A couple decide to pick up a hitchhiker, but he ends up being a psychotic stalker who puts in them in danger.



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Cast overview:
Babu (as Manoj Bajpai)
Arvind Chauhan
Antara Mali ...
Inspector Singh
Bhanwar Singh
Villager on the road
Bungalow watchman
Kishan bhai
Rajnish Thakur ...
Hotel receptionist
Mithilesh Chaturvedi ...
Old man
Vidya Phadnis ...
Old lady
Dancer (song 'Khullam Khulla')
Dancer (song 'Khullam Khulla')


Arvind Chauhan (Vivek Oberooi) and Lakhsmi (Antara Mali) are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope and get married. On the way they allow Babu, a stranded motorist, to ride with them. After a short while, Babu irritates both of them and they ask him to leave, instead Babu draws a gun, and asks Arvind to get out, and drives away with Lakhsmi. Arvind, with the help of a truck-driver, Inderpal (Makrand Deshpande), catches up with Babu, and Babu runs away. Arvind files a police report, and they proceed on their way. That's when they find Babu in the back of their vehicle, angry and resentful, and this time determined to have his way with them... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis


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Parents Guide:





Release Date:

27 September 2002 (USA)  »

Box Office

Opening Weekend:

$73,636 (USA) (27 September 2002)


$73,636 (USA) (27 September 2002)

Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


when the film was launched, it was titled " Ankh Micholi" starring Nana Patekar, Saif Ali Khan and Urmila. The director was Taufiq Baraskar. See more »


References Company (2002) See more »

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User Reviews

Nice try, but...
14 February 2003 | by (Switzerland) – See all my reviews

The good: "Road" is different for a Bollywood film. It's a thriller and road film and not yet another sappy love story. The 3 leads are all good performers and breathe life into a script that has its share of holes and Bollywood nonsense. The camera work is ok (not counting that awful hair in one shot) and the 5.1 sound is quite effective as well.

The bad: The subject may be new for Bollywood, it has been done do death in Hollywood since Spielberg launched this sub-genre with Duel (1971/I) (TV) (see for example also Breakdown (1997)/Joy Ride (2001)/Friday Night Date, A (2000)/Hitcher, The (1986), etc.). So there goes the originality. The songs are there because a Bollywood film has songs, period. They don't do much for the story. They could be cut without any loss. They slow down the pace. The police shenanigans are tiresome, the ending is very Bollywood. Finally the cut and paste technique in the background score with straight lifts from existing Hollywood soundtracks is annoying. (For example check the scene where Bajpai forces Oberoi out of the car the second time and shoots at him. The music at that moment is a direct copy from "Rock, The (1996)".) It does not matter that the intended audience is not likely to notice this. It's unethical and unprofessional. If Bollywood has any aspirations to go global that practice has to stop at once.

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