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Rajendra Krishan (dialogue)
K. Shankar (screenplay)
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Ashok and Kishore (Shammi Kapoor and Sanjeev Kumar respectively) are two room-mates, living in a hostel... See more » | Add synopsis »
User Reviews:
Man is a product of his experiences See more (2 total) »


  (in credits order) (complete, awaiting verification)

Shammi Kapoor ... Ashok
Sadhana ... Shobha Dayal

Sanjeev Kumar ... Kishore Dayal

Pran ... Prakash
Johnny Walker ... Chaman (as Jhony Walkar)
Helen ... Meena
Sulochana Latkar ... Mrs. Din Dayal (as Sulochana)
Raj Mehra ... Din Dayal
Anwar Hussain ... Madan (as Anwar Husain)
Dhumal ... Hostel Warden
Shivraj ... Dharamdas (as Shivaraj)
Prem Kumar
Rajan Kapoor ... Shekhar
Ratnamala ... Dance Institute Manager (as Ratna Mala)

Directed by
K. Shankar 
Writing credits
(in alphabetical order)
Rajendra Krishan  dialogue (as Rajinder Krishan)
K. Shankar  screenplay (as K. Shanker)
Madurai Thirumanam  (as Maduri Thirumaran)

Produced by
M.C. Ramamurthy .... producer
Original Music by
Jaikishan Dayabhai Panchal  (as Jaikishan)
Shankarsingh Raghuwanshi  (as Shankar)
Cinematography by
Sudhin Majumdar (director of photography)
Film Editing by
K. Sankunny  (as K. Sankunni)
K. Shankar 
G. Veluswamy 
Art Direction by
Sant Singh 
Makeup Department
Dinu Indulkar .... makeup artist (as Deenu)
Vijaya Kamat .... hair stylist
Shyam Khandekar .... assistant makeup artist (as S. Khandekar)
S.N. Natekar .... assistant makeup artist
Raju .... assistant makeup artist
Khurshid Ramwala .... hair stylist
Ram Tipnis .... makeup artist (as Tipnis)
Production Management
B.C. Shekhar .... assistant production manager (as B.C. Sekar)
Second Unit Director or Assistant Director
Jamal Amrohi .... assistant director
Devan .... assistant director
K. Rajan .... assistant director
Art Department
Y.H. Bisley .... assistant art director (as Y.A. Bhisale)
R.G. Gaekwad .... assistant art director (as Gaikwad)
Sound Department
Mangesh Desai .... sound re-recordist: Rajkamal
Special Effects by
R. Chaudhury .... titles background
Syed Galib .... titles writer (as S. Ghalib)
M.A. Hafeez .... assistant: V. Madan Mohan
V. Madan Mohan .... main titles
V. Madan Mohan .... special effects
R.N. Nambiar .... action coordinator
Camera and Electrical Department
Dilip Dutta .... assistant camera
B.S. Nikam .... assistant camera
R.N. Nagaraja Rao .... still photographer
H.M. Sheikh .... assistant camera
Basant Lal Verma .... assistant camera (as B.L. Varma)
Costume and Wardrobe Department
Francis .... costumes
A. Hayath .... costumes
A. Kader .... costumes (as A. Kadar)
Editorial Department
Ashok .... assistant editor
Babu Raje .... assistant editor
Music Department
Asha Bhosle .... playback singer (as Asha Bhonsle)
Sebastian D'Souza .... music assistant (as Sebastian)
Manna Dey .... playback singer
Minoo Katrak .... song recordist: Famous
Kaushik .... song recordist: Filmcenter
Mohammad Rafi .... playback singer (as Mahammed Rafi)
Dattaram Wadkar .... music assistant (as Dattaram)
Other crew
A.K. Chopra .... choreographer: South
S.L. Jain Kal .... production staff
G. Gopal Krishnan .... administrator (as G. Gopala Krishnan)
Narayan .... assistant technical advisor
E.B. Rajah .... administrator
N.L. Ranganathan .... publicist (as N.L. Renganathan)
K. Razdan .... publicist
Lawrence Rodrigues .... assistant technical advisor (as L. Rodrique)
K. Sivadas .... administrator
J.F.H. Van der Auwera .... technical advisor: Filmcenter (as Van der Auwera)

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

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1 out of 1 people found the following review useful.
Man is a product of his experiences, 14 June 2013
Author: jmathur_swayamprabha from India

I firmly believe that man is a product of his experiences, his circumstances and his environment. A person cannot give back to the society anything different from what the society has given to him / her. You pay back to the life only what you gain from it. The coin is bound to be the same in which the repayment takes place. Whenever the issue of nature versus nurture comes before me, I underscore that it's nurture which finally matters and not the genes. Let a person go through good fostering, positive experiences and the company of nice ones and he / she will become a good man (or woman) and vice versa will follow if he / she goes through the contrary. Sachaai (1969) corroborates this thinking of mine through the story of two friends having different lines of thinking and philosophies for life.

Sachaai or Sachchaai (truth) tells the tale of two close friends - Ashok (Shammi Kapoor) and Kishore (Sanjeev Kumar) who are having their education together. Ashok believes in the philosophy of eat, drink and be merry without giving a damn for moral values. Money should come to enjoy life by whatever way possible, is his thinking. On the other hand, Kishore is an idealist who believes in ethics and strictly against earning through unfair means. After their college life, these two friends decide to go their own ways in life and meet after three years to check whose philosophy turns out to be the correct one.

Ashok goes ahead according to his immoral line of thinking but a painful incident proves to be an eye-opener for him and he realizes that he was wrong for all these years. He now comes to understand the significance of ethics and virtues of life. His good fortune brings him into contact with Shobha (Saadhana) and Shobha's pure love does not allow him to pick the wrong path anymore. His experiences consisting of both tears and smiles cleanse his heart. He joins police force and starts performing his duty to catch the criminals with utmost diligence and honesty.

Kishore, on the other hand, is shocked through his negative experiences and hardships. Circumstances bring him into the company of baddies and outlaws and the erstwhile man of principles and moral values is compelled by life to enter the world he had never thought of entering even in the wildest of his dreams in his student life. The innocent, clean-heart youth graduates to a notorious criminal known as Baaghi Sitaara in the world of crime and investigation. Ashok, now Inspector Ashok, is assigned the duty to catch Baaghi Sitaara by his department and Kishore alias Baaghi Sitaara comes to know that an honest and efficient police inspector is now on his trail. Being unaware of each other's present identity, the separated college friends meet after a long gap of three years according to the old promise. What happens thereafter is the climax of this story.

Sachaai is a formula-based potboiler and the filmmaker has not tried to make a great movie. But the theme itself is so good that by default and due to the admirable performances of both the protagonists, the movie has turned out to be something that cannot be termed as ordinary. The script follows the oft-beaten path but still it manages to pull off not only as an entertaining flick but also a message-rendering impressive tale. The film is interesting right from the start to the finish and the regular twists appearing in the narrative do not allow the viewer to get bored even for a minute.

Performances have lifted the screenplay further. Shammi Kapoor and Sanjeev Kumar are the pillars of the movie and both of them have performed exceedingly well, rendering reliability to their roles. When this movie was made, Shammi Kapoor was at the peak of his career as the leading man in the movies whereas Sanjeev Kumar was fast carving a niche for himself by proving his versatility in acting. However both of them have complimented pretty well on the screen and made the movie worth watching more than once. Gorgeous Saadhana has also done her part well. The supporting cast is also well in place. Johnny Walker has done good comedy.

Shankar-Jaikishan's music is admirable. Rajender Krishan has penned the beautiful lyrics. The popular romantic duet of Rafi and Asha - Sau Baras Ki Zindagi Se Achchhe Hain Pyar Ke Do Chaar Din is the best song of the album. Asha's solos - More Sainyaan Pakade Baiyan and Beet Chali Haay Raam are also good. However situational and theme-linked songs like Aye Dost Mere Maine Duniya Dekhi Hai (a duet of Rafi and Manna Dey) and Mere Gunaah Maaf Kar (Rafi) are the songs which support and push the narrative.

All the technical aspects of the movie are in order. Length is also appropriate. As said earlier, the movie does not bore at any place and maintains the curiosity of the viewer throughout. While recommending this good movie unconditionally to all the movie buffs, I reiterate that the society should give such a positive treatment to the budding individual that he grows up into an ideal citizen because he can give back to the society only what he gets from it in the first place.

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