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A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.

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(earlier screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
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Third Robber
Magali Amadei ...
Fourth Robber
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Mrs. Washburn
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Agent Mullins
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Franklin
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Brasilian Man
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Mr. Scalia
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Mrs. Scalia
...
Stopwatch Messenger
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Storyline

Belle Williams is a speed demon. Flying through the streets of New York in her tricked-out taxi, she's earned a rep as New York's fastest cabbie. But driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. And she's well on her way--until she's derailed by overeager cop Andy Washburn, whose undercover skills are matched only by his total ineptitude behind the wheel. Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa, their cold, calculating--and leggy--leader. To nab the evasive crooks, drivers license-less Washburn convinces Belle to team up with him to pursue Vanessa and crew. Belle has carte blanche to drive at any speed and break any law. The car-less cop and speed-demon cabbie--New York's unlikeliest partners-- begin a high-speed game of cat and mouse with the robbers. That is, if Belle and Washburn don't end up killing each other ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Take a Ride on the Wild Side. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language, sensuality and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

| |

Release Date:

6 October 2004 (USA)  »

Also Known As:

New York Taxi  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$12,029,832 (USA) (8 October 2004)

Gross:

$36,609,966 (USA) (18 February 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The bad team drove BMWs, said taxi was customized. See more »

Goofs

Near the beginning when Belle gets in her taxi for the first time, she turns her taxi light on, then it cuts to a different view of the car where the light is no longer on, she buckles up, starts the car, and flips the light on again. See more »

Quotes

Washburn: Didn't see my nads, did ya?
See more »

Crazy Credits

Outtakes are shown during the closing credits See more »

Connections

Follows Taxi 2 (2000) See more »

Soundtracks

Pick Up the Pieces
Written by Roger Ball, Malcolm Duncan, Alan Gorrie, Onnie McIntyre,
Hamish Stuart and Robbie McIntosh
Performed by Average White Band
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Strategic Marketing
See more »

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User Reviews

 
Poor American remake.
16 January 2005 | by (Norway) – See all my reviews

I'm tempted to just write "This movie sucks" and then go see the original again, but that wouldn't be very helpful to you guys. Here's why this movie sucks.

To sum up the movie, I steal from oshram-3 (One of the other comments) "The plot of Taxi follows Detective Washburn (Jimmy Fallon, making his debut as a movie lead) and bike-messenger-turned-cab-driver Belle (Queen Latifah) as they inadvertently get tangled up with one another and have to figure out who is ripping off a series of Manhattan banks and try to catch them. Rounding out the cast (no pun intended) are Jennifer Esposito (you might remember her from Spin City) as Washburn's lieutenant, Marta, and supermodel Gisele Bundchen as the head hot chick."

Luc Besson's action-comedy Taxi(1998) was a great movie, mostly due to decent acting, funny characters and social/cultural references. In this American remake, all that is gone.

The characters in themselves are severely less intricate than in Besson's original, and maybe the best of them all is gone. I am, of course, talking about the utterly insane police captain. Then again, of course the Americans would leave him out, since he's a parody of every single angry police chief in American movies. All that's left is Queen Latifah driving a taxi, and a cop that's just pathetic, and doesn't have that likable quality Frédéric Diefenthal had in the french version.

Also, the political correctness really shines through the gaps in this film. Every single strong character is a woman. The only guy in the entire core group of the movie is the awkward cop/disguise artist. The movie has been carefully constructed so it doesn't lash out at any particular groups in society, and by doing that, you lose the edge.

I see this movie as a blatant attempt to salvage careers and make some money on the fact that Americans don't like subtitles. It's also a classic example of what happens when you let lawyers and politically correct groups scare you out of doing things right.


10 of 14 people found this review helpful.  Was this review helpful to you?

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