A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
A documentary about Tom Dowd, who was an innovative recording engineer and producer of noted albums with John Coltrane, Ornette Coleman, Otis Redding, Eric Clapton, the Allman Brothers and many others.
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers. Written by
People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!
See more »
After all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights. See more »
Pride And Joy
by Marvin Gaye, William Stevenson and Norman Whitfield (as Norman J. Whitfield)
Performed by Marvin Gaye
Used by permission of Jobete Music Co., Inc., MGIII Music, NMG Music and FCG Music
All Rights Reserved
Courtesy of Motown Record Company, L.P.
under license from Universal Music Enterprises See more »
This is a "must see" if you are at all interested in R&B, soul, Motown, etc. But it's really a must-see if you're a musician yourself.
Using archival footage interspersed with recent concert footage and anecdotal recreations, this film follows the careers of "The Funk Brothers" - the men who backed up a who's who of Motown's brightest stars from 1959 into the mid 1970's, and who have played on more #1 hits than the Beatles, Rolling Stones, Beach Boys, and Elvis COMBINED.
The movie will be in general distribution Nov. 15 (2002) - I saw it at the Vancouver International Film Festival, where the theater was packed (I'd guess at least half with musicians) - and the response was amazing - people were laughing, crying, shouting, singing along, and dancing in the seats (to paraphrase Martha and the Vandellas)
16 of 16 people found this review helpful.
Was this review helpful to you?