| John Johansen | ... | Himself | |
| David Mesa | ... | Himself | |
| Ralph Mursinna | ... | Himself | |
| Michael Rendler | ... | Himself | |
| Glen Howard Small | ... | Himself | |
| Julie Small | ... | Herself | |
| Joanne Small-Eggert | ... | Herself | |
| Christine Small-Shook | ... | Herself |
Directed by | |||
| Lucia Small | |||
Writing credits(in alphabetical order) | ||
| Lucia Small | written by | |
Produced by | |||
| Craig Bouchard | .... | associate producer | |
| Alissa Harris | .... | associate producer | |
| Linda Morgenstern | .... | co-producer (2002) | |
| Lucia Small | .... | producer | |
Original Music by | |||
| Kaoru Ishibashi | |||
Cinematography by | |||
| Laurel Greenberg | |||
| Lucia Small | |||
Film Editing by | |||
| Karen Schmeer | |||
Sound Department | |||
| Richard Bock | .... | sound mixer | |
| Marianne Teleki | .... | sound assistant | |
| Robert Todd | .... | sound editor (as Robb Todd) | |
Camera and Electrical Department | |||
| Uta Briesewitz | .... | additional photographer | |
| Leah Mahan | .... | additional photographer | |
Animation Department | |||
| Anne Loyer | .... | animator | |
Editorial Department | |||
| Michael H. Amundson | .... | on-line editor | |
| William A. Anderson | .... | senior editing consultant | |
| Sasha Patsenka | .... | associate editor | |
| Daniel Shea | .... | assistant editor | |
| Rosanna Tullio | .... | assistant editor | |
Music Department | |||
| Ed Arnold | .... | musician: drums | |
| Bryan Bergeron-Killough | .... | musician: electric guitars | |
| Irina Chirkova | .... | musician: cello | |
| Keiichi Hashimoto | .... | musician: trumpet, trombone | |
| Michael Hilewitz | .... | musician: drums | |
| Ippei Ichimaru | .... | musician: bass | |
| Kaoru Ishibashi | .... | music recordist | |
| Kaoru Ishibashi | .... | musician: violin, rhodes, acoustic guitars | |
| Kenji Kikuchi | .... | musician: flute, clarinet, saxophone | |
| Satoru Ohashi | .... | musician: trumpet | |
| Shinichi Otsu | .... | musician: organ | |
| Vessela Stoyanova | .... | musician: marimba | |
| Keiko Watanabe | .... | musician: violin, viola | |
| Dave Westner | .... | additional music recordist | |
| John Weston | .... | music mixer | |
Thanks | |||
| Milica Dedijer | .... | special thanks | |
| Erik Dedijer-Small | .... | special thanks | |
| Yasmina Dedijer-Small | .... | special thanks | |
| Ray Kappe | .... | special thanks | |
| Quirina Kryger | .... | special thanks | |
| Jan Mardian | .... | special thanks | |
| Thom Mayne | .... | special thanks | |
| David Mesa | .... | special thanks | |
| Ralph Mursinna | .... | special thanks | |
| Michael Rendler | .... | special thanks | |
| Glen Howard Small | .... | special thanks | |
| Julie Small | .... | special thanks | |
| Joanne Small-Eggert | .... | special thanks | |
| Christine Small-Shook | .... | special thanks | |
| Kristina Wood | .... | special thanks | |
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| The Axe in the Attic | ESPYS Backstage | Falun Gong's Challenge to China | Growing Old | Iraq: A Tale of Censorship |
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| Full cast and crew | External reviews | IMDb Documentary section |
| IMDb USA section |
This daughter takes on a huge task: being fair to a father who emotionally neglected his children in a film seen by the public. That she did it well is to her credit. Screened at the Museum of Fine Arts in Boston, the movie was commented on by the film-maker Lucia Small who handled our questions. She shows her father with his own words, amidst his beautiful architectural works. She also interviews the siblings and the ex wives, ex-girlfriends, all muses to his work, but secondary. "Relationships come and go, " he says, "but the work is forever." "But what about the children" she asks, "What about them?" "Oh, they come and go as well, and sometimes they give you great pain." That remark is followed up at the end of the movie by a phone message that you hear while looking at a painting of his work: "I was not the father to you that I could have been."
Of course, this shows somewhat of an arrogance, since he is implying that he knew what to do. As a parent who also worshipped at the fake god, 'Career" and emotionally neglected her 5 children, I know that skill with a computer does not easily translate to skill in raising 'small people'....no pun intended. Lucia Small was the film-maker and she told us that her father's only complaint about the movie was, "It doesn't show enough of my work."
See this excellent movie with your children, and start a conversation with them about it. In the midst of daycare, school, tennis lessons, etc., etc. and our own long work-hours, they grow up having separate lives and we don't really know them. This might help you in that very important effort.
Having said that, I must also report that she told us her siblings were creative productive adults. One son, a carpenter is shown implementing the architectural plans of his father. How symbolic: the germ of an idea by the father is brought into being by the carpenter son, as the sperm issued by the father produced the son.
So how about the benefits of 'benign neglect'? And is 'happy' something you want your grown children to be in this world? See the movie....listen to your kids' opinion of it. And reflect.