A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
This is the story of three well-meaning but flawed people: Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife, happily married homemaker with two young daughters, with hiding a secret past; and Jack Jordan, an ex-convict who has found in his Christian faith the strength to live a law-abiding life and raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will have learnt harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever. Written by
Miguel Cane (Stepford@yahoo.com)
The title comes from the work of Dr. Duncan MacDougall of Haverhill, Massachusetts in the early twentieth century. MacDougall weighed dying subjects, in experiments of extremely dubious scientific value, believing that he was proving that the soul was material and measurable. His results in fact varied wildly. See more »
When the Private Investigator gives Paul the revolver, he flips it open to show that it is loaded. He then spins the cylinder and we hear a ratcheting sound. When a revolver is open, there is no ratchet mechanism connected to the cylinder...it rotates freely and silently. See more »
Look Daddy, a volcano.
[Cathy blows bubbles into her soft drink]
It's very pretty. Drink up your volcano. All right. We're going. Mommy's waiting.
Daddy, please. Just one more minute.
See more »
A María Eladia, Pues cuando ardió la pérdida Reverdecieron sus maizales See more »
This movie is very, very good. Unlike some others I do not think the unchronological storytelling hurts the movie, on the contrary I think that the pieces that the viewer has to put together in order to get the picture of the whole story just make it more interesting.
On the other hand, no matter how good the movie actually is it is one step short of masterpiece. It is like you are climbing to heaven but you cannot make it over the last step. The story is good, the filming is good, the acting is good, but there is still SOMETHING missing for this movie to be added to my hall of all time faves. Maybe it is the music, this film does not have a strong score, maybe all the components do not add up well together... It is hard to describe why, but I was not as stunned as I usually am after watching movies I rate at 10.
Thus, I was deciding between 8 a 9, finally I voted 9 but it is a rather weak one.
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