Disgraced Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.
Seeking to offer his son the satisfying summer camp experience that eluded him as a child, the operator of a neighborhood daycare center opens his own camp, only to face financial hardship and stiff competition from a rival camp.
Cuba Gooding Jr.,
Nick Persons is a selfish player who owns a collectables sports shop in Vancouver. Everything in his life is perfect until he meets Suzanne Kingston, a business woman who has something Nick... See full summary »
In the comedy Daddy Day Care, two fathers lose their jobs in product development at a large food company and are forced to take their sons out of the exclusive Chapman Academy and become stay-at-home fathers. With no job possibilities on the horizon, the two dads open their own day care facility, "Daddy Day Care", and employ some fairly unconventional and sidesplitting methods of caring for children. As "Daddy Day Care" starts to catch on, it launches them into a highly comedic rivalry with Chapman Academy's tough-as-nails director... who has driven all previous competitors out of business. Written by
Sony Pictures Publicity
The original 12/2/2003 Sony/Columbia Pictures DVD of Daddy Day Care contained both a full-frame version (1.33:1 aspect) and a wide screen version (1.78:1 aspect) mastered from the original 35 mm negatives shot with spherical lens (1.37:1 aspect). The theatric projection film positive version (1.85:1 aspect) was obtained by cropping 25.9% off the height of the image on the negative. The DVD wide screen version was obtained by cropping 23.0% off the height of the image on the negative. The DVD full-frame version was obtained by retaining the full height but cropping 2.9% off the width of the image on the negative. Consequently, a boom microphone is visible at the top of the frame in the DVD full-frame version but not in the DVD wide screen version and not in the theatric version in shots of Charlie from behind Ben when they are seated alone at a table drawing at 59:02, 59:25, 59:42 and 59:58. The boom microphone appearing is an error caused by the distributor, not a goof by the filmmakers. Similarly, at 45:45 and again at 45:51 the Full Frame version shows the social worker pulling his pen out of his coat pocket twice whereas in the Wide Screen version all but a blur of the top of the pen in two frames at 45:45 is cropped off and unrecognizable. See more »
When Phil is standing on the sofa, playing the guitar, the music keeps going when he's not strumming. See more »
Casting for this film was brilliant. In fact, it could not have been anything less, given that the final edited product - which boasts of great interplay and chemistry between the crew, cast and the kids- was a great family film (decent, entertaining, and heartfelt). What is particularly nifty is that in this film, like some others including Judge Reinhold's Vice Versa (1988), we get to see a children's movie for adults with both the kids and the adults sharing equal stage presence, which really is splendid.
Eddie Murphy (now into his family man image phase) and fellow co-stars like Steve Zahn (playing yet another geeky role with slick comic timing) really capture the screen with their ability to play such innocently playful and tender roles and when you watch them engage in conversations with the child actors (who must have been a handful to manage), one can tell instantly there was chemistry on and off screen there (even child actors are kids and kids know who to trust) that went on to boost the production set.
The credits even run a series of bloopers which showed the whole cast and crew crying out in laughter after the some of the cherubic kids deliver hilarious comments in between takes. The fun and interaction they must have all shared as a crew unit must have been dewy cheeked wonderful! This boost spills over into the film as one can definitely sense the fun filed atmosphere, and even if someone disagrees they'd definitely agree that there was loads of confetti colour and delightful rainbow filled moments throughout the film, which kind of also is a credit to the originality of this film's screenplay.
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