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Tiptoes (2003)

R  |   |  Comedy, Drama, Romance  |  January 2004 (USA)
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Two brothers - a dwarf (Rolfe) and one normal-sized (Steve). When Steve's girlfriend Carol becomes pregnant, the pair are fearful that the baby will inherit the dwarfism gene. Matters are ... See full summary »



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Cast overview, first billed only:
Kitty Katz
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Jerry Robin Jr.
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Tiffany (as Cherub Fried)
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Motel Manager


Two brothers - a dwarf (Rolfe) and one normal-sized (Steve). When Steve's girlfriend Carol becomes pregnant, the pair are fearful that the baby will inherit the dwarfism gene. Matters are complicated still further when she finds herself falling in love with Rolfe. Written by Earl Baker

Plot Summary | Plot Synopsis


It's the Little Things in Life that Matter.


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality | See all certifications »





Release Date:

January 2004 (USA)  »

Also Known As:

Kisördögök  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


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Did You Know?


Director Matthew Bright was fired after he turned in his cut, and the whole film was then re-edited. Peter Dinklage has said the original director's cut, which screened in Austin, TX, was "gorgeous", but the people who fired Bright "ruined the movie". See more »


Steve is worried that his son might inherit the gene for dwarfism and become a dwarf himself. For the overwhelmingly most common form of dwarfism (known as "achondroplasia"), it is only possible to inherit the gene if either parent is a dwarf, which is obviously not the case. For the less common forms of heritable dwarfism, it is only possible to have a dwarf child if BOTH parents' families have a history of dwarfism, and the film does not show Carol's family to have such a history. In fact, Steve being the only average-sized individual from a family of dwarfs makes it overwhelmingly likely that he did NOT inherit any genes for dwarfism and therefore has a next-to-nothing chance of having a dwarf child. See more »


Carol: Have you ever been involved with a little person sexually?
Steven Bedalia: No, just kid's stuff, you know? Y'know, all the kids would come over, we'd sit in a circle, play doctor and that kind of thing. Couldn't have been more than ten or twelve, so that doesn't really count.
Carol: So you had a circle jerk with a bunch of little people? I would have loved to see that.
Steven Bedalia: You would like to see that.
Carol: Yes, I would.
See more »


Referenced in Dinner for Five: Episode #3.8 (2004) See more »


Bummed Out in Beirut
Music by Curt Sobel and Gary Schreiner
See more »

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User Reviews

Um....Ah....Well, I Don't Know.....Hmmmm....... --or-- Searching for Gary Oldman.......
17 July 2005 | by (Chicago, USA) – See all my reviews

TIPTOES is a film that attempts to deal with the largely unexplored subject of dwarfism, but quickly becomes convoluted and saccharine. The story is centered around Steven (Matthew McConaughey) who has been told by his fiancée Carol (Kate Beckinsale), that she is pregnant. What he has not told her, is that his twin brother, as well as his whole family are dwarfs, and that their child will more than likely be a "little person." We meet Steven's brother, Rolfe (Gary Oldman), who prompts Carol to discover more about what this means and in the process discovers important things about herself as well, etc. She becomes involved with an organization (modeled after the Little People of America, or LPA, group) whose aim is to promote understanding in the world at large. There is also a subplot involving Rolfe's friend Maurice (Peter Dinklage) and his relationship to Lucy, a "normal sized" woman (Patricia Arquette). Maurice is something of an anarchist, who rejects the politically correct nature of the "little person" label (as does Dinklage), has extreme views of the government, and drinks too much. He is one of the most interesting characters in TIPTOES, but is given little screen time and becomes more of a figurehead for the "little people are just people" subtext of the story (Dinklage would be given much more to work with in THE STATION AGENT). As the film progresses, the relationship between Steven and Carol becomes more melodramatic, and in the the end very little is resolved.

TIPTOES, as a film, seems to be more interested in delivering a warm-hearted message than creating a cohesive story. The film presupposes that the audience has a very narrow view of dwarfs: that they don't lead happy productive lives, that they aren't promiscuous or enjoy parties or drink to excess. All the "little people" in TIPTOES become exaggerated in order to dispel these notions, and are rarely given the opportunity to be simply characters in the story. The "normal sized" characters suffer from underdevelopment however and both McConaughey and Beckingsale fail to register as they are put through the motions of the uneven plot. TIPTOES rarely shows the prejudice that it constantly refers to. Observe the scene, when renting a motel room to Rolfe, Maurice and Lucy, the man behind the counter makes the comment "one adult and two children." No response is made by any of the characters, which seems unlikely considering Maurice is a gun-toting malcontent. The term "midget" is referenced as a derogatory epitaph, but little explanation is given (the word is a holdover from the "freak show" era). TIPTOES decides to sidestep many of these issues with well intentioned portrayals of normality, but generates little enlightenment into the specific social experience of dwarfs. Furthermore, the film fails to find the right tone for the material, going from bouncy to lachrymose in brief intervals; the subtext of Carol's pregnancy is also unsettling. The word 'abortion' is never used, but the capsulated plot detail on the packaging states that after she finds out her child will be a dwarf "Carol decides to have the baby anyway..." This line is used in a fluffy quasi-charming context and would be unthinkable to print if the unborn child was mentally handicapped or paralyzed.

Matthew Bright, the director of TIPTOES, has seemingly carved out a niche for himself by making odd-ball low budget films that have become cult favorites. Both THE FORBIDDEN ZONE, which he wrote, and FREEWAY, wrote/directed, have gone on to find a small, but faithful, audience on the fringe of modern film. The fact that the end result of TIPTOES was a soapy, romantic drama was apparently against Bright's wishes and he claims that the producers marginalized his input as the production went on. He went so far as publicly shun the finished film at the Sundance Festival. Even so, Bright is not a director whose work I would have sought out intentionally, but I was drawn to TIPTOES by the glimmering lure of Gary Oldman. Not only that, but Gary Oldman playing a "little person." After viewing the film, I am uncertain of what his motivations for choosing this film might have been. It could have been for the complicated technical aspects, or that it was a leading role that allowed him to show off his versatility. He does, however, create a fairly interesting, nuanced character (one of the few present in TIPTOES) considering the fact that he is playing a character roughly half his actual height, who walks with a cane (to mask the uneven gait while on one's knees I presume), and has a thick southern accent, all this while performing in heavy make-up (well done by Greg Cannom). That said, casting a person of "normal" size to play a dwarf (I'll let the reader draw their own comparisons) only added to the negative reaction the film received upon its' initial theatrical release (which was limited, basically going straight-to-video) from critics and the LPA. As other reviewers have noted, the methods by which the filmmakers accomplish the "dwarfing" of Oldman, cinematic ally speaking, are somewhat distracting. I would guess that the limitations in budget and time did not allow Bright and his crew to integrate the special photographic techniques as seamlessly as in a film like DEAD RINGERS. It is somewhat refreshing for a film to be relatively free of CGI effects, but the stand-ins and limited camera angles are obtrusive in sections and ultimately hurt the film. 3/10

14 of 16 people found this review helpful.  Was this review helpful to you?

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