| Photos (See all 21 | slideshow) | Videos |
| AnnaSophia Robb | ... | Opal | |
| Jeff Daniels | ... | Preacher | |
| Cicely Tyson | ... | Gloria | |
| Dave Matthews | ... | Otis | |
| Eva Marie Saint | ... | Miss Franny | |
| Courtney Jines | ... | Amanda Wilkinson | |
| Nick Price | ... | Dunlap Dewberry | |
| Luke Benward | ... | Stevie Dewberry | |
| Elle Fanning | ... | Sweetie Pie Thomas | |
| Marca Price | ... | Mrs. Dewberry | |
| Lenore Banks | ... | Mrs. Detweller | |
| B.J. Hopper | ... | Mr. Alfred | |
| John McConnell | ... | Store Manager | |
| Harland Williams | ... | Policeman | |
| William Arthur Pitts | ... | Churchgoer 1 | |
| Enid Trotiner | ... | Churchgoer 2 | |
| Charles A. Daigle | ... | Churchgoer 3 | |
| Clarice H. Gauthreaux | ... | Churchgoer 4 | |
| Guy G. Gauthreaux | ... | Churchgoer 5 | |
| Julia Lashae | ... | SPCA Officer | |
| Darrell Jupiter | ... | SPCA Officer | |
| Lara Grice | ... | Opal's Mom | |
| Becca Lish | ... | Gertrude the Parrott [sic] (voice) | |
| rest of cast listed alphabetically: | |||
| Jared Day | ... | Mike | |
| Luke Burnyeat | ... | Shopper (uncredited) | |
| Sergio Kato | ... | SPCA Officer (uncredited) | |
| Matthew D. Miller | ... | Church Member (uncredited) | |
| Ross Rouillier | ... | Shopper (uncredited) | |
Directed by | |||
| Wayne Wang | |||
Writing credits(WGA) | ||
| Kate DiCamillo | (novel) | |
| Joan Singleton | (screenplay) | |
Produced by | |||
| Trevor Albert | .... | producer | |
| Becki Cross Trujillo | .... | co-producer | |
| Joan Singleton | .... | producer | |
| Ralph S. Singleton | .... | executive producer (as Ralph Singleton) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Karl Walter Lindenlaub | |||
Film Editing by | |||
| Deirdre Slevin | |||
Casting by | |||
| Todd Thaler | (as Todd M. Thaler) | ||
Production Design by | |||
| Donald Graham Burt | |||
Art Direction by | |||
| Monroe Kelly | |||
Set Decoration by | |||
| Marthe Pineau | |||
Costume Design by | |||
| Hope Hanafin | |||
Makeup Department | |||
| Roxanne Ferguson | .... | hair stylist | |
| Theresa A. Fleming | .... | additional hair stylist | |
| Allison Gordin | .... | makeup department head | |
| Betty Hamnac | .... | hair stylist (as Betty W. Hammac) | |
| Paige Reeves | .... | key makeup artist | |
| Donna Spahn | .... | hair department head (as Donna Spahn-Jones) | |
Production Management | |||
| Kathleen M. Courtney | .... | unit production manager | |
| Alex Schwartz | .... | production executive | |
| Crystal Weaver | .... | production supervisor | |
| Patrick Esposito | .... | post-production supervisor (uncredited) | |
Sound Department | |||
| Steve C. Aaron | .... | production sound mixer | |
| C. Douglas Cameron | .... | boom operator | |
| Jeff Colon | .... | epk sound recordist | |
| Marko A. Costanzo | .... | foley artist | |
| Rene Defrancesch | .... | sound utility | |
| Brett Eliason | .... | sound mixer | |
| Mark Filip | .... | sound effects editor | |
| Dave Flynch | .... | foley editor (as Dave B. Flynch) | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| George A. Lara | .... | foley supervisor (as George Lara) | |
| Allen Lau | .... | sound intern | |
| Cate Montana | .... | adr editor | |
| Chris Navarro | .... | adr recordist | |
| Jay Peck | .... | foley artist | |
| Jac Rubenstein | .... | dialogue editor | |
| Peter Waggoner | .... | sound re-recording mixer | |
| David Warzynski | .... | foley assistant (as Dave Warzynski) | |
| Alex Raspa | .... | adr mixer: New York (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
| Bob Cooper | .... | special effects coordinator (as Robert H. Cooper) | |
| Keith Marbory | .... | special effects supervisor | |
| David K. Nami | .... | special effects foreman | |
| Alan Scott | .... | mechanical effects supervisor: Stan Winston Studio | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording supervisor: Cinesite Hollywood | |
| Devin Bunje | .... | systems administrator: Stan Winston Studio | |
| Mark Dick Danger Devlin | .... | digital compositor | |
| Mitch Goldstrom | .... | technology consultant: Stan Winston Studio | |
| Dave Jerrard | .... | digital effects artist: Stan Winston Digital | |
| Gary Laurie | .... | 3D matchmover: Stan Winston Digital | |
| Bonnie Lemon | .... | digital producer: Stan Winston Digital | |
| Valerie McMahon | .... | digital artist | |
| Corinne Pooler | .... | digital paint supervisor | |
| Jim Rider | .... | Flame artist | |
| Randall J. Rosa | .... | visual effects supervisor: Stan Winston Digital | |
| Evan Schiff | .... | visual effects editor: SW Digital | |
| Gregory S. Scribner | .... | digital artist | |
| Ziad Seirafi | .... | compositor: Stan Winston Digital | |
| Monty Phillips | .... | digital artist (uncredited) | |
Stunts | |||
| Ray Abbott | .... | stunt double (as Raymond M. Abbott) | |
| Jeff Galpin | .... | stunt coordinator | |
| Mike Mukatis | .... | stunt double | |
Camera and Electrical Department | |||
| Nathan Borck | .... | electrician | |
| Chip Carey | .... | lamp operator: additional photography | |
| Loren Corl | .... | key grip | |
| Larry Cottrill | .... | electrician | |
| Chris Dame | .... | remote head technician | |
| Sean Finnegan | .... | best boy electric | |
| Dan Furst | .... | video assist operator | |
| Matthew Gaumer | .... | assistant camera | |
| Tommy Klines | .... | assistant camera | |
| Dan Kneece | .... | Steadicam operator | |
| Dan Kneece | .... | camera operator: "a" camera | |
| Jim Leidholdt | .... | dolly grip | |
| Ian Lynch | .... | first assistant camera: "b" camera | |
| Javier Marcheselli | .... | electrician | |
| Jerry L. Marshall | .... | best boy grip | |
| Greg Morse | .... | 24 frame video | |
| Dino Parks | .... | camera operator: "b" camera | |
| Dino Parks | .... | director of photography: second unit | |
| Dan Riffel | .... | gaffer | |
| Suzanne Tenner | .... | still photographer | |
| Newton TerMeer | .... | gaffer | |
| Steve Van Ness | .... | electrician | |
| Michael J. Walker | .... | additional camera operator: second unit | |
| Mark N. Woods | .... | crane operator: Technocrane | |
| Scott Zuchowski | .... | electrician | |
Casting Department | |||
| Aisha Coley | .... | casting executive | |
| Elizabeth Coulon | .... | extras casting: re-shoots | |
| Lisa Mae Fincannon | .... | additional casting | |
| Rita Foung | .... | casting associate: Los Angeles | |
| Timothee Hammond | .... | extras casting coordinator | |
| Jonathan Strauss | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Donna Chance | .... | key set costumer | |
| Dana Embree | .... | costumer | |
| Linda Gardar | .... | costume supervisor | |
| Jennifer Kamrath | .... | set costumer | |
| Giselle Spence | .... | seamstress | |
| Barbara Warren | .... | costumer: Miss Tyson (as Barbara Rudy Warren) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Joe Finley | .... | digital preview colorist | |
| Bruce Goodman | .... | colorist | |
| Ian Hochberg | .... | first assistant editor | |
| Brooks Larsen | .... | assistant editor | |
| Jeff Mee | .... | post-production coordinator | |
| Jim Passon | .... | color timer | |
| Nicholas Pellegrin | .... | editorial production assistant | |
| Renannah Weinstein | .... | associate editor (as Renannah Weinstein-Seliger) | |
| Lonnie A. Mathes | .... | post-production assistant (uncredited) | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Jeff Atmajian | .... | orchestrator | |
| Celeste Chada | .... | music licensing | |
| Chris Cozens | .... | auricle programmer | |
| Joseph S. DeBeasi | .... | additional music supervisor | |
| Joseph S. DeBeasi | .... | music editor | |
| Chris Dibble | .... | score recordist | |
| Chris Dibble | .... | scoring mixer | |
| Dave Hage | .... | music preparation | |
| George Hamer | .... | orchestral contractor | |
| Lewis Jones | .... | assistant music engineer: Lansdowne Studios | |
| Adam Kay | .... | music pre-record recordist | |
| Adam Kay | .... | playback music editor | |
| Adam Kay | .... | playback music recordist | |
| Mike Knobloch | .... | music executive | |
| Richard Lancaster | .... | assistant music programmer: Abbey Road Studios | |
| Nick Mera | .... | music preparation | |
| Rachel Portman | .... | orchestrator | |
| Delphine Robertson | .... | music coordinator | |
| David Snell | .... | conductor | |
Transportation Department | |||
| Russell Davis | .... | transportation captain | |
| Tom Moore | .... | driver | |
| Willie D. Partin | .... | driver | |
| Buddy Pine | .... | fuel truck driver | |
| Bill Pitts | .... | transportation coordinator | |
Thanks | |||
| Riley Kathryn Ellis | .... | special thanks | |
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| Son of Rambow | Persepolis | Chocolat | My Father's Glory | The Night of the Hunter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
First, I want to dispel any rumors about this being a "sappy" movie. This movie is an adaptation of a well-known children's book, and should be judged as such. For those of us that want more from our entertainment than shoveling base garbage, it provides a nice change. This movie is in the same type of movie as an "Anne of Green Gables" or other juvenile movie. It has no nudity, profanity, nor did we see anybody sleeping with anybody. A nice change.
What a wonderful movie. The story is very similar to Pollyanna (at least in the girls ability to involve herself in the community). It has a very positive message, and there is not one thing that I would feel bad taking any of my children to see. As a matter of fact, they will all see it by the week's end. I haven't read the book, but my 13 year-old daughter has and told me how good it is. I will have to read it now. It was an engaging tale, and technically was very well done. The acting was good (some very talented actors were involved) and there was some very good film work. The moving clouds with the scene changes were a nice touch and the music was very appropriate. I know there has been a lot of talk in the media about Dave Matthews in this film, and he was a nice addition. His acting was OK, but his music was definitely a welcome addition. His guitar playing in various spots was warm and fit like your favorite chair.
There were a number of good messages throughout the movie. Some were very overt (the discussion between Gloria and Opal about judging someone on an event without knowing the whole story), and some were a little more below the surface (time moving on, bringing new challenges, and keep living). In case you don't get them, they usually give you a clue in the dialogue somewhere. It sure gave me lots of topics I could use to teach with my children. The most important theme is the primary theme for the movie. The truly important thing in life is the relationships we have with others. Opal demonstrated by becoming part of the lives of those Winn Dixie led her to.
This is one movie that will go on my video shelf (when it's not in the DVD player).