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Cecilie is devastated when her fiancée Joachim is seriously injured in a car accident and is paralyzed from the neck down. Marie was the driver that caused the accident and she ask her husband Niels, a doctor at the hospital where Joachim is being treated, to help out Cecilie. However their relationship evolves in an affair which threatens Niels family. Written by
The film actually breaks with some of the Dogme 95 rules, e.g. the blood used in the car accident scene is 'theatre' blood, there were fantasy sequences shot in Super-8 and also a ThermaCAM has been used. See more »
The credits are stamped on the screen in thermal photography. See more »
Enough has been said about the Dogme rules, and the many movies that have been made with the certificate. No matter if you like the concept or not, Dogme will always ad a great amount of realism into a movie. And in "Elsker Dig Forevigt"/"Open Heart" the realism is very strong. Probably stronger in any of the other Dogme-films I have seen.
Even more realistic the movie gets from the acting, which is outstanding. I found Mads Mikkelsen a bit under-achieving in the beginning, but as the drama gets more intense so does Mikkelsen. He is Niels, the soft, modern, Danish family-man, who is as good with the kids as he is with his job. Other of Mikkelsen's parts has been very far from that, not least playing Tonny in Refn's "Pusher" and "Pusher II".
The wife of Niels, Marie, is well performed by Paprika Steen. Danish movies have had a reputation (in Denmark) that they are all dull, everyday-dramas with Paprika Steen in a leading role. "Elsker Dig..." has probably played a part in creating this reputation. It's not really fair, firstly because Danish movies are a lot more than that and secondly because Steen is really good. In "Elsker Dig " she shows great dept in her acting, and in one of the best scenes in the movie Marie's 'house-wife-facade' breaks down, showing that Marie is a lot stronger than what you could have expected. It's a difficult scene, but Steen carries it out very well.
As the third corner stone of the triangle Sonja Richter is the young woman Cæcilie who's boyfriend Joachim (Nikolaj Lie Kaas) is severely injured, when he gets run down by Marie, driving a bit too fast. The performances by Richter and Kaas are as spotless as they are outstanding.
I have to comment on the children in this movie. It rarely works really well, because children aren't actors. But the teenage daughter of Niels and Marie, Stine (Stine Bjerregaard), has a lot to offer. She too has a big scene, again it works, and it's brilliant. The younger brothers, Gustav and Emil, works very good too. These kids aren't 'acting' they are 'living' their parts. Stop casting wonder-kids, and look this way!
This thing is normally not my thing. But still I rated this movie high because it is a good movie. I generally like realism in movies (which I guess this review unveils) and that is 100% here.
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