Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world's best scratchers, beat-diggers, ... See full summary »
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers. Written by
by Earl Van Dyke (as Earl T. Van Dyke), Robert White, James Jamerson
Performed by The Funk Brothers
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
Courtesy of Motown Record Company, L.P.
under license from Universal Music Enterprises See more »
Standing in the Shadows of Motown is a terrific documentary that gives us a wonderful introduction to The Funk Brothers, the musicians behind the hits at Motown. This is their story, therefore little time is devoted to Barry Gordy or the label's stars. The Brothers emerge as engaging personalities in their own right - it's a pleasure to listen to them tell their tales of life in "the Snake Pit" (the studio) at Motown.
Even more a pleasure is listening to them play and hearing new interpretations of some of the great old tunes. Especially, for me, Bootsy Collins on "Cool Jerk" (Bootsy puts the "fun" in "funk") and Joan Osborne on "Heat Wave" (the Brothers really groove on this one) and "What becomes of the Broken Hearted" - a stirring rendition that raises the roof and brings down the house! Great stuff. A few of the other new performances are not quite as strong as this, but overall the music is just great. The old guys have still got it. I really loved hearing little bits of their jazz playing sprinkled throughout the movie - in fact I'd like to have heard more of this, but of course there are time constraints in any film. It was also great to hear some of the arrangements broken down to (or built up from) individual parts. It brings home the fact that these guys are really creative players (try to imagine "My Girl" without the "dum da da da da da" guitar lick, for example).
I already knew a bit about James Jamerson, the genius bass player for Motown, before watching this movie, but meeitng the rest of these great players and hearing their stories was just a pure pleasure straight through. Good to see these guys getting their props - they are The Funk Brothers!
10 of 11 people found this review helpful.
Was this review helpful to you?