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A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.

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(earlier screenplay), (screenplay) | 2 more credits »
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4,035 ( 1,210)
2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Third Robber
Magali Amadei ...
Fourth Robber
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Mrs. Washburn
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Agent Mullins
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Franklin
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Brasilian Man
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Mr. Scalia
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Mrs. Scalia
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Stopwatch Messenger
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Storyline

Belle Williams is a speed demon. Flying through the streets of New York in her tricked-out taxi, she's earned a rep as New York's fastest cabbie. But driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. And she's well on her way--until she's derailed by overeager cop Andy Washburn, whose undercover skills are matched only by his total ineptitude behind the wheel. Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa, their cold, calculating--and leggy--leader. To nab the evasive crooks, drivers license-less Washburn convinces Belle to team up with him to pursue Vanessa and crew. Belle has carte blanche to drive at any speed and break any law. The car-less cop and speed-demon cabbie--New York's unlikeliest partners-- begin a high-speed game of cat and mouse with the robbers. That is, if Belle and Washburn don't end up killing each other ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

He's armed, but she's dangerous. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language, sensuality and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

6 October 2004 (USA)  »

Also Known As:

New York Taxi  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$12,029,832 (USA) (8 October 2004)

Gross:

$36,609,966 (USA) (18 February 2005)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The bad team drove BMWs, said taxi was customized. See more »

Goofs

Washburn opens the valve on a tank of Nitrous Oxide, saying that they can't fire at them because the "flammable" gas will explode. Nitrous Oxide is not flammable but it is an oxidizer. If you lit a match in a room full of N2O the flame would glow brighter than usual but there would be no explosion. See more »

Quotes

Belle: Buckle up for safety, motherfucka!
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Crazy Credits

Outtakes are shown during the closing credits See more »

Connections

Referenced in The Sentinel (2006) See more »

Soundtracks

Hot & Wet
Written by Ludacris (as Christopher Brian Bridges), Sean Combs (as Sean Combs),
Michael Marcel Keith (as Michael Keith), Quinnes Dammond Parker (as Quinnes Parker), Marvin E. Scandrick III (as Marvin E. Scandrick), Daron Tavaris Jones and Steven Jordan
Performed by 112
Courtesy of Def Jam Records under license from Universal Music Enterprises
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User Reviews

 
Big budget comedy with cut-rate jokes...
23 October 2005 | by (las vegas, nv) – See all my reviews

Slick, flashy film, a semi-remake of Luc Besson's "Taxi" from 1998, here Americanized as an urban action-comedy. Queen Latifah plays smart-mouthed cabbie with a souped-up vehicle in New York City who inadvertently partners with stumble bum cop Jimmy Fallon to crack a major crime case. Film should have relied more on Latifah's natural sass and less on Fallon's white-bread, dim-witted act (race is a constant punchline in the script, and Fallon is just there as Exhibit A). Jennifer Esposito is wonderful as a no-nonsense police lieutenant, Ann-Margret is a stitch as Fallon's tippling mother, and John Sierros (Broadway actor shamefully credited as 'Fat Cop') shines as a bamboozled police officer, but what happened to Queen Latifah? She gets a few good cracks in, but there's no character here for her to play; she sticks to her sarcastic persona and puts everyone down, but her role is depressingly one-dimensional. Comedy has a fast pace, impressive cinematography (although the swooping crane shots in traffic get repetitive) and some good car chases, but the screenplay needed an overhaul. ** from ****


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