Peter Soffel is the stuffy warden of a remote American prison around the turn of the century. His wife, Kate, finds herself attracted to prisoner Ed Biddle. She abandons her husband and ... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
"While hospitalized with an extreme case of psoriasis, novelist Dan Dark reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with his protagonist, a detective investigating the murder of a prostitute in 1950s Los Angeles." Written by
Downey does for Humphrey Bogart what he did for Chaplin!
In "The Singing Detective" there are moments of pure "Yes!" as Downey incredibly resurrects Humphrey Bogart. He did not 'do Bogart' as anyone and their brother can do, (mine usually works..), but it seemed instead he must actually have been doing what Bogart himself did: focusing on difficult issues, maintaining deep courage and principles, and finally acting richly with his whole being. I have seen nothing to compare with it since the original immortal performances. We are talking superbly transcendent character acting, (as when Downey did Chaplin). Oscars? Schmoskers! Downey deserves a Nobel Prize; and why not give such an honor? Is literature ever to be held in greater esteem than cinema? BTW... Mel Gibson did what I thought was his personal best job, and the rest of the cast's acting was crisp and gifted. If some felt that the plot was the weakest element, consider the plot in "Chicago". A good vehicle does what it must. I liked the whole thing, with all its vivid medical depictions, coarse direction, and unfiltered displays of human dysphoria.
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