A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
The story picks up four weeks after the first film, and already Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, strange contractor, and the worst vacation of her life. Written by
Giles Benwick, whom Bridget meets at the law council dinner, shares his last name with a character from Jane Austen's "Persuasion". See more »
In several scenes, the heart on Bridget's necklace switches sides. See more »
No. No thanks. I've given up again.
Shame. I find them very useful. I take great comfort in the fact that they might kill me before things actually get worse.
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It seems that, now, even romantic comedies have gone the way of cookie-cutter action flicks in their being too formulaic.
Spare yourself watching this movie. The gist is this: the new Bridget Jones is a blubbery, stupid, awkward woman. She goes on various trips and social outings, never failing to fall down, make stupid comments, spill things on people, put her makeup on wrong, etc etc ad nassssseum. Think slapstick comedy. Think the Curly from the 3 stooges, getting bonked on the head for the 212th time. It gets old fast.
In the first movie, I think a lot of girls could sympathize with her flub-ups and awkwardness because Bridget was also witty and intelligent, in spite of her shortcomings. Only this time around she's pretty much just a waste of space.
Oh, by the way, there isn't actually any plot development for the movie. Just endless scenes of Bridget making a fool of herself.
They always say sequels are worse than the original movie, but I've never seen one so much abysmally worse than the first.
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