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Daddy Day Care (2003)
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Overview
User Rating:
Your Rating:
Director:
Writer (WGA):
Geoff Rodkey (written by)
Release Date:
9 May 2003 (USA)
See more »
Tagline:
D-Day Is Coming See more »
Plot:
Two men get laid off and have to become stay-at-home dads when they can't find jobs. This inspires them to open their own day-care center. Full summary » | Full synopsis »
Awards:
1 win
&
5 nominations
See more »
NewsDesk:
(134 articles)
Film Review: 'Movie 43'
(From CineVue. 26 January 2013, 3:11 AM, PST)
5 Brilliant Things to Remember About "The Wonder Years"
(From The Backlot. 11 July 2012, 7:58 AM, PDT)
‘Paul Blart: Mall Cop’ Director Steve Carr Will Helm ‘The Wedding Day’
(From The Film Stage. 29 June 2012, 8:00 AM, PDT)
(From CineVue. 26 January 2013, 3:11 AM, PST)
5 Brilliant Things to Remember About "The Wonder Years"
(From The Backlot. 11 July 2012, 7:58 AM, PDT)
‘Paul Blart: Mall Cop’ Director Steve Carr Will Helm ‘The Wedding Day’
(From The Film Stage. 29 June 2012, 8:00 AM, PDT)
User Reviews:
First Class family entertainment
See more (109 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Steve Carr | |||
Writing credits(WGA) | ||
| Geoff Rodkey | (written by) | |
Produced by | |||
| Matt Berenson | .... | producer | |
| Jack Brodsky | .... | co-producer | |
| John Davis | .... | producer | |
| Rufus Gifford | .... | associate producer | |
| Wyck Godfrey | .... | producer | |
| Dan Kolsrud | .... | executive producer | |
| Joe Roth | .... | executive producer | |
| Heidi Santelli | .... | executive producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Steven Poster | |||
Film Editing by | |||
| Christopher Greenbury | |||
Casting by | |||
| Juel Bestrop | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Garreth Stover | |||
Art Direction by | |||
| Chris Cornwell | |||
Set Decoration by | |||
| Maggie Martin | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Ruth E. Carter | (as Ruth Carter) | ||
Makeup Department | |||
| Mustaque M. Ashrafi | .... | makeup artist | |
| David Forrest | .... | makeup department head | |
| Lana Heying | .... | hair stylist | |
| Vera Steimberg Moder | .... | makeup artist: Mr. Murphy (as Vera Steimberg) | |
| Megan Moore | .... | makeup artist | |
| Stacey Morris | .... | hair stylist: Mr. Murphy | |
| Violet Ortiz | .... | hair stylist | |
| Marie-Ange Ripka | .... | hair department head | |
Production Management | |||
| Jim Conrads | .... | post-production supervisor | |
| Stephen Lim | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dieter 'Dietman' Busch | .... | second assistant director | |
| Marisa Ferrey | .... | second second assistant director | |
| Evan Gilner | .... | assistant director | |
| Donald Sparks | .... | first assistant director (as Donald L. Sparks) | |
| Garreth Stover | .... | second unit director (uncredited) | |
Sound Department | |||
| Steve Bissinger | .... | sound effects editor | |
| Thom Brennan | .... | foley editor | |
| Chuck Buch | .... | sound mixer: reshoots | |
| David Diamond | .... | boom operator: additional photography | |
| Eric Flickinger | .... | sound recordist | |
| Vincent Guisetti | .... | foley artist | |
| Douglas Hinton | .... | assistant sound editor | |
| Pamela Kahn | .... | foley artist | |
| Larry Kemp | .... | sound editor | |
| Daniel Kent | .... | sound mixer | |
| Vanessa Lapato | .... | supervising adr editor | |
| Howard London | .... | adr mixer | |
| David MacMillan | .... | production sound mixer | |
| Harrison D. Marsh | .... | boom operator | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Kyle Rochlin | .... | foley mixer | |
| Kira Roessler | .... | sound editor | |
| Solange S. Schwalbe | .... | foley supervisor | |
| Greg Steele | .... | adr mixer | |
| Jon Taylor | .... | sound re-recording mixer | |
| John Joseph Thomas | .... | supervising sound editor | |
| Todd Harris | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Larz Anderson | .... | special effects coordinator | |
| John B. Hagey | .... | special effects technician | |
| Mark Lilienthal | .... | special effects technician | |
| David Simmons | .... | special effects technician | |
Visual Effects by | |||
| Steve Caldwell | .... | digital compositor | |
| Mark Dornfeld | .... | visual effects supervisor | |
| Shaina Holmes | .... | digital compositor | |
| Lori C. Miller | .... | visual effects | |
| L. Elizabeth Powers | .... | digital compositor (as Laurie Powers) | |
| Mark Sawicki | .... | green screen photographer | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Bob Wiatr | .... | digital compositor | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Brian Christensen | .... | stunts | |
| Carl Ciarfalio | .... | stunts | |
| Thomas Dewier | .... | stunts | |
| Annie Ellis | .... | stunts | |
| Cinda-Lin James | .... | stunts | |
| Manny Perry | .... | stunt coordinator | |
| Matthew Taylor | .... | stunt double: Steve Zahn | |
Casting Department | |||
| Jimmy Jue | .... | extras casting | |
| John Srednicki | .... | casting assistant | |
| Jill Warner | .... | casting intern | |
Costume and Wardrobe Department | |||
| David Butler | .... | costumer | |
| Conan Castro Jr. | .... | set costumer: additional photography | |
| Fetteroff Colen | .... | dresser: Mr. Murphy | |
| Elizabeth Frank | .... | set costumer | |
| Jalene Murphy | .... | set costumer | |
| Felipe Sanchez | .... | costume illustrator | |
| Hope Slepak | .... | costume supervisor | |
| Dana R. Woods | .... | assistant costume designer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Matthew Cassel | .... | first assistant editor | |
| Julie Garces | .... | assistant editor | |
| Sam Seig | .... | first assistant editor | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Bronwen Boyan | .... | music coordinator | |
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| J.J. George | .... | additional music editor | |
| Richard A. Harrison | .... | music editor | |
| Gregory Jamrok | .... | orchestrator | |
| Adam Michalak | .... | score recordist | |
| David Newman | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Pat Weber | .... | scoring technician | |
Transportation Department | |||
| Hedy Phil Balani | .... | production driver | |
| Christopher Weippert | .... | driver | |
| Richard Denson | .... | driver (uncredited) | |
Production CompaniesDistributors
- Sony Pictures Entertainment (SPE) (2003) (worldwide) (all media)
- Revolution Studios (2003) (USA) (all media)
- Columbia Pictures (2003) (USA) (theatrical)
- Buena Vista International (2003) (Switzerland) (theatrical)
- Cinemark Columbia (2003) (Lithuania) (theatrical)
- Columbia TriStar Film Distributors (2003) (UK) (theatrical)
- Columbia TriStar Film (2003) (Germany) (theatrical)
- Columbia TriStar Films (2003) (France) (theatrical)
- Columbia TriStar Films (2003) (Netherlands) (theatrical)
- Columbia TriStar Films de Argentina (2003) (Argentina) (theatrical)
- Columbia TriStar Italia (2003) (Italy) (theatrical)
- FS Film Oy (2003) (Finland) (theatrical)
- Sony Pictures Releasing (2003) (USA) (theatrical)
- United International Pictures (UIP) (2003) (Japan) (theatrical)
- Columbia TriStar Home Entertainment (2004) (Germany) (DVD)
- Columbia TriStar Home Entertainment (2003) (Netherlands) (DVD)
- Columbia TriStar Home Entertainment (2003) (USA) (DVD)
- Columbia TriStar Home Video (2003) (Netherlands) (VHS)
- FS Film Oy (2004) (Finland) (DVD) (VHS)
- Fox Network (2007) (USA) (TV)
- Nelonen (2007) (Finland) (TV)
- RTL Entertainment (2006) (Netherlands) (TV) (RTL5)
- Pacific Title (optical and digital effects)
- Pacific Vision Productions (visual effects)
- Custom Film Effects (digital effects)
- BT Industrial Supply expendables
- Central Casting extras casting
- Chapman/Leonard Studio Equipment cranes and dollies
- Chef Robért Catering catering
- Columbia Records soundtrack
- Direct Tools & Fasteners expendables
- Legacy Records soundtrack published by
- Movie Movers cast trailers
- Movie Movers star trailers
- Sony Music Soundtrax soundtrack
Additional Details
Also Known As:
See more »
MPAA:
Rated PG for language
Parents Guide:
Runtime:
92 min
Country:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Argentina:Atp | Australia:G (original rating) | Australia:PG (cable rating) | Brazil:Livre | Canada:G | Germany:o.Al. | Ireland:PG | New Zealand:G | Norway:A | Philippines:G | Portugal:M/6 | Singapore:PG | South Korea:All | Spain:T | Sweden:Btl | Switzerland:6 (canton of the Grisons) | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG | USA:PG (certificate #39497) | Iceland:L | Switzerland:8 (canton of Zurich) | Malaysia:U | Finland:K-3 | Netherlands:AL
Filming Locations:
Company:
Did You Know?
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): "Star Trek" (1966) lover Marvin talks about a shop which has "a tricorder used by Ensign Riley in "The Doomsday Machine." Bruce Hyde played Lieutenant (not Ensign) Kevin Riley in "Star Trek: The Naked Time (#1.4)" (1966) and "Star Trek: The Conscience of the King (#1.13)" (1966), and no other episodes. There was no Riley in "Star Trek: The Doomsday Machine (#2.6)" (1967).See more »
Quotes:
[first lines]
Ben:Good morning, Daddy.
Charlie Hinton:Hey, Ben, how you doing, man?
[yawn]
Charlie Hinton:Oh, God. Daddy's got to get ready for work.
Ben:Can't you stay home?
Charlie Hinton:No, I got a big day at work today. A real big day.
See more »
Ben:Good morning, Daddy.
Charlie Hinton:Hey, Ben, how you doing, man?
[yawn]
Charlie Hinton:Oh, God. Daddy's got to get ready for work.
Ben:Can't you stay home?
Charlie Hinton:No, I got a big day at work today. A real big day.
See more »
Soundtrack:
CoconutSee more »
FAQ
This FAQ is empty. Add the first question.See more (109 total) »
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See this with the whole family. Cute, funny, well-made tale is really an adult movie, though it was marketed as a kids movie. You really care about these characters, and desparately want everything to turn out well for them. A pleasant surprise. Best fun Eddie Murphy movie since Dr Dolittle.