Peter Parker is an unhappy man: after two years of fighting crime as Spider-Man, his life has begun to fall apart. The girl he loves is engaged to someone else, his grades are slipping, he cannot keep any of his jobs, and on top of it, the newspaper Daily Bugle is attacking him viciously, claiming that Spider-Man is a criminal. He reaches the breaking point and gives up the crime fighter's life, once and for all. But after a failed fusion experiment, eccentric and obsessive scientist Dr. Otto Octavius is transformed into super villain Doctor Octopus, Doc Ock for short, having four long tentacles as extra hands. Peter guesses it might just be time for Spider-Man to return, but would he act upon it? Written by
The coins in the vault (Saint Gaudens) were supposedly found on a sunken ship, and are nearly a century old. See more »
Ursula asks Peter if he wants a piece of chocolate cake; however, in the next shot you see Peter finishing off a white sponge cake. See more »
She looks at me everyday. Mary Jane Watson. Oh boy! If she only knew how I felt about her. But she can never know. I made a choice once to live a life of responsibility. A life she can never be a part of. Who am I? I'm Spider-Man, given a job to do. And I'm Peter Parker, and I too have a job.
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In the opening credits, highlights of the previous film are illustrated with paintings created by the renowned comic book artist Alex Ross. See more »
A cut above the typical comic book movie, S-M 1 did what this type of movie is supposed to do: introduce the main characters, have 'em fight a Super Bad Guy, and then have it all end happily ever after, for the most part. In other words, for the first movie in a supposed franchise, you have to allow time for exposition of the protagonist's background, even if millions already know him from another medium.
With S-M 2, though, such an obligation isn't necessary. We've met Spidey, MJ, Aunt May, et al., and we're ready to jump into a new story. So while the first one explains why Spidey is, the second movie devotes more time to fighting the Bad Guy du Jour, Doctor Octopus.
Peter Parker (Tobey Maguire) still pines for MJ (Kirsten Dunst), from whom he steers clear despite his undying affection for her. It's for her own good, he tells himself. If we're together, my enemies will top at nothing to get at me through her, and I can't put her in that position. And so, in typical superhero fashion, he broods and broods and broods. The relentless push-and-pull between his love for MJ and his devotion to using his powers for good is a constant theme in the Spider-Man universe, and in the movies it either smolders in the background or charges with a raging fury to the forefront. Peter is given the impossible choice - true love or good deeds - and it's a choice to which, at its core, everyday people can relate; we all have exceedingly difficult choices to make throughout our lives.
And in this especially, the movies succeed. Peter Parker is supposed to be an average teen - well, except for those powers he has. He's not morally superior. He's not smarter. He's just a poor schlub who accidentally has these super powers, and he doesn't quite know how to deal with them. On a smaller scale, a comparison can be made to a supremely talented collegiate football player who's just made it to the pros. He has otherworldly talents. He has money, fame, fortune. And can he handle it? About as well as Peter can.
Anyway, the big villain here is the aforementioned Doc Ock (Alfred Molina), yet another in a long line of Good Scientists Gone Wrong. You may recall that the Green Goblin from the first S-M movie was also of this line. This Doc has found a way to manipulate metallic tentacles with his mind. (It helps that the tentacles are physically attached to him.) Something goes wrong, he goes mad, and next thing you know it, he's gonna take over the world. Give these boys a Happy Meal, and they'd still want two prizes.
Along with the inevitable Spidey-Doc Ock battles, Peter Parker's best friend Harry (James Franco) is still quite resentful as Spidey's killing of his father in the first movie. He doesn't know Peter is Spider-Man, but he knows only Peter is able to take photographs of him. So the second thematic struggle is within Harry - does he resent his friend for knowing the murderer (in his eyes) of his father? All of the cast returns from the first movie (well, all that survived the first movie), and they all do a collective good job. Maguire is a perfect choice for the lead; he's unassuming, can't really emote, is stoic, and even a little bit wimpy. All are qualities that plague the characters of both Spider-Man and Peter Parker.
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