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Directed by | |||
| Vadim Perelman | |||
Writing credits(WGA) | ||
| Andre Dubus III | (novel) | |
| Vadim Perelman | (screenplay) and | |
| Shawn Lawrence Otto | (screenplay) | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Lisa Zeno Churgin | |||
Casting by | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Production Design by | |||
| Maia Javan | |||
Art Direction by | |||
| Drew Boughton | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Hala Bahmet | |||
Makeup Department | |||
| Judy Chin | .... | key makeup artist | |
| Kris Evans | .... | makeup artist: Mr. Kingsley | |
| Kathrine Gordon | .... | key hair stylist | |
| Lori Rozman | .... | assistant hair stylist | |
| Betty Lou Skinner | .... | hair stylist | |
Art Department | |||
| Ron Ashmore | .... | paint supervisor | |
| Peter Bankins | .... | property master | |
| Jay Dupuy | .... | plaster department head | |
| J. Michael Glynn | .... | set dresser | |
| Lance Gunnin | .... | general foreman | |
| Steve A. Hagberg | .... | construction coordinator (as Steve Hagberg) | |
| Sarah Harwich | .... | construction purchaser | |
| Sean Lyons | .... | on-set paint | |
| Jonah Markowitz | .... | art department | |
| Gary Metzen | .... | laborer | |
| Christopher Morente | .... | greensperson | |
| Todd Morris | .... | on-set dresser | |
| Dan Ondrejko | .... | greens coordinator | |
| Stuart Rankine | .... | assistant property master | |
| Grant Samson | .... | lead man | |
| Nithya Shrinivasan | .... | assistant art director | |
| Thomas Spencer | .... | set dresser | |
| Robert Stover | .... | buyer | |
| Rick C. Taplin | .... | art department assistant | |
| Cheree Welsh | .... | art department coordinator | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| George Berndt | .... | adr supervisor | |
| Colin Cooper | .... | adr recordist | |
| Susan Dudeck | .... | sound editor | |
| Christopher Eakins | .... | sound assistant | |
| Robert Jackson | .... | boom operator | |
| William B. Kaplan | .... | production sound mixer (as Bill Kaplan) | |
| Tateum Kohut | .... | sound re-recording mixer | |
| Greg LaPlante | .... | digital mastering | |
| Skip Lievsay | .... | supervising sound editor | |
| Peggy Names | .... | sound utility | |
| Kevin O'Connell | .... | supervising sound mixer | |
| Jeremy Peirson | .... | sound editor | |
| Jerry Ross | .... | supervising sound editor | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Dan Sharp | .... | sound re-recordist | |
| Greg ten Bosch | .... | foley supervisor | |
| Ron Vignone | .... | assistant sound editor | |
| Cary Weitz | .... | boom operator | |
| Susan Dawes | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Lynn Garrido | .... | special effects technician | |
| Richard O. Helmer | .... | special effects director | |
| Michael Lantieri | .... | special effects coordinator | |
| Brandon K. McLaughlin | .... | special effects | |
| Christopher A. Suarez | .... | special effects technician | |
| Douglas D. Ziegler | .... | special effects foreman | |
Visual Effects by | |||
| Ozzie Carmona | .... | digital compositor | |
| Brad Kalinoski | .... | digital compositor | |
Stunts | |||
| Greg Anthony | .... | stunt double: Esmail | |
| Craig Branham | .... | stunts | |
| Wendi Bromley | .... | stunt double: Jennifer Connelly | |
| Bud Davis | .... | stunts | |
| Jewel Donohue | .... | stunt double: Kathy | |
| Diana R. Lupo | .... | stunt double: Jennifer Connelly (as Diana Lupo) | |
| Chris Monberg | .... | stunts | |
| Chris O'Hara | .... | stunts | |
| David D. Renaud | .... | stunt double: Behrani (as David Renaud) | |
| Russell Solberg | .... | stunts | |
| Scott Sproule | .... | stunt coordinator | |
| Sonny Tipton | .... | stunts | |
| Jose L. Vasquez | .... | stunts | |
Casting Department | |||
| Tracy Dixon | .... | extras casting | |
| Jennifer L. Smith | .... | casting associate | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | assistant costume designer | |
| Virginia Burton | .... | costume supervisor | |
| Jill Korengold | .... | set costumer | |
Editorial Department | |||
| Phillip J. Bartell | .... | assistant editor | |
| Kenny Becker | .... | color timer | |
| Mike Bellamy | .... | final colorist | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Kevin Du Toit | .... | assistant post-production | |
| Helen Hand | .... | first assistant editor | |
| Jeffrey C. Price | .... | editorial production assistant | |
| Shannyn Riba | .... | apprentice editor | |
| Dana E. Glauberman | .... | additional editor (uncredited) | |
Music Department | |||
| Elton Ahi | .... | composer: songs | |
| Ramiro Belgardt | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Jim Henrikson | .... | supervising music editor | |
| Todd Homme | .... | executive music supervisor | |
| James Horner | .... | conductor | |
| James Horner | .... | orchestrator | |
| Joe Lisanti | .... | music editor: temp music | |
| Jason Lloyd | .... | scoring assistant | |
| Andy Madadian | .... | song music | |
| Julyce Monbleaux | .... | music supervisor | |
| Jen Monnar | .... | assistant music editor | |
| Simon Rhodes | .... | music scoring mixer | |
| Shani Rigsbee | .... | song music | |
| Peter Rotter | .... | orchestra contractor | |
| Jay Selvester | .... | scoring assistant | |
Transportation Department | |||
| Randy Burke | .... | driver | |
| Daniel Davis | .... | driver: base camp generator | |
| John Lybrand | .... | transportation | |
| Bill McCance | .... | driver | |
| Chad Moore | .... | production driver | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
| Don Violett | .... | transportation captain | |
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| Persepolis | 21 Grams | Babel | Head-On | Crash |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In a tragedy that only the likes of Sophocles or Shakespeare could recreate, the film House of Sand and Fog proves that some dreams really can't be shared. The American dream is shattered for Colonel Behrani and Kathy Nicolo in this movie of devastating beauty. It is a film about the relentless struggle between an Iranian man and a post-alcoholic over a small house near a Californian beach. When Kathy loses her house due to county error, Behrani buys it for the sake of money and self-pride. Their worlds clash when they realize there is no perfect solution to this mistake, ending with a shockingly tragic twist. The acting put forth in this film was nothing less of amazing. Ben Kinglsey, as always, played his role as if he was really in it, really showing us his point of view and displaying his need for the house. Jennifer Connely played her role beautifully as well, showing the inward spiral she was facing and how her depression finally took her over. The story was nearly flawless with a few money and law errors. However, the tragic themes of the film ring through nonetheless. With a little less than a superior performance from Ron Eldard, the film still had wonderful acting and brilliant film technique. Based on the best-selling novel by Andre Dubus III, director Vadim Perelman does an incredible job of staying true to the novel, and using a few Russian film techniques to give a sense of emotion. This type of film truly will tug at your heart and bring tears, yet will give a sense of appreciation for the human life.