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Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Brazil, 1960's, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970's: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980's: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God. Written by
Jeff Mellinger <firstname.lastname@example.org>
All of the amateur actors were recruited from favelas (slums) in Rio de Janeiro, and a couple of them - eg. Buscapé/Rocket (Alexandre Rodrigues) - actually lived in the Cidade de Deus (City of God) itself. See more »
The length of the joint Lil Dice is smoking when he is hanging out with the Tender Trio changes size between shots. See more »
During the end credits there is shown actual real-life footage of the real Mané Galinha, or Knockout-Ned as he is translated into in the American version of the film. This is in fact the same TV interview we see constructed in the film, and we can see that the filmmakers have copied this TV interview down to the smallest detail. See more »
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
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