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Yee do hung gaan (2002)

6.4
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Ratings: 6.4/10 from 1,327 users  
Reviews: 18 user | 27 critic

This is the story of Yan, a young woman haunted by fleeting images of what she believes to be dead people. Told that it is all in her mind by her psychologist Jim, Yan still cannot find any... See full summary »

Director:

(as Lo Chi Leung)

Writers:

(screenplay), (screenplay), 2 more credits »
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Edit

Cast

Cast overview, first billed only:
Leslie Cheung ...
Jim Law
Kar Yan Lam ...
Cheung Yan
Maggie Poon ...
Cheung, Siu Yu
Waise Lee ...
Wilson Chan
...
Mrs. Chan
Norman Chu ...
Mr. Chu (as Tsui Siu Keung)
Samuel Lam ...
Professor Fong
So Pik Wong ...
Jim's Assistant (as Olivia Wong)
Tin Leung ...
Hospital Director
Li Wen Sun ...
Yan's Father
Hong Dou Liu ...
Yan's Mother
Hang Shuen So ...
Siu Yu's Mother
Sheu Tong Wong ...
Siu Yu's Father
Pui Yin Lai ...
Mrs. Chiu
Ting Fung Lee ...
Little Chiu
Edit

Storyline

This is the story of Yan, a young woman haunted by fleeting images of what she believes to be dead people. Told that it is all in her mind by her psychologist Jim, Yan still cannot find any other explanations for her visions. Soon, her suspicions are confirmed when Jim begins seeing the same things she does and the two begin to unravel a mystery that leads to a forgotten past. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Her Daydreams Become His Nightmare. See more »

Genres:

Crime | Horror | Thriller

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

28 March 2002 (Hong Kong)  »

Also Known As:

Inner Senses  »

Box Office

Budget:

$4,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Leslie Cheung's final film before his suicide. See more »

Connections

References The Sixth Sense (1999) See more »

Soundtracks

Carry On
Words and Music by Peter Kam
Performed by May Chan
OP: Opus One Music Ltd.
See more »

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User Reviews

 
Watchable though mediocre psychological chiller
17 January 2012 | by (United Kingdom) – See all my reviews

A watchable diversion here for those that enjoy the slow paced Asian spook films but have grown tired of the technological interests and or patently contrived jolts built on raw psychological grounds like Ringu or Phone. For Inner Sense the psyche takes precedence, rather than serving as mechanics bench upon which scare tactics are assembled the psyche itself is what we see put together. And the interest is in how the assembly comes to affect the assembler, the relationship of faulty mechanism and mechanic. Unfortunately this is on the whole a pretty basic film though, without too much to say it makes its mark chiefly as a slickly oiled emotional engagement, well performed with a couple of fun scares and a few interesting visuals. In his final role Leslie Cheung is likable with carefully measured darker shades, his psychologist character drawing up the roots of his co stars eerie visions and in the process unloosing troubles within. A convincing turn that one is hard pressed not to find somewhat drawn from tragic reality, it makes for a poignant swansong. Kar Yan Lam is the lady haunted, repressed, high strung and impressionable she succeeds in conveying the tight wound character. A few familiar faces like Waise Lee and Norman Chu appear for solid support, but this is for the most part a sealed off affair and sufficiently compelling in its isolation. Downcast and rain-slicked yet clear eyed cinematography from Kwok Man Keung contributes suitably glum atmosphere and grants the rather obvious (it even gets spelled out) symbolism moments of visual flair. Things all come together to make the film work, though the treatment of story and themes is generally shallow and unadventurous. I didn't expect something of the calibre of Persona (which this film in its fashion resembles), but I did hope for something with less simmer and more heat. Actually in fairness it does heat up in the finale, but in the way of maudlin melodrama that leaves an unfortunate taste. Ultimately I had a perfectly reasonable time here, and as a somewhat interesting filler piece this works well enough, but more pop was really needed. 5/10.


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