19th century. Oshin is a prostitute in a brothel of a red-light district. A disgraced samurai, Fusanosuke, rushes in the brothel seeking for a refuge, because he had wounded a powerful ... See full summary »
During the time of change of the mid-19th Century, Yaichiro is bid farewell by his fellow samurai friends Munezo and Samon as he leaves their clan's fiefdom on the northwest coast of Japan ... See full summary »
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
19th century. Oshin is a prostitute in a brothel of a red-light district. A disgraced samurai, Fusanosuke, rushes in the brothel seeking for a refuge, because he had wounded a powerful samurai. Oshin hides him from the authorities and falls in love with him, against an older prostitute's, Kikuno's, misgiving. Fusanosuke advises Oshin to cleanse herself by giving up her line of work. Believing falsely that this is a promise for marriage, she turns her customers over to the other prostitutes, who are happy to help her. Funasukoke leaves to be reconciled to his family, but, when he returns, he reveals that he is engaged and is going to marry his fiancé. Some time later a desperate itinerant, Ryosuke, appears and Oshin falls in love again. Meanwhile, an older man asks Kikuno to buy her contract and marry her, but she is entangled with an old abusive customer of hers. One night, while the madam of the brothel is away to thermal baths, a storm hits the area and everybody tries to flee. ... Written by
I can understand those who dislike this movie cause of a lack of knowledge.
First of all, those girls are not Geisha, but brothel tenants, and one that don't know the difference will not understand half of the movie, and certainly not the end. This is a complete art work about the women's life and needs in this era. Everything is important, and certainly the way they dress, all over the movie means more than words. To those who thought it was a boring geisha movie, I'll suggest you to read a bit about this society before making a conclusion that is so out of the reality. This is Kurosawa's work of is life, and I'm sure that the director understood the silent meaning of Kurosawa's piece to the right intellectual range.
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