When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
This is the story of three well-meaning but flawed people: Paul Rivers, an ailing mathematician lovelessly married to an English émigré, Christina Peck; an upper-middle-class suburban housewife, happily married and mother of two little girls; and Jack Jordan, an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever. Written by
Miguel Cane (Stepford@yahoo.com)
The film was shot almost completely with hand-held cameras. See more »
When Paul Rivers walks away after telling Jack Jordan to leave, the cameraman's shadow can be seen on the ground and bushes in front of him See more »
Look Daddy, a volcano.
[Cathy blows bubbles into her soft drink]
It's very pretty. Drink up your volcano. All right. We're going. Mommy's waiting.
Daddy, please. Just one more minute.
See more »
A María Eladia, Pues cuando ardió la pérdida Reverdecieron sus maizales See more »
When lives collide, often no one is around to witness the effects of the collision. Alejandro González Iñárritu, however, has captured the profound effects in 21 Grams. How much does life weigh? Iñárritu may not answer that question directly, but he does indirectly answer the question darkly and beautifully in 21 Grams.
21 Grams tells the story of three lives brought together by tragedy: the life of a very sick man (Penn), a mother who has lost much (Watts), and a Christian who has recently reformed his ways (Del Toro). Really, these characters and their once-"simple" lives are the focus of this film, and all three characters are mysterious and deep. Each of the three actors gives an excellent performance, but it is Watts who stands out in all her angst. All of them deserved Academy Award nominations, and Penn would've received one along with Watts and Del Toro if not for his incredible performance in Mystic River.
Arriaga's screenplay is incredible too, leaving the outcome inexplicable enough to be real and to make sense. Santaolalla's score is odd enough to fit the dark atmosphere that pervades the film, and stick around for the credits to hear Dave Matthews' fitting conclusion. Also, Prieto's and Procopio's cinematography is gritty enough to depict the unbearable anguish of the characters.
I would praise the direction as well, except that I do have one complaint regarding it. It is often so choppy and irregular that it causes the story to lose a tiny bit of its impact. Perhaps this choppiness fits the film too, but to me it was distracting.
Yet you should definitely check this one out for a sorrowful picture of torment, disgust, and a strange beauty.
Final Grade: A.
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