| Photos (See all 36 | slideshow) | Videos (see all 6) |
| Robert Duvall | ... | Boss Spearman | |
| Kevin Costner | ... | Charley Waite | |
| Annette Bening | ... | Sue Barlow | |
| Michael Gambon | ... | Denton Baxter | |
| Michael Jeter | ... | Percy | |
| Diego Luna | ... | Button | |
| James Russo | ... | Sheriff Poole | |
| Abraham Benrubi | ... | Mose | |
| Dean McDermott | ... | Doc Barlow | |
| Kim Coates | ... | Butler | |
| Herb Kohler | ... | Cafe Man | |
| Peter MacNeill | ... | Mack | |
| Cliff Saunders | ... | Ralph | |
| Patricia Stutz | ... | Ralph's Wife (as Pat Stutz) | |
| Julian Richings | ... | Wylie | |
| Ian Tracey | ... | Tom | |
| Rod Wilson | ... | Gus | |
| Diego Diablo Del Mar | ... | Ballester (as Diego Del Mar) | |
| Patricia Benedict | ... | Cafe Woman | |
| Tim Koetting | ... | Bartender Bill | |
| Tom Carey | ... | Ray | |
| Kurtis Sanheim | ... | Cory | |
| Billy Morton | ... | Junior | |
| Alex Zahara | ... | Chet | |
| Chad Camilleri | ... | Ace | |
| Greg Schlosser | ... | Pete | |
| Guy Bews | ... | Roy | |
| Lorette Clow | ... | Mack's Wife | |
| Alexis Cerkiewicz | ... | Mack's Daughter |
Directed by | |||
| Kevin Costner | |||
Writing credits(WGA) | ||
| Lauran Paine | (novel "The Open Range Men") | |
| Craig Storper | (screenplay) | |
Produced by | |||
| Armyan Bernstein | .... | executive producer | |
| Kevin Costner | .... | producer | |
| Jake Eberts | .... | producer | |
| Craig Storper | .... | executive producer | |
| David Valdes | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| J. Michael Muro | (director of photography) (as James Muro) | ||
Film Editing by | |||
| Michael J. Duthie | |||
| Miklos Wright | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Gae S. Buckley | (as Gae Buckley) | ||
Art Direction by | |||
| Gary Myers | |||
Set Decoration by | |||
| Mary-Lou Storey | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Brenda Boutet | .... | assistant hair stylist | |
| Tania El Zahr | .... | assistant makeup artist | |
| Elle Elliott | .... | hair stylist: Mr. Costner | |
| Elle Elliott | .... | key hair designer (as Eleanor Elliott) | |
| Julie Hewett | .... | makeup artist: Ms. Bening | |
| Joanne Jacobsen | .... | assistant makeup artist | |
| Pearl Louie | .... | key makeup artist | |
| Cathy Olshaski | .... | assistant hair stylist | |
| Francisco X. Pérez | .... | makeup designer | |
| Jon C. White | .... | key hair stylist (as Jon White) | |
Production Management | |||
| Christy Dimmig | .... | post-production supervisor | |
| Brian Leslie Parker | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Devin Hillier | .... | third assistant director: second unit | |
| Brad Moerke | .... | second assistant director | |
| David J. Negron Jr. | .... | second unit director | |
| Kathy Ringer | .... | third assistant director (as Katherine L. Ringer) | |
| Darren Robson | .... | third assistant director | |
| L. David Silva | .... | first assistant director (as David Silva) | |
Art Department | |||
| Cheryl Allsen | .... | greens person | |
| Alfred A. Arndt | .... | construction coordinator | |
| Dean Baker | .... | greens best boy | |
| Rick Barrett | .... | carpenter | |
| Tracey Baryski | .... | assistant art director | |
| Janos Berzai | .... | assistant to carpenter | |
| Louis Cochand | .... | assistant to carpenter | |
| Laura Cuthill | .... | set decoration buyer | |
| Ron Darby | .... | construction buyer | |
| Deborah Day | .... | greens person | |
| Floris Dewit | .... | carpenter | |
| Elizabeth Flaherty | .... | art research | |
| Kieran Gelfand | .... | lead | |
| Celine Godberson | .... | assistant property master | |
| Dean Goodine | .... | property master | |
| George Griffiths | .... | stand-by painter | |
| Ted Haigh | .... | senior graphic designer | |
| Michael Hentges | .... | painter | |
| Octavia Holden | .... | carpenter | |
| Rick Janzen | .... | lead signwriter | |
| Tom Johnson | .... | paint coordinator | |
| Loyola Lewis | .... | on-set painter | |
| Loyola Lewis | .... | stand-by painter | |
| Robert Littlechild | .... | carpenter | |
| Daniel A. MacDonald | .... | set decoration helper | |
| Johan McCroy | .... | carpenter | |
| David J. Negron Jr. | .... | storyboard artist | |
| Erin Olinger | .... | art department trainee (as Erin Garson) | |
| Travis Ontkean | .... | carpenter | |
| Troy Pohl | .... | carpenter | |
| Dana Rainer | .... | on-set greensman | |
| Trinity Shane | .... | assistant to carpenter | |
| Christopher J.A. Smith | .... | on-set dresser: Canada | |
| Peter Topp | .... | on-set greensman | |
| Sloane U'Ren | .... | set designer | |
| Bev Ulmer | .... | greens helper | |
| James Weeks | .... | greens head | |
| Rob Welter | .... | carpenter | |
| Michael Winder | .... | carpenter | |
| Kimberley Zaharko | .... | art department assistant | |
| Geordin Zee | .... | carpenter | |
Sound Department | |||
| James Bailey | .... | foley artist | |
| Steve Bartkowicz | .... | re-recording engineer | |
| Stu Bernstein | .... | sound editor (as Stew Bernstein) | |
| Barney Cabral | .... | supervising sound editor | |
| Claudia Carle | .... | adr recordist | |
| Matt Colleran | .... | sound re-recordist | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer (as Patrick Cyccone) | |
| James Doyle | .... | mix assistant engineer | |
| Rickley W. Dumm | .... | first assistant sound editor | |
| Rickley W. Dumm | .... | sound effects editor | |
| Richard Dwan Jr. | .... | sound editor (as Richard Dwan) | |
| Glen Gauthier | .... | production sound mixer | |
| Peter Gleaves | .... | adr mixer | |
| Michael Keller | .... | sound re-recording mixer | |
| Nick Neutra | .... | foley mixer | |
| Todd Niesen | .... | dialogue denoising | |
| Perry Robertson | .... | co-supervising sound editor | |
| Scott Sanders | .... | sound designer | |
| Scott Sanders | .... | sound editor | |
| Frederick H. Stahly | .... | sound editor | |
| Steve Switzer | .... | boom operator | |
| Kevin Zimmerman | .... | assistant sound editor (as Kevin A. Zimmerman) | |
Special Effects by | |||
| Barry Cameron | .... | special effects technician (as 'Bearcat' Cameron) | |
| Scott Cameron | .... | special effects assistant | |
| Allan Cotter | .... | pyrotechnician | |
| Mike Friesen | .... | special effects assistant | |
| Rocco Larizza | .... | special effects technician | |
| Marc Lord | .... | special effects assistant | |
| Alan Love | .... | special effects assistant | |
| Gerry Martins | .... | special effects technician | |
| Jim McFall | .... | special effects rigging/fabricator (as James McFall) | |
| Jim McGillivary | .... | special effects set foreman | |
| Maurice Routly | .... | special effects foreman | |
| Robert Sheridan | .... | special effects technician | |
| Bob Trevino | .... | pyrotechnician | |
| Neil Trifunovich | .... | special effects supervisor | |
| Steve Wood | .... | special effects assistant (as Steohen Wood) | |
Visual Effects by | |||
| Andrew Bonello | .... | visual effects developer | |
| Shawn Broes | .... | digital mastering editor | |
| Elika Burns | .... | digital paint and rotoscope artist (as Eric 'Elika' Burns) | |
| Michelle Butler | .... | digital compositor | |
| Sarah Coatts | .... | associate visual effects producer | |
| Robert Cribbett | .... | lead compositor | |
| Jon Doyle | .... | digital compositor | |
| Conny Fauser | .... | Inferno artist | |
| David Fogg | .... | digital compositor | |
| Juan Gonzalez | .... | matchmover | |
| Abra Grupp | .... | compositing supervisor | |
| Petra Holtorf | .... | visual effects producer | |
| Kristin Johnson | .... | Inferno artist | |
| Tom Lamb | .... | digital compositor | |
| Cameron MacDonald | .... | visual effects cinematographer | |
| Michael Maloney | .... | digital compositor | |
| Steve Miller | .... | assistant editor: Yu & Co | |
| Sheila Molnar | .... | digital paint and rotoscope artist | |
| David J. Negron Jr. | .... | visual effects supervisor | |
| Tara Handy Turner | .... | systems manager | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Danny Albano | .... | digital effects artist (uncredited) | |
Stunts | |||
| Dave Badgerow | .... | stunt wagon driver | |
| Dwight Beard | .... | stunt wagon driver | |
| Guy Bews | .... | stunt coordinator: Canada | |
| Don Bland | .... | stunts | |
| Chad Camilleri | .... | stunts | |
| Jim Finkbeiner | .... | stunts | |
| Don Gillespie | .... | stunt wagon driver | |
| Norman Howell | .... | stunt coordinator: US | |
| Ben Louis | .... | stunts | |
| Shawn C. Orr | .... | stunts (as Shawn Orr) | |
| J.R. Reding | .... | stunts | |
| Gary Robert | .... | utility stunts | |
| Mark Stewart | .... | stunts | |
| Dwayne Wiley | .... | stunts | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Barbara Harris | .... | adr voice casting | |
| Jackie Lind | .... | casting: Alberta | |
| Louise Mackiewicz | .... | extras casting | |
| Coreen Mayrs | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Barbara Gordon | .... | costumer: Kevin Costner | |
| Lizzie McGovern | .... | assistant costume designer | |
| Heather Moore | .... | key costumer | |
| Tim Ranson | .... | costumer: Robert Duvall | |
| Christine Thomson | .... | costumer | |
| Summer Valdes | .... | wardrobe runner | |
Editorial Department | |||
| Judith Babcock | .... | post-production coordinator | |
| Shelley Bakus | .... | first assistant editor | |
| Rhonda Blewett | .... | telecine assistant | |
| Kimberly Covate | .... | digital mastering producer | |
| Mo Henry | .... | negative cutter | |
| Warren Langford | .... | first assistant editor | |
| Richard Long | .... | assistant editor | |
| David Orr | .... | laboratory color timer | |
| Mykel Thuncher | .... | color timer | |
| Tracey Wadmore-Smith | .... | associate editor | |
| Marc Wielage | .... | digital intermediate colorist | |
| Grant Wilkinson | .... | post-production assistant | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Peter Boyer | .... | additional orchestrator | |
| Rupert Christie | .... | additional orchestrator | |
| Robert Elhai | .... | orchestrator | |
| Ilan Eshkeri | .... | additional orchestrator | |
| Vic Fraser | .... | music preparation | |
| Matthias Gohl | .... | additional orchestrator (as Teese Gohl) | |
| Matthias Gohl | .... | music producer (as Teese Gohl) | |
| Richard Ihnatowicz | .... | music preparation | |
| Michael Kamen | .... | conductor | |
| Michael Kamen | .... | orchestrator | |
| Stephen McLaughlin | .... | music mixer | |
| Stephen McLaughlin | .... | music producer | |
| Stephen McLaughlin | .... | music recordist | |
| Blake Neely | .... | additional orchestrator | |
| Michael Ripoll | .... | guitarist | |
| Tom Villano | .... | music editor | |
| Jake Walker | .... | musician | |
| Brad Warnaar | .... | additional orchestrator | |
| Jeremy Rubolino | .... | orchestrator (uncredited) | |
Transportation Department | |||
| James Joseph Barbaro | .... | driver | |
| Dwight Beard | .... | transportation | |
| Anthony Bixby | .... | driver | |
| Alfie Creighton | .... | driver | |
| Shelley Crooks | .... | driver | |
| Howard Horwitz | .... | driver | |
| John Matlock | .... | driver | |
| Bruce McGregor | .... | driver | |
| Bruce Milward | .... | driver | |
| Kevin Profit | .... | driver | |
| Allen Proskow | .... | driver | |
| Shelley Shierman | .... | driver | |
| Kathi Vold | .... | driver | |
Thanks | |||
| David Forbes | .... | Special liaison for Wesley First Nation | |
| Carol Wong | .... | special thanks | |
| Garson Yu | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Why studios don't make more westerns is beyond me. Some of them are downright unwatchable like "Young Guns" and its sequel but there have been some extremely well made films like "Unforgiven" and "Tombstone" so I'm at a loss as to why more are not made. Thank you Kevin Costner! This story is about four men who are herding their cattle through a certain area and they stop near a town to get supplies. The crew is headed by Boss Spearman (Robert Duvall) and his second in charge is Charley Waite (Costner). They send Mose (Abraham Benrubi) to get supplies and after a day or so he doesn't return. Boss and Charley go to find him leaving Button (Diego Luna) to watch the herd. In town they find Mose beaten badly and locked up in the local jail. A rich rancher named Denton Baxter (Michael Gambon) hates "Freegrazers" and tells them to take their man and keep moving. Baxter controls the sheriff (James Russo) and also has many thugs on his payroll. Back at the herd some of Baxters men have been following them so Boss has an idea of going after them instead of running. That night they confront them and smash their rifles but when they get back Mose has been killed and Button is wounded badly. They take him to the local doctor and meet his sister Sue (Annette Bening) and Charley takes a shine. Boss and Charley don't like to be told where to graze their cattle and they want revenge for the death of Mose. A final gunfight in town is inevitable and Charley reveals that he killed many men in the war. This film was directed by Costner and its very well made. He seems to have found his mark as a directer with this genre. Costner allows the story to unfold on its own terms and the pacing is deliberate which is welcomed after watching so many Hollywood films and their quick edits. The film should be seen on the big screen to be appreciated. The scenery is beautiful and their are so many shots with skylines and mountains and wide open prairies and these shots help tell the story in the film. The scenery is important and gives the film a look that helps you relate to the characters when they speak of not wanting to be told where they can go. The characters are well written and they let out things about themselves little by little as the story is told. Duvall's character is a man of high pride and also a stubborn side and he's not afraid to stand up for himself even if it means he might die. Costner plays a man with a hard past and he seems to be living his life and coming to grips with his experiences in the war at the same time. Charley states that he doesn't have a problem with killing and we believe him. The romance between Costner and Bening seems forced and Bening looks a little to old to be a woman that never married. The film goes on about 15 minutes to long and Costner has not one, but two goodbye scenes with Bening. This is a minor complaint because this is a very entertaining film and after a summer of watching hyper-kinetic Hollywood junk, It's a movie that is very welcomed. Hear that Hollywood?