A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
The story picks up four weeks after the first film, and already Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, strange contractor, and the worst vacation of her life. Written by
In the scene with Bridget, Shazzer, Jude and Tom are smoking, and Jude is holding a book with the title, "What Men Want Today" her cigarette changes from her smoking it from her right hand to it being in her mouth as she holds the book up to Bridget. See more »
[Bridget gets out of bed covered in a sheet and begins to fumble around]
What on Earth are you doing?
Why're you dancing around in that tent business?
Because I don't want you to see any of my wobbly bits.
Well now that's a bit pointless, isn't it? As I happen to have a very high regard for your wobbly bits. In all circumstances.
[Bridget's head emerges from the sheet]
Absolutely. I think it's high time we had another look.
[Bridget drops the sheet on the floor]
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But, oddly enough, I still liked this version of The Edge of Reason.
It's hard to put my finger on why -- because I'm not quite sure why some of the book's original plot lines were ommitted, and because I thought the Rebecca subplot was gratuitous -- but I did like it.
The first book was not-so-loosely based on Jane Austen's "Pride and Prejudice." The first movie left a lot of that in, and even included a lot of "inside jokes" for those of us who are familiar with that delightful book and the filmed version starring Colin Firth as Fitzwilliam Darcy. "The Edge of Reason" was not-so-loosely based on another Jane Austen novel, "Persuasion," but any overt Austen references are completely wiped out here.
The character of Giles Benwick is based on an Austen character named Benwick who has recently lost his fiancée, but that is the only Austen reference from the book left. It's a shame, too, because I liked that particular subplot in both Austen's "Persuasion" and Fielding's "Edge of Reason."
Given that I've complained about several aspects of this film, I'm still rather surprised that I liked it. Could it be because Bridget is still Everywoman and because Mark Darcy is still the Perfect Man (and probably because he's still played by the ever-dishy Colin Firth)?
Who knows. All I do know is that it was cute, it was funny and it was entertaining. You can't ask for much else.
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