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Taxi (2004)

PG-13 | | Action, Comedy, Crime | 6 October 2004 (USA)
A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.

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Writers:

(earlier screenplay), (screenplay) | 2 more credits »
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3 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Third Robber
Magali Amadei ...
Fourth Robber
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Franklin
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Brasilian Man
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Mr. Scalia
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Mrs. Scalia
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Stopwatch Messenger
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Storyline

Belle Williams is a speed demon. Flying through the streets of New York in her tricked-out taxi, she's earned a rep as New York's fastest cabbie. But driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. And she's well on her way--until she's derailed by overeager cop Andy Washburn, whose undercover skills are matched only by his total ineptitude behind the wheel. Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa, their cold, calculating--and leggy--leader. To nab the evasive crooks, drivers license-less Washburn convinces Belle to team up with him to pursue Vanessa and crew. Belle has carte blanche to drive at any speed and break any law. The car-less cop and speed-demon cabbie--New York's unlikeliest partners-- begin a high-speed game of cat and mouse with the robbers. That is, if Belle and Washburn don't end up killing each other ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

He's armed, but she's dangerous. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language, sensuality and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

6 October 2004 (USA)  »

Also Known As:

New York Taxi  »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$12,029,832, 10 October 2004, Wide Release

Gross USA:

$36,611,066

Cumulative Worldwide Gross:

$68,895,435
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (extended)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ingrid Vandebosch, one of the female robbers in this film, is married to Jeff Gordon, who has an uncredited cameo in this film. See more »

Goofs

The Lieutenant tells Washburn that he is "Not suspended, but fired". While a superior officer has the ability to remove an officer from service and suspend, they cannot summarily fire the officer. Firing an officer involves a formal hearing before termination can take place. See more »

Quotes

Lt. Marta Robbins: On the floor, now!
Vanessa: In this skirt? I don't think so.
See more »

Crazy Credits

Outtakes are shown during the closing credits See more »


Soundtracks

Pick Up the Pieces
Written by Roger Ball, Malcolm Duncan, Alan Gorrie, Onnie McIntyre,
Hamish Stuart and Robbie McIntosh
Performed by Average White Band
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Strategic Marketing
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User Reviews

 
Big budget comedy with cut-rate jokes...
23 October 2005 | by See all my reviews

Slick, flashy film, a semi-remake of Luc Besson's "Taxi" from 1998, here Americanized as an urban action-comedy. Queen Latifah plays smart-mouthed cabbie with a souped-up vehicle in New York City who inadvertently partners with stumble bum cop Jimmy Fallon to crack a major crime case. Film should have relied more on Latifah's natural sass and less on Fallon's white-bread, dim-witted act (race is a constant punchline in the script, and Fallon is just there as Exhibit A). Jennifer Esposito is wonderful as a no-nonsense police lieutenant, Ann-Margret is a stitch as Fallon's tippling mother, and John Sierros (Broadway actor shamefully credited as 'Fat Cop') shines as a bamboozled police officer, but what happened to Queen Latifah? She gets a few good cracks in, but there's no character here for her to play; she sticks to her sarcastic persona and puts everyone down, but her role is depressingly one-dimensional. Comedy has a fast pace, impressive cinematography (although the swooping crane shots in traffic get repetitive) and some good car chases, but the screenplay needed an overhaul. ** from ****


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