A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
A documentary about Tom Dowd, who was an innovative recording engineer and producer of noted albums with John Coltrane, Ornette Coleman, Otis Redding, Eric Clapton, the Allman Brothers and many others.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers. Written by
In 1959, Berry Gordy gathered the best musicians from Detroit's thriving jazz and blues scene to cut songs for his new record company.
Over a fourteen year period they were the heartbeat on "My Girl," "Bernadette," "I Was Made to Love Her" and every other hit from Motown's Detroit era.
By the end of their phenomenal run, this unheralded group of musicians had played on more number one hits than the Beach Boys, the Rolling Stones, Elvis, and the Beatles combined...
Which makes them the greatest ...
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After all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights. See more »
At 35, I'm too young too have been around when all this great music first appeared. But I truly feel the Motown music in my soul, always have. I still get goosebumps, to this day, when I hear certain Motown songs.
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
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