Simon a mysterious man with a past returns to Iceland with the intention to end his no good life. Before he can complete his task he meets a young women DÚA who he believes might be his ... See full summary »
Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or ... See full summary »
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first met ... and embraced. Down Under - ... See full summary »
The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of ... See full summary »
A very sad but genuinely human story. The middle-aged Icelandic woman Loa is seriously mentally ill. Finally it turns out that her husband is a latent alcoholic who submits to his addiction... See full summary »
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he ... See full summary »
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Simon a mysterious man with a past returns to Iceland with the intention to end his no good life. Before he can complete his task he meets a young women DÚA who he believes might be his daughter. When she gets into trouble with the police Simon represses his death wish and decides to help her out. Together they flee to the city of Hamburg and smuggle with them what used to be the greatest export of the Vikings, an Icelandic Falcon. Their plan is to sell it to wealthy Arabs. Written by
I saw this film at the 2002 Toronto International Film Festival. Mawkish and heavy-handed, this film was (almost) saved by two things: the cinematography capturing the incredible beauty of Iceland, and the luminous Margrét Vilhjálmsdóttir. Keith Carradine plays an ex-con who travels to Iceland "to forget." Instead he meets a woman who might be his daughter.
I saw Fridriksson's excellent Angels of the Universe two years ago, which was adapted from a book. This time, for his first English-language film, he chose to write the screenplay himself. I wanted to like this more, but the story was just too trite.
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