David, an independent photographer, and Katia, an unemployed woman, leave Los Angeles, en route to the southern California desert, where they search a natural set to use as a backdrop for a...
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Bruno Dumont Follows Up The Controversial Twentynine Palms With This Tale Of A Group Of Young Soldiers Who Go Off To War And Experience Some Life-changing Events. Flandres Won The Grand Prix Prize At The 2006 Cannes Film Festival.
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
A social movie about life nowadays in the north of France. Freddy and his friends are all unemployed. They try to pass away the time by wandering around on their motorcycles and by ... See full summary »
The aspirant nun Céline vel Hadewijch is invited to leave the convent where she studies and she returns to the house of her mother in Paris. Céline meets her outcast Muslim teenage friend ... See full summary »
Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
David, an independent photographer, and Katia, an unemployed woman, leave Los Angeles, en route to the southern California desert, where they search a natural set to use as a backdrop for a magazine photo shoot. They find a motel in the town of Twentynine Palms and spend their days in their sport-utility vehicle, discovering the Joshua Tree Desert, and losing themselves on nameless roads and trails. Frantically making love all the time and almost everywhere, they regularly fight, then kiss and make up, with little else going on in their empty relationship and quite ordinary daily life--until something horrible and hideous brutally puts an end to their trip. Written by
Casting Director Elisabeth Jereski originally planned to cast Marine Corporal Joshua James in the lead, but was rebuffed by his local Squadron Commander, Lt. Col. F.J. Usry, as the graphic sex scenes and violence would portray the Marine Corps, with which James was actively serving in 29 Palms, in a "less than positive light in the community." See more »
I just can't believe the amount of awful reviews this great film has been receiving in the site. It is a shame that people actually don't get it, when it fact it works in two levels perfectly.
The first level is intellectual. You can dissect it in its metaphors, symbols, etc. but I don't like that because we will not ever know what was happening in Dumont's head (conscious and unconscious) when he filmed it.
The second level is plain emotional. You can take the film as an atypical horror film. And it truly scared the hell out of me. It shocked me in a way no other film did before. Ever.
The acting sucks? I don't think so. They are just acting natural. It's not like: "Look at me, uh! Look at me, Give me my freaking Oscar!". They are just portraying common people. And if you don't like how common people talk, well... beat it!
That's another issue that annoyed me. A lot of people have stated here: "Writing on it sucks" Well, What were you expecting? Retro-linguistics, artsy-historic wannabe type, on the track of major turkeys like "Troy", "King Arthur" or "The Village"? Give me now a major break and let me tell you this is how people talk. Go out more often, if you please.
The great trick on the film, is that Dumont made it so hiper realistic. So, when the shocker ending comes, it hits you like a van running at 110 mph in the middle of the Joshua Tree Desert. And yes, ready to scare you off to death.
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