7.1/10
297,639
600 user 257 critic

Cars (2006)

A hot-shot race-car named Lightning McQueen gets waylaid in Radiator Springs, where he finds the true meaning of friendship and family.

Directors:

, (co-director)

Writers:

(original story by), (original story by) | 8 more credits »
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Nominated for 2 Oscars. Another 27 wins & 28 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Doc Hudson (voice)
...
Sally Carrera (voice)
...
Mater (voice)
...
Ramone (voice)
...
Luigi (voice)
Guido Quaroni ...
Guido (voice)
...
Flo (voice)
...
Sarge (voice)
Michael Wallis ...
Sheriff (voice)
...
Fillmore (voice)
...
Lizzie (voice)
...
...
...
Chick Hicks (voice)
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Storyline

While traveling to California for the dispute of the final race of the Piston Cup against The King and Chick Hicks, the famous Lightning McQueen accidentally damages the road of the small town Radiator Springs and is sentenced to repair it. Lightning McQueen has to work hard and finds friendship and love in the simple locals, changing its values during his stay in the small town and becoming a true winner. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Boys in the Hood See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

9 June 2006 (USA)  »

Also Known As:

Route 66  »

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Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend USA:

$60,119,509, 11 June 2006, Wide Release

Gross USA:

$244,082,982

Cumulative Worldwide Gross:

$217,898,144
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| (Digital DTS Sound)|

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

When Mater and Lightning McQueen tip over the cow tractors, as the tractors are upended, they give off an electronic "Moo!" sound. The electronic "Moo!" is taken from Milky the Marvelous Milking Cow, a Kenner toy introduced in 1978. Milky the Marvelous Milking Cow would raise her head and give off an electronic "Moo!" sound when you moved her tail like a pump handle. See more »

Goofs

When McQueen first meets Sally Carrera, finding her attractive, he flashes what seem to be headlights at her windshield "eyes" in an annoying attempt to impress her. But after the first race, it is stated that he has decals instead of actual headlights. See more »

Quotes

[first lines]
Lightning McQueen: Okay, here we go. Focus. Speed. I am speed. One winner, forty-two losers. I eat losers for breakfast. Breakfast? Maybe I should have had breakfast? Brekkie could be good for me. No, no, no, focus. Speed. Faster than fast, quicker than quick. I am Lightning.
See more »

Crazy Credits

During credits, Mack (John Ratzenberger) watches car-versions of earlier Pixar hits, commenting on the fine actor in each scene before realizing it's the same actor (John Ratzenberger) playing different characters in each movie. There is an additional scene at end of credits, as with last year's Chronicles Of Narnia. See more »

Connections

References Toy Story (1995) See more »

Soundtracks

Find Yourself
Written by Brad Paisley
Performed by Brad Paisley
Produced by Frank Rogers
Recorded by Richard Barrow and Brian David Willis
Mixed by Justin Niebank
Brad Paisley appears courtesy of Arista Nashville
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This movie is great
10 June 2006 | by See all my reviews

But WHY is it great?

1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated… you know, if the landscape wasn't made up of old car parts.

2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.

3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.

4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.

I give it a score of 10 out of 10. I can't wait to see it again.


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