Spring to summer 2000. Gwenaëlle and Angéla are friends. They are seventeen and eighteen years old and live in the same town in the suburbs of Paris. Summer vacation is coming up. They put ... See full summary »
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Victor is growing up on the Lower East Side and is at the age where he is driven by desire and unchained by maturity. His image as a ladies man is shattered when he is found in Fat Donna's bedroom. Soon, as a result of his sister's big mouth, the whole Dominican community knows. Full of confidence, Victor sets out to reclaim his image by winning Judy. Judy proves to be elusive and difficult. Victor persists, and with a surprising tenderness, ultimately wins Judy's heart. Written by
This "film" is one of the most dreadful things I have ever seen.
Please do yourselves a favor and avoid this incompetent concoction.
Shaking the camera and having your actors adopt scowls does not count as "direction", which this film needed in droves. Not that the writing was all the wonderful, rather we were left with a bunch of completely artificial characters directed in that most artificial way (the pseudo-documentary "style" prized by those who don't know how to direct).
This film gives the impression that it was done cynically to appeal to critics who don't know the first thing about film-making (which is most of them).
Just terrible. It says a lot about Sundance and what it's become that Victor Vargas was showcased there.
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