Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.
Larry the Cable Guy,
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Manny, Sid, and Diego discover that the Ice Age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the wooly mammoths.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
While traveling to California for the dispute of the final race of the Piston Cup against The King and Chick Hicks, the famous Lightning McQueen accidentally damages the road of the small town Radiator Springs and is sentenced to repair it. Lightning McQueen has to work hard and finds friendship and love in the simple locals, changing its values during his stay in the small town and becoming a true winner. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Pixar Studio Trademark: The train that Lightning outruns is numbered A113 after an animation room at California Institute of the Arts, where many Pixar animators studied. Mater's license plate has the same number. See more »
As a prisoner, Lightning should have been given "one phone call." Why wasn't he given this opportunity to phone his 'people' and to get them to send someone to fix the road so he can go on to California? If nothing else, he could have appealed to Mater's kindness to do this on his behalf. See more »
Okay, here we go. Focus. Speed. I am speed. One winner, forty-two losers. I eat losers for breakfast. Breakfast? Maybe I should have had breakfast? Brekkie could be good for me. No, no, no, focus. Speed. Faster than fast, quicker than quick. I am Lightning.
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Some television prints of this movie omit the cast list from the end credits. The animation continues with the credit area left blank. See more »
Written by Brad Paisley
Performed by Brad Paisley
Produced by Frank Rogers
Recorded by Richard Barrow and Brian David Willis
Mixed by Justin Niebank
Brad Paisley appears courtesy of Arista Nashville See more »
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
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