IMDb > Blissfully Yours (2002)

Blissfully Yours (2002) More at IMDbPro »Sud sanaeha (original title)

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Release Date:
9 October 2002 (France) See more »
The story of a love affair that begins during a picnic on the Thai-Burmese border. | Add synopsis »
7 wins & 2 nominations See more »
User Reviews:
Artlessness does not make good art See more (14 total) »


  (in credits order)
Kanokporn Tongaram ... Roong
Min Oo ... Min
Jenjira Jansuda ... Orn
rest of cast listed alphabetically:
Sa-gnad Chaiyapan
Kanitpat Premkij
Jaruwan Techasatiern

Directed by
Apichatpong Weerasethakul 
Writing credits
(in alphabetical order)
Apichatpong Weerasethakul 

Produced by
Eric Chan .... producer
Charles de Meaux .... producer
Cinematography by
Sayombhu Mukdeeprom 
Film Editing by
Lee Chatametikool 
Production Design by
Akekarat Homlaor 
Sound Department
Lee Chatametikool .... sound
Teekadet Vucharadhanin .... sound
Editorial Department
Tony Morias .... telecine supervisor
Other crew
Toby Ashraf .... subtitles: german

Production CompaniesDistributors

Additional Details

Also Known As:
"Sud sanaeha" - Thailand (original title)
See more »
125 min | Thailand:109 min (DVD version)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Argentina:13 | France:U | France:-12 (TV rating) | Singapore:R(A) (cut) | Singapore:R21 (re-rating) | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Thailand:(Banned) | UK:18 (DVD rating)

Did You Know?

The clinic where Roong takes Min to see the doctor belongs to the director's parents.See more »


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24 out of 61 people found the following review useful.
Artlessness does not make good art, 8 August 2004
Author: federovsky from bangkok

This is a film-school level concept with film-school level execution. Some of the scenes are so long and static I half expected a screensaver would kick in. Some people in this website have been trying to make sense of some of the scenes in this film, but I think those conclusions are illusory or wishful thinking, as is much modern art criticism. The real fact is, the film is objectively very poor.

Yes, this is certainly an art film, that is, it's meant to make us think about life rather than simply to entertain. The problem is, it is way too self-consciously an art film, the story is drearily paced (as if trying to be the most artsy film ever made by dint of its sheer slowness) and the execution is quite undistinguished (as if to say it is so artsy that it doesn't even have to try). Nothing is revealed by the film, no deep or hidden meanings - possibly no meaning at all except to show a few odd people having a rather odd sort of afternoon in the forest. Happy for some, sad for others. Nothing to make us think, except try to figure out what was the point of it all. OK it's art, but let's be straight about this: it's extremely poor art.

All of the characters are unendearing, and as we must assume that the director is not trying to disengage us from the movie completely, it must only be because the most basic elements of film-making are being eschewed (this may be done consciously, but for the most part I fear not). The acting is wooden (witness - oh deary me - the factory manager, who may well be a real factory manager, but who has obviously never been in front of a camera in his life), the dialogue is mumbled, and almost every scene is amazingly dislikeable. There is a voice-over at times from the Burmese character that adds nothing but confusion as to who (or what), the film is about. I felt nothing at all for the characters, but very sorry at times for the actors.

The whole thing finally grinds to a virtual standstill in horribly overlong scenes towards the end in which the characters emotions are summed up. The intention here seems to be to impress the images upon us by burning them physically onto our retinas, but basically, artlessness does not make good art, and these scenes just unimpress and leave us cold, as does the whole thing. I live in Thailand and watched this film with my Thai girlfriend and she can confirm that the movie did not provide any insights into the Thai character or Thai way of life. It is just a stick thrown into the air.

This cannot be what the director intended. No offense to him for having a go, but we can all do just as well with a camcorder and a few friends. The real laughing stocks are the film festival organisers who, like the modern art collectors who pay a fortune for bits of trash, were duped into thinking that this, being a slow film from an exotic country, was absolutely just the thing for us to sit and ponder over at their film festival.

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