A young boy named Yankee Irving finds himself at an extraordinary crossroads: He has a chance to be a hero - and make a difference against incredible odds - or he can play it safe. With ... See full summary »
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
While traveling to California for the dispute of the final race of the Piston Cup against The King and Chick Hicks, the famous Lightning McQueen accidentally damages the road of the small town Radiator Springs and is sentenced to repair it. Lightning McQueen has to work hard and finds friendship and love in the simple locals, changing its values during his stay in the small town and becoming a true winner. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The epilogue sequence, which shows in a small window during the final credits, is also included as a full-picture bonus on the DVD. See more »
When Lightning is loaded onto Mack after the first race, they are using video to communicate back and forth. Lightning is trying to convince Mac to drive all night to get to California. Inside the trailer, Lightning's monitor shows all of Mack's face, yet when the camera view switches outside the trailer, there is no camera for Mac to have been looking into. See more »
Okay, here we go. Focus. Speed. I am speed. One winner, forty-two losers. I eat losers for breakfast. Breakfast? Maybe I should have had breakfast? Brekkie could be good for me. No, no, no, focus. Speed. Faster than fast, quicker than quick. I am Lightning.
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During credits, Mack (John Ratzenberger) watches car-versions of earlier Pixar hits, commenting on the fine actor in each scene before realizing it's the same actor (John Ratzenberger) playing different characters in each movie. There is an additional scene at end of credits, as with last year's Chronicles Of Narnia. See more »
Behind the Clouds
Written by Brad Paisley & Frank Rogers
Performed by Brad Paisley
Produced by Frank Rogers
Recorded by Richard Barrow and Brian David Willis
Mixed by Justin Niebank
Brad Paisley appears courtesy of Arista Nashville See more »
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
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