Psychiatrist Dr. Lila Colleti is divorcing her husband and is devastated when he wins custody of their two little girls, whom he gets largely because Lila's job, being a psychiatrist for ... See full summary »
A man is kidnapped from his city home in the quiet hours of the night and, the kidnapper, John Kelly, embarks on a journey into the Australian Outback towards the place where his hostage is... See full summary »
Psychiatrist Dr. Lila Colleti is divorcing her husband and is devastated when he wins custody of their two little girls, whom he gets largely because Lila's job, being a psychiatrist for the criminally insane at the local prison, is a potentially dangerous one that forces her to keep long, erratic hours. When one of Lila's patients, Ed Baikman, is released into a half-way house, he decides under the delusional influence of his psychosis to help her out by murdering her ex-husband and his girlfriend, and then threatening to tell the cops they'd planned it together when she refuses to become romantically involved with him. Though Lila's lover, police detective Macy Kobacek, stands by her loyally, Baikman does such an ingenious job of implicating Lila in the crime that even Macy begins to have his doubts about Lila's innocence. Written by
I like this movie a lot. It doesn't have the most original plot in the world but what it does with it is dynamite. This reminds me a lot of those old movies they call "filmes noir" nowadays, the ones with the weary cynical cop, played by someone like Mark Stevens or William Lundigan or Dana Andrews who gets mixed up with the dangerous dame who may or may not be a killer. And there's the likable but menacing loony (William Bendix, Elisha Cook), is he the guilty one? This is a real whodunit, folks, & it had me on the edge of my seat from start to finish. The three principals are terrific. Gershon is a pure pulp lusty female, right off the cover of an old Signet paperback. Michael Biehn has grizzled nicely since Terminator. Maybe he'll morph into today's Sterling Hayden. And Sean Patrick Flanery is fine as the charming psycho who evokes Michael J. Fox as Hannibal Lechter. It's a great-looking film, never static, with lots of dynamic camera work, great pace and good writing. A very professional and satisfying film. In a way it is what The Man Who Wasn't There should have been.
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