Arvind Chauhan (Vivek Oberooi) and Lakhsmi (Antara Mali) are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope and ... See full summary »
The film is set in the India of the tumultuous 1930's when nationalists fighting for the country's independence rose up as one, urging the British to quit. At this time, a young Indian, ... See full summary »
Police Inspector Samar Pratap Singh is transferred to Motihari, in the Indian state of Bihar, along with his wife, Manjari and a daughter. He is honest and diligent and these attributes ... See full summary »
Police Inspector Tejpal Randhawa is assigned to investigate the case of the dead woman whose body was recovered from a small pond. Tejpal links this matter with a missing persons' report ... See full summary »
Arvind Chauhan (Vivek Oberooi) and Lakhsmi (Antara Mali) are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope and get married. On the way they allow Babu, a stranded motorist, to ride with them. After a short while, Babu irritates both of them and they ask him to leave, instead Babu draws a gun, and asks Arvind to get out, and drives away with Lakhsmi. Arvind, with the help of a truck-driver, Inderpal (Makrand Deshpande), catches up with Babu, and Babu runs away. Arvind files a police report, and they proceed on their way. That's when they find Babu in the back of their vehicle, angry and resentful, and this time determined to have his way with them... Written by
The good: "Road" is different for a Bollywood film. It's a thriller and road film and not yet another sappy love story. The 3 leads are all good performers and breathe life into a script that has its share of holes and Bollywood nonsense. The camera work is ok (not counting that awful hair in one shot) and the 5.1 sound is quite effective as well.
The bad: The subject may be new for Bollywood, it has been done do death in Hollywood since Spielberg launched this sub-genre with Duel (1971/I) (TV) (see for example also Breakdown (1997)/Joy Ride (2001)/Friday Night Date, A (2000)/Hitcher, The (1986), etc.). So there goes the originality. The songs are there because a Bollywood film has songs, period. They don't do much for the story. They could be cut without any loss. They slow down the pace. The police shenanigans are tiresome, the ending is very Bollywood. Finally the cut and paste technique in the background score with straight lifts from existing Hollywood soundtracks is annoying. (For example check the scene where Bajpai forces Oberoi out of the car the second time and shoots at him. The music at that moment is a direct copy from "Rock, The (1996)".) It does not matter that the intended audience is not likely to notice this. It's unethical and unprofessional. If Bollywood has any aspirations to go global that practice has to stop at once.
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