David, an independent photographer, and Katia, an unemployed woman, leave Los Angeles, en route to the southern California desert, where they search a natural set to use as a backdrop for a... See full summary »
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During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
Director:
Andrzej Zulawski
Stars:
Isabelle Adjani,
Sam Neill,
Margit Carstensen
In a decript apartment, a young man watches as his father and a friend shoot an amateur porn film. Issues of morality, reality TV and friendship are explored.
Director:
Lukas Moodysson
Stars:
Thorsten Flinck,
Björn Almroth,
Sanna Bråding
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the ... See full summary »
Director:
Philippe Grandrieux
Stars:
Marc Barbé,
Elina Löwensohn,
Géraldine Voillat
While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has a emotional breakdown while confronting his repressed desires.
In Spain, the former Nazi doctor Klaus tries to commit suicide jumping off the roof of his manor. However, he survives with the entire body paralyzed and dependable of an iron lung with ... See full summary »
Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her ... See full summary »
Directors:
Hélène Cattet,
Bruno Forzani
Stars:
Cassandra Forêt,
Charlotte Eugène Guibeaud,
Marie Bos
David, an independent photographer, and Katia, an unemployed woman, leave Los Angeles, en route to the southern California desert, where they search a natural set to use as a backdrop for a magazine photo shoot. They find a motel in the town of Twentynine Palms and spend their days in their sport-utility vehicle, discovering the Joshua Tree Desert, and losing themselves on nameless roads and trails. Frantically making love all the time and almost everywhere, they regularly fight, then kiss and make up, with little else going on in their empty relationship and quite ordinary daily life--until something horrible and hideous brutally puts an end to their trip. Written by
anonymous
I just can't believe the amount of awful reviews this great film has been receiving in the site. It is a shame that people actually don't get it, when it fact it works in two levels perfectly.
The first level is intellectual. You can dissect it in its metaphors, symbols, etc. but I don't like that because we will not ever know what was happening in Dumont's head (conscious and unconscious) when he filmed it.
The second level is plain emotional. You can take the film as an atypical horror film. And it truly scared the hell out of me. It shocked me in a way no other film did before. Ever.
The acting sucks? I don't think so. They are just acting natural. It's not like: "Look at me, uh! Look at me, Give me my freaking Oscar!". They are just portraying common people. And if you don't like how common people talk, well... beat it!
That's another issue that annoyed me. A lot of people have stated here: "Writing on it sucks" Well, What were you expecting? Retro-linguistics, artsy-historic wannabe type, on the track of major turkeys like "Troy", "King Arthur" or "The Village"? Give me now a major break and let me tell you this is how people talk. Go out more often, if you please.
The great trick on the film, is that Dumont made it so hiper realistic. So, when the shocker ending comes, it hits you like a van running at 110 mph in the middle of the Joshua Tree Desert. And yes, ready to scare you off to death.
10/10
32 of 52 people found this review helpful.
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Twenty-nine palms. Directed by Bruno Dumont. ****
Film-making is about images NOT stories.
I just can't believe the amount of awful reviews this great film has been receiving in the site. It is a shame that people actually don't get it, when it fact it works in two levels perfectly.
The first level is intellectual. You can dissect it in its metaphors, symbols, etc. but I don't like that because we will not ever know what was happening in Dumont's head (conscious and unconscious) when he filmed it.
The second level is plain emotional. You can take the film as an atypical horror film. And it truly scared the hell out of me. It shocked me in a way no other film did before. Ever.
The acting sucks? I don't think so. They are just acting natural. It's not like: "Look at me, uh! Look at me, Give me my freaking Oscar!". They are just portraying common people. And if you don't like how common people talk, well... beat it!
That's another issue that annoyed me. A lot of people have stated here: "Writing on it sucks" Well, What were you expecting? Retro-linguistics, artsy-historic wannabe type, on the track of major turkeys like "Troy", "King Arthur" or "The Village"? Give me now a major break and let me tell you this is how people talk. Go out more often, if you please.
The great trick on the film, is that Dumont made it so hiper realistic. So, when the shocker ending comes, it hits you like a van running at 110 mph in the middle of the Joshua Tree Desert. And yes, ready to scare you off to death.
10/10