driver | |
| John Wihksne | .... | driver | |
Other crew | |||
| Jack Amberson | .... | production assistant | |
| Jackie Andrade | .... | chef | |
| Kim Arnott | .... | chartered accountant: Ellis Foster Chartered Accountants | |
| Mariam Arthur | .... | assistant: Mr. Sales | |
| Jeff Bough | .... | safety diver: underwater unit | |
| Louise D. Bourassa | .... | production assistant (as Louise Bourassa) | |
| Andrew Boutilier | .... | development executive: Brightlight Pictures | |
| Kerri Boyce | .... | accounting clerk | |
| Madeleine Brettschneider | .... | accountant: Herold & Besser Studios | |
| Andrew Buziak | .... | accounting clerk | |
| Nora Collins | .... | craft service | |
| Nora Collins | .... | first aid | |
| Dan Crosby | .... | assistant marine coordinator: underwater unit | |
| Dan Crosby | .... | boat wrangler: underwater unit | |
| Jason Crosby | .... | marine coordinator | |
| Jason Crosby | .... | marine coordinator: underwater unit | |
| Ken Dangerfield | .... | legal and business affairs | |
| Sam Danzica | .... | stand-in | |
| Anthony Dell'Orto | .... | chef (as Anthony Del'Orto) | |
| Frederic Demey | .... | international sales consultant | |
| Karyn Edwards | .... | legal: Brightlight Pictures | |
| Dani Elias | .... | production assistant | |
| Bianca Feldevere | .... | production assistant (as Bianca Felderer) | |
| Steve Foster | .... | boat wrangler: underwater unit | |
| David W. Hamilton | .... | insurance: Jones Brown Inc. (as David Hamilton) | |
| Stephen Hegyes | .... | executive: Brightlight Pictures | |
| Patti Henderson | .... | script supervisor | |
| Matthias Herold | .... | legal: Herold & Besser Studios | |
| Alan Homma | .... | assistant accountant | |
| Anne Jacobsen | .... | production accountant | |
| Hanno Kaempf | .... | legal and business affairs | |
| Ann Marie Kaesman | .... | assistant: Mr. Bates | |
| Dmitry Kazak | .... | production assistant (as Dimitry Kazak) | |
| Marian Koprada | .... | production assistant | |
| Stephanie Legge | .... | stand-in (as Stephanie Legg) | |
| John MacCuspie | .... | dive coordinator: underwater unit (as John Maccuspie) | |
| Terry Mackay | .... | location manager | |
| Pat McGillion | .... | safety diver: underwater unit (as Pat Macgillian) | |
| Hamish Miller | .... | chef (as Harash Miller) | |
| Samantha Morris | .... | assistant: Mr. Williamson | |
| Resho Ollek | .... | chef | |
| Lisa Ragosin | .... | production coordinator | |
| Christine Reyes | .... | assistant chef | |
| Brendan Rooney | .... | second assistant production coordinator | |
| Lisa Rowson | .... | assistant chef (as Lisa Rowsan) | |
| Joey Setter | .... | production coordinator | |
| Dinean Stayk | .... | assistant location manager | |
| Linda Stewart | .... | production assistant | |
| Ann Troyer | .... | chef | |
| David Wallace | .... | trainee assistant location manager | |
| Dawn Williamson | .... | administration: Brightlight Pictures | |
| Chris Wood | .... | production assistant | |
| Joshua Zeller | .... | assistant: Mr. Altman | |
| Rachel Ziegler | .... | chef | |
Thanks | |||
| Kimberlee Alexander | .... | special thanks | |
| Natasha Dickson | .... | special thanks | |
| Kenny Diebel | .... | special thanks | |
| Liz Gallacher | .... | special thanks | |
| Laura Gill | .... | special thanks | |
| Uwe Grundei | .... | special thanks: Mega Audio | |
| Gord Hawkins | .... | special thanks | |
| Marcin Karasinski | .... | special thanks | |
| Patrick Knapp | .... | special thanks | |
| George Margellos | .... | special thanks | |
| Darryl McCann | .... | special thanks (as Darryl Mccann) | |
| Sasha McLean | .... | special thanks (as Sacha Mclean) | |
| Peter Mitchell | .... | special thanks | |
| Peter Moore | .... | special thanks | |
| Masahiro Nakagawa | .... | special thanks | |
| Rikiya Nakagawa | .... | special thanks | |
| Christine Oehrling | .... | special thanks | |
| Ian Rennie | .... | special thanks | |
| Shane Rozumiak | .... | special thanks | |
| Chuck Speed | .... | special thanks | |
| Jason Strominger | .... | special thanks | |
| John F. Voss | .... | special thanks: Emagic | |
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| Resident Evil: Afterlife | Alone in the Dark | Machete | The Professional: Golgo 13 | The Tournament |
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Laid up and drugged out, as a kidney stone wended its merry way through my scarred urinary tract, with absolutely nothing better to do than let the painkillers swoon me into semi-oblivion, I happened to catch this movie on cable. I wouldn't want anyone to think that I paid to view it in a cinema, or rented it, or heaven forfend! that I watched it STRAIGHT.
Having played this sensationally gruesome video game and avidly trod the doomed rooms and dread passageways of The House, battling Chariot (Type 27), The Hanged Man (Type 041), and other impossible sentinels, my curiosity was piqued as to how the game would transfer to the movie screen.
It doesn't.
The banal plot revolves around a group of "crazy kids" a la Scooby Doo attending a remote island for a world-shaking "rave" whatever that is. (You kids today with your hula-hoops and your mini-skirts and your Pat Boone ) After bribing a boat captain thousands in cash to ferry them there (a stupidity which begs its own network of rhetoric), they find the "rave" deserted.
Passing mention is made of a "house" presumably the titular House Of The Dead but most of the action takes place on fake outdoor sets and other locales divorced from any semblance of haunted residence.
A fallen video camera acts as flashback filler, showing the island in the throes of a party?! Is that it? Oh, so this "rave" thingy is just a "party"? In the grand tradition of re-euphemizing "used cars" as "pre-owned", or "shell shock" as "post-traumatic stress disorder", the word "party" is now too square for you drug-addled, silicone-implanted, metrosexual jagoffs?
It is learned that the party was broken up by rampaging zombies. Intelligent thought stops here
I don't think the pinheads who call themselves screenwriters and directors understand the mythos behind zombie re-animation. Zombies can't die they're already UN-DEAD. They do not bleed, they know no pain. Unless their bodies are completely annihilated, they will continue being animated. At least, that's what my Jamaican witch priestess tells me.
Which means that a .45 shot into their "hearts" is not going to stop them, nor will a machete to the torso. And a shotgun blast to the chest will certainly NOT bring forth gouts of blood. At least in the video game's logic, the shooter pumps so many rounds into each monster that it is completely decimated, leaving a fetid mush that cannot re-animate itself.
Yet each actor-slash-model gets their Matrix-circular-camera moment, slaying zombies on all fronts with single bullets and karate chops to the sternum. Seriously, these zombies are more ineffective than the Stormtroopers from "Return Of The Jedi", who get knocked out when Ewoks trip them.
I suppose the film's writer, Mark Altman, having penned the not-too-shabby "Free Enterprise", felt compelled to insert a Captain Kirk reference, in the character of Jurgen Prochnow, who must have needed milk money desperately to have succumbed to appearing in this aromatic dung-swill. There is also a reference to Prochnow's primo role in the magnificent "Das Boot", when one of the untrained B-actors mentions that he "looks like a U-Boat Captain". ". I wonder how many of this movie's target audience of square-eyed swine picked up on ANY of the snide references to other films, as when Prochnow declares, "Say hello to my little friend", presaging his machine gun moment.
Aimed at a demographic who have not the wherewithal to comprehend the Sisyphean futility of the video-game concept (i.e. the game ends when you die you cannot win), this is merely a slasher film for the mindless and mindless at heart. Accordingly, everyone dies in due course, except for a heterosexual pair of Attractive White People.
A better use for this film's scant yet misused budget might have been to send the cast through Acting School, although Ona Grauer's left breast did a good job, as did her right breast and those slomo running scenes: priceless! I especially liked the final scene with Ona trying to act like she's been stabbed, but looking like she's just eaten ice cream too fast.
Attempting to do something more constructive with my time, I pulled out my Digitally-Restored, 35th Anniversary, Special Edition, Widescreen Anamorphic DVD of "Manos: The Hands Of Fate." Ah, yes! the drugs were suitably brain-numbing - now HERE was some quality film-making
(Movie Maniacs, visit: www.poffysmoviemania.com)