In their final semester of school, a group of six college friends get together to pull the ultimate prank on a fellow classmate. The joke goes awry, resulting in a series of tragic events. ... See full summary »
Kevin Patrick Walls,
Lily is a twenty-something aspiring writer who receives an invitation to attend a wedding reception with Jonathan, a handsome entomologist who also happens to be the man of her dreams. The ... See full summary »
Everett reveals every terrible habit, attitude, and hang-up on the first date. Shockingly, women don't react as he'd hoped...until he meets Brinn, who's willing to play his game and try for Full Disclosure.
A brooding self-styled swinger obsessed with things from the 1950's loses himself in booze and night clubbing amongst similar other men. Meanwhile he pines for the woman he really loves, ... See full summary »
Mordechai Jefferson Carver, aka the Hebrew Hammer, is an orthodox Jewish stud who goes on a mission to save Hanukkah. When Santa Claus's evil son Damian is pushed over the edge by his father's liberal policies, he does away with the Christian patriarch. Subsequently stepping into his father's role, Damian launches a campaign to eradicate the Jewish Holiday. The Hammer joins forces with Esther Bloomenbergensteinenthal, the gorgeous and dangerous daughter of the leader of the Jewish Justice League; and his brother-in-arms Mohammed Ali Paula Abdul Rahim, the head of the Kwanzaa Liberation Front, to topple Santa's evil progeny and to save Hanukkah for future generations of Jews. Written by
Sujit R. Varma
Adam Goldberg claims that he knew he had to do this movie as soon as he read the line "Shabbat shalom, motherfuckers!" See more »
When the Hammer is in his car, it has a normal Florida license plate. When there is close up, it shows that it is a New York license vanity plate that says "L'CHAIM". This is seen later in the movie when he talks to Shlomo and gives him a tape from the trunk. See more »
Though it's been compared to Mel Brooks' films, the humour in the Hebrew Hammer is much broader and exploits far more stereotypes than Mel Brooks ever managed to. Some people doubtless consider this a bad thing, but in the grand tradition of politically incorrect comedy, the movie is funny regardless.
Intentionally reminiscent of the Blaxploitation films of the seventies, the Hebrew Hammer is full of modern references as well as classic Jewish humour. The script is fast-paced and clever, and has some brilliant one-liners. Watch out for the bagels.
Although certainly not a film for the easily-offended, those capable of looking at Jewish stereotypes and laughing at them will enjoy this movie very much. The sheer camp, though not something I usually like, works very well with this particular script and format. Don't pass it up just because it looks bad--it's supposed to look bad. That's half the point.
19 of 30 people found this review helpful.
Was this review helpful to you?