The Darling family children receive a visit from Peter Pan, who takes them to Never Never Land where an ongoing war with the evil Pirate Captain Hook is taking place.

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Cast

Cast overview, first billed only:
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Sir Edward Quiller Couch
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Theodore Chester ...
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Patrick Gooch ...
Twin
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Storyline

In stifling Edwardian London, Wendy Darling mesmerizes her brothers every night with bedtime tales of swordplay, swashbuckling, and the fearsome Captain Hook. But the children become the heroes of an even greater story, when Peter Pan flies into their nursery one night and leads them over moonlit rooftops through a galaxy of stars and to the lush jungles of Neverland. Wendy and her brothers join Peter and the Lost Boys in an exhilarating life--free of grown-up rules--while also facing the inevitable showdown with Hook and his bloodthirsty pirates. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

Let the fight begin See more »


Motion Picture Rating (MPAA)

Rated PG for adventure action sequences and peril | See all certifications »

Parents Guide:

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Details

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Release Date:

25 December 2003 (USA)  »

Also Known As:

Peeter Paan  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$1,870,474 (Australia) (19 December 2003)

Gross:

$48,417,850 (USA) (26 March 2004)
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Company Credits

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Technical Specs

Runtime:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Carsen Gray, when she's speaking to Hook, what she's saying is Iroquois for "You are the life-stealer. You are evil. You smell bad. You smell of bear-poop. You are many moons old and ugly." See more »

Goofs

When Peter covers Wendy's mouth telling her to never say "I don't believe in fairies" the amount of dirt on Peter's hand repeatedly changes between shots. See more »

Quotes

Hook: If you are Hook... then who am I?
Peter: You... are a... codfish!
See more »

Crazy Credits

Dedicated to 'Dodi al-Fayed' See more »

Connections

Version of Peter Pan (1988) See more »

Soundtracks

A Pirating We Go
Written by J.M. Barrie, Bonnie Greenberg and Avrom Gart
Produced by Eddie Arkin
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Frequently Asked Questions

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User Reviews

 
A glorious retelling of the J.M. Barrie tale
6 January 2004 | by (Los Angeles, CA) – See all my reviews

Tradition be damned! I HATED the Mary Martin, Sandy Duncan, Cathy Rigby productions of Peter Pan! There, I've said it. I realize I'm in the minority on this point, but I have NEVER been able to accept the idea of some actress dressing up in silly green tights, singing equally silly songs, while pretending to be a prepubescent boy pretending to fly on silly piano wires. I fully admit that it's a pet peeve of mine and not meant to denigrate those who have delighted in this tradition. As a long time lover of the J.M. Barrie stories and play, all I can say is that P.J. Hogan's "Peter Pan" is the Pan movie I have waited my entire life for. It is simply a glorious retelling of the J.M. Barrie tale. After Spielberg's dreadful 1991 abortion, "Hook" I was convinced that the story had been buried forever as far as big budget film-making was concerned. I thought all there would be was the 1953 Disney animated film, which unfortunately is more Disney than Barrie or worse, that I was condemned to a lifetime of endless reruns of Mary Martin and Cyril Ritchard. Boy, was I wrong. Taking its visual cue from the wondrous illustrations of Maxfield Parrish, Edmund Dulac, N.C. Wyeth and Arthur Rackham, this new film recreates the storybook Never Land on a level that has never been achieved before, nor will ever be again.

But the film is not simply a special-effects fest a la "Star Wars". The effects, dazzling as they are, are just the icing on the cake. Hogan understands it is the characters, and our need to care for them, that must carry the film. And this film has a wonderful cast. Jeremy Sumpter is a great Peter Pan. Gifted with a luminous smile and physicality, he captures all the radiant cockiness, the self-delighted impishness of undefeated, indefatigable youth. One almost feels sorry for Hook for having such an adversary. Rachel Hurd-Wood in a very impressive film debut does a marvelous job as Wendy, the young daughter of the Darlings now at the beginning of young womanhood. Hurd-Wood is both child and woman, and she and Sumpter have very warm and charming screen chemistry in their scenes together, capturing the potentially dangerous under-current of adolescent sensuality without ever hitting you over the head with it, or becoming too cloy. Olivia Williams as Mrs. Darling isn't given much to do, beyond being the mother everyone wishes they had, but she does that very well, and she serves the story beautifully. And she is absolutely gorgeous. In the double role of Mr. Darling/Captain Hook, Jason Isaacs finally comes into his own as the cinema's most perfidious villain since Basil Rathbone crossed swords with Errol Flynn. Isaacs is simply magnificent in a role he was born to play. With a sneer and a swash of his buckle he obliterates forever the image of Hook as a buffoon, the mere butt of Peter's jokes. This is a dangerous, deadly Hook, a figure of Satanic dignity, who one can believe might actually best Peter some dark, unlucky night. Lynn Redgrave plays the role of Aunt Millicent, a character created for the film and not in any of the Peter Pan literature. While the new part doesn't really add anything to the story, it doesn't really take anything away either. And Redgrave is always a joy to watch. Finally the performance of the great Richard Briers should be noted. As Smee he steals every scene he is in. It is a delightful comic turn.

The one performance I questioned was Ludivine Sagnier as Tinker Bell. While I loved the concept of Tink as a bitch-sprite, capable of murderous intent, I felt at times her performance was a little broad. This may have been the outgrowth of having to play a purely physical role without the benefit of any spoken lines. On the other hand I thought she was vastly superior to Julia Roberts who played the same role in "Hook". Nor was she a Marilyn Monroe wannabe from Disney. Sagnier to her credit never plays the part for easy sentimentality.

Hogan and company have brought the Barrie work to the screen and have rightly restored to it a child's sense of awe and wonder, of both beauty and terror co-existing side by side and for this reason alone it is the definitive film version of Peter Pan


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