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Peter Pan (2003)

The Darling family children receive a visit from Peter Pan, who takes them to Never Never Land where an ongoing war with the evil Pirate Captain Hook is taking place.

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(play), (screenplay) | 1 more credit »
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ON DISC
3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sir Edward Quiller Couch
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Theodore Chester ...
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Patrick Gooch ...
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Storyline

In stifling Edwardian London, Wendy Darling mesmerizes her brothers every night with bedtime tales of swordplay, swashbuckling, and the fearsome Captain Hook. But the children become the heroes of an even greater story, when Peter Pan flies into their nursery one night and leads them over moonlit rooftops through a galaxy of stars and to the lush jungles of Neverland. Wendy and her brothers join Peter and the Lost Boys in an exhilarating life--free of grown-up rules--while also facing the inevitable showdown with Hook and his bloodthirsty pirates. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

The timeless story as you've never seen it before. See more »


Motion Picture Rating (MPAA)

Rated PG for adventure action sequences and peril | See all certifications »

Parents Guide:

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Details

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Release Date:

25 December 2003 (USA)  »

Also Known As:

Peeter Paan  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

AUD 1,507,592 (Australia) (21 December 2003)

Gross:

$48,462,608 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is the first live-action sound film version of the story released to movie theatres. The Mary Martin versions Producers' Showcase: Peter Pan (1955), Producers' Showcase: Peter Pan (1956), and Peter Pan (1960) were preserved on kinescope and videotape, all for television, and the Mia Farrow version of Peter Pan (1976) was also shown on television in videotape format; though it features the same characters and setting, Hook (1991) was not considered a version of "Peter Pan". See more »

Goofs

When the pirates realize the "crocodile" is up in the rigging, Hook is holding Michael and then throws him down to the ground. When Hook re-emerges after getting weapons, it is John that's on the ground (whom he kicks), not Michael (who is still sitting with the lost boys). See more »

Quotes

[Peter sees a boy flying next to him, forgetting he has just met him minutes before]
Peter: Who are you?
John: I'm John.
Peter: John.
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Crazy Credits

Dedicated to 'Dodi al-Fayed' See more »

Connections

References The War of the Worlds (1953) See more »

Soundtracks

A Pirating We Go
Written by J.M. Barrie, Bonnie Greenberg, and Avrom Gart
Produced by Eddie Arkin
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Frequently Asked Questions

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User Reviews

 
Peter Pan beautifully explores the bittersweet truths of life.
17 December 2003 | by (London, England) – See all my reviews

We attended the World Premier of "Peter Pan" in London and are happy to report that the film is exquisitely lensed, brilliantly cast and resounding with Barrie's original concepts of growth, loss and the bittersweet beauties of life.

For young and old, this is definitely a must-see film. Children will be able to enjoy the story on the full-blown adventure/fantasy scale, while adults will be deeply moved by the underlying emotion of Barrie's classic tale.

While watching the film I was caught by the memory of being a child again. All the wonder and sheer joy of it. I felt that sensation, as I did so many years ago upon reaching that moment in my life just on the cusp of adolescence, when I realized there was something much more to life than play and schoolbooks. It was fascinating and frightening.

PJ Hogan has done a superb job of melding these adult emotional truths and childish delights. The script balances the themes with a touch of magic, adherring to Barrie's works quite faithfully (verbatim at times), while infusing the whole with wit and wisdom. This is not a dumb film to be viewed as mere spectacle. The dialogue will make you laugh and think and most certainly feel.

And this thanks to superb casting. One has to admire the producers and directors for casting for talent and appropriateness for role above Hollywood stardom. Rachel Hurd-Wood, in her first performance handles Wendy's emotional struggles with the acting chops of a seasoned veteran. She is a youthful beauty on the edge of bloom and one has high hopes of seeing her yet again. Jeremy Sumpter, excellent in last year's "Fraility," is definitely Peter Pan. Cocky, adventuresome and self-absorbed. He handles the demanding action extremely well, and while at times his American accent is a bit troublesome, he does manage to capture Peter's uncertainty regarding his choice to remain forever young and therefore left behind.

And then there's the leading man in character disguise, Jason Isaacs. In a word, brillaint. And beautiful to behold in the demanding and complex dual roles of the dorky Mr. Darling and the dangerous, handsome Captain Hook. So polar in appearance are these portrayals that if you didn't understand Barrie's tradition of casting the same actor for both roles, you might not recognize him. His Darling and Hook are divergent yet deeply connected roles, and Isaacs never gives in to camp or ham acting. Its a superbly intelligent and mesmerizing performance and he embues the whole with genuine charisma and virile sex appeal. With his leading man looks and leading man talent, one has to wonder why he's not a big star yet.

Visually, the film is exquisite to behold. One of the most beautiful films to simply "look at" that this viewer has yet to see. The entire screen is awash in vibrant storybook colors and elaborately detailed yet enticing sets. All production values are top shelf and belie the enormous budget.

As for the special effects, it is difficult to tell where traditional wire work and set stunts end and special effects take over. This film is a hugely complicated effort that does at times call a bit too much attention to itself to the distraction of the story itself. Less would have been more in some places, particularly in the final battle.

James Newton Howard's score is magical and enhances the story without overwhelming. I've been humming the tune since last week. Patterson's costuming is spot-on and imaginative without detracting from the iconic nature of the characters.

This tale is iconic and classic after all and for the first time audiences can truly witness and enjoy Barrie's deep and delightful tale as he intended. See the film, you will rediscover so many things lost and now found again. The kids will love it, too!


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