| Photos (See all 10 | slideshow) | Videos (see all 3) |
| Victor Rasuk | ... | Victor Vargas | |
| Judy Marte | ... | 'Juicy' Judy Gonzalez | |
| Melonie Diaz | ... | Melonie | |
| Altagracia Guzman | ... | Grandma | |
| Silvestre Rasuk | ... | Nino Vargas | |
| Krystal Rodriguez | ... | Vicki de la Cruz | |
| Kevin Rivera | ... | Harold | |
| Wilfree Vasquez | ... | Carlos | |
| Donna Maldonado | ... | Fat Donna | |
| Alexander Garcia | ... | Al | |
| John Ramos | ... | Macho | |
| Theresa Martinez | ... | Judy's Mom | |
| Randy Luna | ... | Pool Boy #3 | |
| Jeff Knite | ... | Pool Boy #4 (as Jeff Asencio) | |
| Juan I. Lebron | ... | Israel | |
| Joe Rosario | ... | Security Guard | |
| Gladys Austin | ... | Social Worker | |
| Jacqueline Rosario | ... | Singer |
Directed by | |||
| Peter Sollett | |||
Writing credits(in alphabetical order) | ||
| Peter Sollett | story | |
| Peter Sollett | written by | |
| Eva Vives | story | |
Produced by | |||
| Jean-Michel Dissard | .... | associate producer | |
| Alain de la Mata | .... | producer | |
| Scott Macaulay | .... | producer | |
| Vincent Maraval | .... | executive producer | |
| Robin O'Hara | .... | producer | |
| Peter Sollett | .... | producer | |
| Cate Wilson | .... | line producer | |
Original Music by | |||
| Roy Nathanson | |||
Cinematography by | |||
| Tim Orr | |||
Film Editing by | |||
| Myron I. Kerstein | |||
Casting by | |||
| Ulysses Terrero | |||
Production Design by | |||
| Judy Becker | |||
Costume Design by | |||
| Jill Newell | |||
Makeup Department | |||
| Angela Gallagher | .... | key makeup artist | |
Art Department | |||
| Jill Alexander | .... | property master | |
| Laurent Gorse | .... | art department intern | |
| Jesse Kaufmann | .... | intern | |
| Tyler Q. Rosen | .... | property master | |
Sound Department | |||
| Steve Borne | .... | sound designer | |
| David Briggs | .... | foley editor | |
| Ryan Collison | .... | foley engineer | |
| Anguibe Guindo | .... | boom operator | |
| Nadine Finzi Maybruck | .... | sound editor | |
| Branka Mrkic | .... | dialogue editor | |
| Alex Raspa | .... | adr mixer | |
| Reilly Steele | .... | sound re-recording mixer | |
| Noah Timan | .... | production sound mixer | |
Camera and Electrical Department | |||
| Michael Burke | .... | camera loader | |
| David Elwell | .... | best boy electric | |
| Justin Scott Gravatt | .... | electrician | |
| Melissa Guimaraes | .... | best boy grip | |
| Matthew Hale | .... | key grip | |
| Susan Heller | .... | electrician | |
| Linda Kallerus | .... | second assistant camera (as Linda Slater) | |
| Jude Kiernan | .... | camera loader | |
| Scott Miller | .... | gaffer | |
| Scott Miller | .... | still photographer | |
| Matthew A. Petrosky | .... | first assistant camera | |
| Craig Striano | .... | grip | |
| John Woods | .... | electrician | |
| Laurie Chakel | .... | grip/electric intern (uncredited) | |
Costume and Wardrobe Department | |||
| Amy R. Burt | .... | wardrobe supervisor | |
Editorial Department | |||
| Katy Skjerping | .... | assistant editor (as Katherine Fisher) | |
| John Dowdell | .... | colorist (uncredited) | |
Music Department | |||
| Tracy McKnight | .... | music consultant | |
| Alysia Oakley | .... | assistant to music supervisor | |
Other crew | |||
| Scott Burik | .... | set medic | |
| Kristen Dubberstein | .... | assistant production coordinator | |
| Jeremy Gould | .... | location assistant | |
| Eryka Seimona Henderson | .... | location manager (as Eryka Seimona) | |
| Matthew Hysell | .... | key unit production assistant (as Matt Hysell) | |
| Jesika Khadivi | .... | production office intern | |
| Raynelle Irene Mensah | .... | set production assistant: re-shoots | |
| Tony Osso | .... | production coordinator | |
| Jennifer Quesenbery | .... | location scout | |
| Josiah Silverstein | .... | production assistant | |
| Collin Smith | .... | location scout | |
| Sally Steele | .... | publicist | |
| Bergen Swanson | .... | post-production office supervisor | |
| Hope Walter | .... | production assistant | |
| Hughroy Williams | .... | key location manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
"Raising Victor Vargas" is one of those light, family movies that you can watch and do the N.Y. Times crossword puzzle at the same time. And if you want to go to the kitchen for a taco and a Corona, you don't have to "Pause" the DVD. Just let it roll, 'cause you won't be missing anything really important. No twists, turns, or tension. It's not really an ethnic movie, it's a movie about a poor, struggling immigrant family that happens to be Latino. They could have been any ethnic group. It made very little difference. I've seen it all a zillion times before. Just plug in a Jewish family, an Italian family, a Black family, or an Irish family. Just the accents and names were different. If the Vargas family was named Bush or Clinton and were Presbyterians, the movie would have been a total snooze.
It's funny that the critics here couldn't get the locale straight. Some said it was Spanish Harlem. Some the Bronx, and another Brooklyn. As a life-long New Yorker, I vote for the Lower East Side. And it seemed that the family never met up with anyone except other Latinos. They lived in an insulated/isolated little enclave. Some interaction with non-Latinos might have created some excitement, interest, or tension. Remember West Side Story?
And now for the oft-criticized cinematography. I don't know if it was my TV or what, but all the indoor shots looked very ORANGE to me. The apt, the furniture, and the faces were all ORANGE. What was that supposed to mean? And the apt. did look pretty cramped to me. Somebody here mentioned that the old apt's/tenements had very big rooms. Well, maybe 50 years ago. What landlords have done is to break up one big apt into 2 or 3 very small ones and squeeze as many immigrants as they can into them.
And another annoying thing ....This is the second family movie I've seen and criticized this week that featured a teenage boy "jerking off". Is this private sex act necessary for us to watch? Please spare me! What's up with these directors?
So "Victor Vargas" is a pleasant little movie. It was nice for a change to see young Latino actors given a break and a chance to show their talents, which they did. But the writers let them down, giving them a flat, unspectacular script to work with. Enjoy the show, but keep your fingers near the "fast forward" button.