She was 18. With thin hands, and big frightened eyes. Mansur took her from her home to a faraway Moscow. Before the wedding Yildiz shed a few tears for she was afraid. She had never been in... See full summary »
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A drama set in 1986 Iran and centered on a man, Sahebjam, whose car breaks down in a remote village and enters into a conversation with Zahra, who relays to him the story about her niece, ... See full summary »
On a warm September evening, college professor Ethan Learner, his wife Grace, and their daughter Emma are attending a recital. Their 10-year-old son Josh is playing cello - beautifully, as ... See full summary »
Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the ... See full summary »
A sheriff sees his state senate bid slide out onto the ice when his daughter begins to date the son of a charming but psychologically disturbed woman with whom the sheriff has engaged in a two-decade-long affair.
Dustin Lance Black
An emotionally broken woman, Kathy, suddenly finds herself homeless after her house is wrongly repossessed and auctioned. Seeking respite from his marriage, Lester, a sympathetic sheriff's deputy comes to the aid of Kathy and becomes intimately involved in her situation. Soon, Behrani, a proud emigrant Iranian and his family move into the house only to find their new lives burdened by harassment from Lester and Kathy as they attempt to reclaim her former home. The once prosperous colonel denies Kathy's pleas for he knows his recent purchase promises a profitable return and a better future for his adolescent son and his wife. But latent consequences lie beneath Behrani's well intentioned plan as Kathy's emotions spiral out of control and her actions spark a tragic chain of events that will leave no resident unscathed in the House of Sand and Fog. Written by
The county may have the right to attach property to satisfy a business tax lien, but the process is nothing like in the movie. First, the lien is bought by an investor who is paid interest from repayment of the lien or sale of the property. This usually takes many months or years. If the property is sold, the money remaining after the lien is paid goes to the property owner or estate - it is certainly not kept by the county. See more »
"House of Sand and Fog" is by far the finest film I've seen this year, and probably the best I've seen since the dial turned from the 1990's into the new millennium.
Vadim Perelman makes a movie so astoundingly beautiful that one has to think he's been doing this for years, but this is his first film. Set in a fog-drenched Southern California community, Perelman sets two immoveable forces apart from each other -- Cathy, a recovering alcoholic burdened by the memory of her late father, still trying to prove that she is a responsible person in his eyes, and Behrani, a colonel driven out of Iran with his family and desperately trying to maintain a life of stability and promise. In these two roles, Jennifer Connelly and Ben Kingsley give steely performances, each presenting troubled souls trapped within stubborn facades. Connelly once again gives a masterful performance, balancing a reckless sensuality with the desire to find acceptance and love within anything, even a house where the memories have become so painful that the mail becomes too much to take.
Kingsley, of course, is perfect. The subtleties of his facial expressions when presented with moments of joy and frustration are masterfully restrained. This is his best performance of his illustrious career.
When Kingsley and Connelly finally clash, halfway through the movie, the movie, having until then been a paean to silence and unspoken loyalties, becomes a terrifying thriller, riveting everyone with whom I saw the picture. Perelman moves from a mood piece to a suspenseful drama effortlessly. A jaw-dropping conclusion completes a powerful, unbelievably sad piece of work.
After a couple years of not finding a movie that stirred me, this is it, what we all look for in movies -- a harrowing story, beautifully filmed, cathartic and elegant. Joy is very difficult to spot in the film, but "House of Sand and Fog" provides the joy we get when being moved to powerful emotions by a wonderful symphony.
My best film of 2003 -- unquestionably 10/10.
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