Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.
Mordechai Jefferson Carver, aka the Hebrew Hammer, is an orthodox Jewish stud who goes on a mission to save Hanukkah. When Santa Claus's evil son Damian is pushed over the edge by his father's liberal policies, he does away with the Christian patriarch. Subsequently stepping into his father's role, Damian launches a campaign to eradicate the Jewish Holiday. The Hammer joins forces with Esther Bloomenbergensteinenthal, the gorgeous and dangerous daughter of the leader of the Jewish Justice League; and his brother-in-arms Mohammed Ali Paula Abdul Rahim, the head of the Kwanzaa Liberation Front, to topple Santa's evil progeny and to save Hanukkah for future generations of Jews. Written by
Sujit R. Varma
Adam Goldberg claims that he knew he had to do this movie as soon as he read the line "Shabbat shalom, motherfuckers!" See more »
At the North Pole, right after Santa barricades the door, we see Hammer pointing a gun at Santa. When he racks the slide to chamber a bullet the slide stays back indicating it is unloaded, but when the camera changes angles he's able to shoot the tomato. See more »
An orthodox Jewish blaxploitation hero (Adam Goldberg) saves Hanukkah from the clutches of Santa Claus's evil son (Andy Dick).
My biggest complaint with this film is the sex jokes. I thought they carried themselves well with the racial and ethnic humor, and made a mockery of racism and stereotypes. Throwing is sexual material just seemed to cheaper it, and for that I had to dock them a star.
What I found interesting was having Peter Coyote as the head of the Jewish Justice League. With a name like Coyote, I did not think he was Jewish. Turns out I was very, very wrong. His father was a Jewish investment banker and his maternal grandfather was a rabbi. He certainly knows about the stereotypical Jewish, New York City life.
I also found my appreciation of the film changed between my first and second viewings. The first time I loved it for the racial humor. The second time, there was still that, but I had since seen "Superfly" and a few other films and better appreciated the homages that were thrown in, particularly the use of the Curtis Mayfield.
The MC Hammer and Mike Hammer jokes were good, and hopefully not over anyone's head (by 2003, did people still know who MC Hammer was?).
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