| Photos (see all 38 | slideshow) | Videos (see all 3) |
| Sun. July 19 | 12:00 PM | FX |
| Queen Latifah | ... | Isabelle 'Belle' Williams | |
| Jimmy Fallon | ... | Andrew 'Andy' Washburn | |
| Henry Simmons | ... | Jesse | |
| Jennifer Esposito | ... | Lt. Marta Robbins | |
| Gisele Bündchen | ... | Vanessa | |
| Ana Cristina de Oliveira | ... | Redhead | |
| Ingrid Vandebosch | ... | Third Robber | |
| Magali Amadei | ... | Fourth Robber | |
| Ann-Margret | ... | Washburn's Mom | |
| Christian Kane | ... | Agent Mullins | |
| Boris McGiver | ... | Franklin | |
| Adrian Martinez | ... | Brasilian Man | |
| Joe Lisi | ... | Mr. Scalia | |
| Bryna Weiss | ... | Mrs. Scalia | |
| GQ | ... | Stopwatch Messenger | |
| Joey Diaz | ... | Freddy (as Joey 'CoCo' Diaz) | |
| Rick Overton | ... | Man at Taxi Convention | |
| John Rothman | ... | Business Man | |
| Mike Santana | ... | Young Dealer | |
| Herman Chavez | ... | Undercover Domino Player (as Herman Chaves) | |
| Lou Torres | ... | Sweaty Dealer | |
| Sixto Ramos | ... | Twitchy Dealer | |
| Mario Roberts | ... | Third Dealer | |
| Jamie Mahoney | ... | Kid | |
| Amanda Anka | ... | Officer | |
| John Duerler | ... | Uniformed Cop | |
| Patton Oswalt | ... | Clerk at Inpound Office | |
| John Sierros | ... | Fat Cop | |
| Earl Schuman | ... | Old Janitor | |
| William Cote | ... | Cop #1 at Airport (as Will Cote) | |
| Riley G. Matthews Jr. | ... | Cop #2 at Airport | |
| Adam LeFevre | ... | Big Cop | |
| Kevin Carolan | ... | Cop at Bank #3 | |
| Edward Conna | ... | Lou's Garage Cop | |
| Victor Isaac | ... | Messenger #1 | |
| Ramon Fernandez | ... | Messenger #2 | |
| John Krasinski | ... | Messenger #3 | |
| Jay Spadaro | ... | Bodega Owner | |
| Shirell Ferguson | ... | Nurse | |
| Nashawn Kearse | ... | Cop in Harlem | |
| Alli Danziger | ... | Girl at Bank | |
| Tanner Schwartz | ... | Bank Hostage | |
| rest of cast listed alphabetically: | |||
| Chris Brandt | ... | Jeff Gordon Pit Crew (uncredited) | |
| Gelbert Coloma | ... | Thai Detective (uncredited) | |
| Dita de Leon | ... | Detective (uncredited) | |
| Jeff Gordon | ... | Himself (uncredited) | |
| Frank Hopf | ... | Uniformed Cop (uncredited) | |
| Mark Kubr | ... | Drug Man (uncredited) | |
| Jonathan Latroy | ... | Belle Pit Crew (uncredited) | |
| Lee Ann Powers | ... | DMV clerk (uncredited) | |
| Marty Eli Schwartz | ... | Cop at Roadblock (uncredited) | |
| Heather Sullivan | ... | Bank Employee (uncredited) | |
| Jessica Verdi | ... | Macy's Shopper (uncredited) | |
| Brad Lee Wind | ... | Businessman in Subway (uncredited) | |
Directed by | |||
| Tim Story | |||
Writing credits(WGA) | ||
| Luc Besson | (earlier screenplay) | |
| Robert Ben Garant | (screenplay) & | |
| Thomas Lennon | (screenplay) and | |
| Jim Kouf | (screenplay) | |
Produced by | |||
| Luc Besson | .... | producer | |
| Steve Chasman | .... | co-producer | |
| Ira Shuman | .... | executive producer | |
| Robert Simonds | .... | executive producer | |
| Aaron Wilder | .... | development executive | |
Original Music by | |||
| Christophe Beck | |||
| Tim Boland | |||
Cinematography by | |||
| Vance Burberry | (director of photography) | ||
Film Editing by | |||
| Stuart Levy | |||
Casting by | |||
| Ilene Starger | |||
Production Design by | |||
| Mayne Berke | |||
Art Direction by | |||
| Maria L. Baker | |||
| Randall Richards | |||
Set Decoration by | |||
| Jackie Carr | |||
Costume Design by | |||
| Sanja Milkovic Hays | |||
Makeup Department | |||
| Tammy Ashmore | .... | makeup artist | |
| June Brickman | .... | key makeup artist | |
| Nathan J. Busch II | .... | hair department head: second unit, New York (as Nathan J. Busch) | |
| Victor DeNicola | .... | hair department head: New York (as Victor DeNicola Jr.) | |
| Kelly Gleason | .... | makeup department head: New York | |
| Erma Kent | .... | hair stylist | |
| Beth Miller | .... | hair stylist: Jimmy Fallon | |
| Patricia Regan | .... | makeup department head: New York | |
| Christina Smith | .... | makeup department head | |
| Joanetta Stowers | .... | makeup artist: Queen Latifah | |
| Julie Taylor | .... | hair designer: Queen Latifah (as Julie B. Taylor) | |
| Kenneth Walker | .... | hair department head | |
Art Department | |||
| Peter Allburn | .... | camera scenic: New York | |
| David H. Allen | .... | property master | |
| Craig Baron | .... | set dresser | |
| Toni Barton | .... | assistant art director | |
| Mike Blaze | .... | property master | |
| Stan Cockerell | .... | assistant property master | |
| John Davis | .... | storyboard artist | |
| Frank Didio | .... | co-construction coordinator | |
| Rusty Dumas | .... | storyboard artist | |
| Ilana Gordon | .... | art department assistant | |
| Robert Hale | .... | head paint foreman | |
| Betty Krul | .... | set designer | |
| Victor Littlejohn | .... | assistant property master | |
| Addy McClelland | .... | art coordinator: New York | |
| Timothy Metzger | .... | leadman | |
| Ron Petagna | .... | head carpenter | |
| Mike Piccirillo | .... | art department coordinator | |
| Chuck Potter | .... | set decorator: New York | |
| Jeffrey Rollins | .... | on-set dresser | |
| John J. Rutchland III | .... | construction coordinator | |
| Evelyn Sakash | .... | assistant art director | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects director | |
| Burt Dalton | .... | special effects supervisor | |
| Albert Delgado | .... | special effects | |
| Ron Rosegard | .... | special effects | |
Visual Effects by | |||
| David Beedon | .... | compositor: Pixel Magic | |
| Michael Curtis | .... | digital compositor | |
| Patrick Flanagan | .... | digital compositor | |
| Tyler Foell | .... | digital effects artist | |
| Jim Gorman | .... | digital compositor | |
| Mike Hardison | .... | computer graphics supervisor | |
| James David Hattin | .... | lead compositor | |
| Steve Jaworski | .... | digital compositor | |
| Ryan Jensen | .... | previs artist | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| Brian A. Lamb | .... | scanning and recording | |
| John R. McConnell | .... | 2D compositor: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor | |
| Karen M. Murphy | .... | visual effects producer | |
| Shannon Leigh Olds | .... | visual effects editor | |
| Reid Paul | .... | senior digital effects supervisor | |
| Reid Paul | .... | visual effects producer | |
| Andrew Romine | .... | digital artist: Pixel Magic | |
| Kevin Struckman | .... | CG artist: Pixel Magic | |
| Jeff Varga | .... | digital effects artist | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Scott Paquin | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| Daniel J. Adkins | .... | costume supervisor: second unit | |
| Jill Kliber | .... | assistant costume designer | |
| Lawrence Quon | .... | set costumer | |
| Irena Stepic | .... | key costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Dennis McNeill | .... | color timer | |
| Jonny Winograd | .... | associate editor | |
| Anthony J. Camaioni | .... | additional assistant editor (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Spring Aspers | .... | music supervisor | |
| Bronwen Boyan | .... | music coordinator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Andrew Kaiser | .... | composer: additional music | |
| Kevin Kliesch | .... | orchestrator | |
| Queen Latifah | .... | music consultant | |
| Jason Lloyd | .... | scoring assistant | |
| Brian Richards | .... | music editor | |
| John Rodd | .... | score recordist | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring assistant | |
| Casey Stone | .... | music scoring mixer | |
| Bill Talbott | .... | scoring technician | |
| Terry Wilson | .... | music editor: temp score & final | |
Transportation Department | |||
| Anthony S. Loguzzo | .... | picture car coordinator | |
| Dave Robling | .... | transportation coordinator | |
| William Smallwood | .... | driver | |
| Tom Sweeney | .... | transportation office administrator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Washburn is an undercover cop who, after yet another job ending in a crashed car, has his license taken away and put back on the street. Meanwhile cycle courier Belle has finally gotten her taxi license and is preparing her souped up vehicle for the New York City streets. When a bank robbery in progress is called in, Washburn commandeers Belle's cab and gets involved in a high-speed chase with a group of Brazilian supermodels in a red BMW. Thrown off the case by the FBI, Washburn wants to catch the gang to get his job back, while Belle agrees to help so that she can get her taxi out of lockup.
I quite liked the original for what it was so I decided to give this film a try to see if it could manage to be fun. I'll be honest and say that the trailer attracted me because it had car chases, a bit of a laugh and some faux-lesbian teasing there, gone are my 'art-house' credentials! I hoped that these elements could be kept fun and that the film could have a spark to it in some area that would raise it above the genre and actually make it fun to watch. Sadly I was wrong and my worries about the effort put into this film were realized in the first few minutes of the film where a skinny person on a bike is revealed to be Belle even though their body shapes could not be more different! With this lack of attention to detail I did not have high hopes but I figured I was being picky and tried to get past it. However from here on in everything is exactly as you would expect lacking imagination and effort in almost every regard.
The plot is nonsense but to pick on that is to be too demanding because none of us expected anything too cohesive or logical but suffice to say that attempts to build stories around the characters are all flat and uninteresting. However what I did need from the film was action, excitement, comedy and spark. The action is OK but nothing special the use of CGI cars to make impossible stunts really takes away from the impact of the action, while the limitations of the busy streets means that the car chases are very tightly cut and never feel real and impressive. This reduces how excited the audience can feel and me and the other 15 people in the cinema sat rather impassive for most of the action scenes. With this OK, then the comedy needed to match it to produce an OK film, but it didn't. Not at all. The comedy is partly based on that wonderful comic device that black people are cool and sassy while white people are geeky and uptight. Oh, how I never tire of seeing racial stereotypes enforced in the name of comedy. With this old chestnut wheeled out again, the rest of the comedy falls into line and I never really laughed more than once. The button pushing and lack of imagination continues with the robbers themselves who are nothing more than legs and skin who are there to attract an idiotic and salivating male audience (ie me) on the promise of titillation. They don't deliver this very well at all and the scenes where they try to feel cheap, tacky and exploitative instead of sexy and fresh.
The cast are lumbered with the material but they don't do as much as perhaps they could have done to make it better. Fallon is annoying and geeky simply filling the 'white' cliché in the 'cool black/geeky white' combo. Latifah continues to just play the easy ethnic cliché stuff for every penny.
I don't know if she is like this in real life but I must admit that I do find her ethnic cliché to be lazy and rather offensive her smart-mouth, impatience and speed to violence has been in many of her last few roles and I don't think it is the best use of her position, but then again if you put money in front of me then I'd probably do the same. Esposito is pretty wasted in a thankless role before being used as a piece of meat for the sake of selling the film to the male audience (yes, yes, I admit it). The models are nothing but eye candy and I didn't think they did it very well.
Overall this is not a terrible film because it will appeal to boys and young teenagers with its noisy mix of unattainable leggy women, fast cars, basic humour and racial stereotyping; the target audience for this is shown even in the cut which removes a use of the MF word so that it can get to a younger audience. For me though I found it lacking any sort of imagination, spark or wit and instead just took the easy line of cliché, stereotype and noise. It will appeal to some, but not to me, and it was an effort to get to the end.